By Federico Garcia Lorca; Gustavo Pittaluga. For Voice and Guitar. Classical. Sheet Music. Published by Union Musical Ediciones.

Christmas Music. By Hans Westermeier. For voice and guitar. Published by Edition Dux Verlag (German import).

By Federico Garcia Lorca. For Voice, Guitar. Sheet Music. 32 pages. Published by Union Musical Ediciones.

Composed by Daniel Pinkham (1923-2006). For medium voice, guitar. Advent. 16 pages. Published by Ione Press

Medium Voice and Guitar. By Manuel de Falla. Arranged by Emilio Pujol Vilarrubi, Miguel Llobet. Editions Durand. Softcover. Size 9x12 inches. 36 pages. Published by Max Eschig.

By Many. Arranged by Elaine Stratford. Text: Many. For Guitar and Voice. Published by Jackman Music Corporation.
Level: Medium.

Composed by Graciano Tarrago. Classical. Book Only. Union Musical Ediciones #MUSUMG20614. Published by Union Musical Ediciones

Composed by Various. Arranged by Marc Bataini. Published by Les Productions d'OZ (DZ.DZ-903).

Composed by Various. Arranged by Marc Bataini. Published by Les Productions d'OZ (DZ.DZ-902).

Guitar and voice - Intermediate

SKU: DY.DO-1538

Composed by David Leisner. Score. Les Editions Doberman-Yppan #DO 1538. Published by Les Editions Doberman-Yppan (DY.DO-1538).

ISBN 9782897963187.

When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twain’s witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eve’s diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.

Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eve’s Diary was composed in 2015.

Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ève, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ève tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ève qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.

Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ève a été composé en 2015.

Guitar Chord Songbook (6 inch. X 9 inch.). Performed by Various. Guitar Chord Songbook. Size 6x9 inches. 238 pages. Published by Hal Leonard.

Guitar and voice - Intermediate

SKU: DZ.DZ-2124

Composed by Various. Arranged by Marc Bataïni. Vocal score and part. Les Productions d'OZ #DZ 2124. Published by Les Productions d'OZ (DZ.DZ-2124).

ISBN 9782897370411.

Guitar and voice - Intermediate

SKU: DZ.DZ-2442

Composed by Various. Arranged by Marc Bataïni. Vocal score and part. Les Productions d'OZ #DZ 2442. Published by Les Productions d'OZ (DZ.DZ-2442).

ISBN 9782897373597.

Guitar and voice - Intermediate

SKU: DZ.DZ-2423

Composed by Various. Arranged by Marc Bataïni. Vocal score and part. Les Productions d'OZ #DZ 2423. Published by Les Productions d'OZ (DZ.DZ-2423).

ISBN 9782897373405.

By Various. Arranged by Marc Bataini. For guitar and voice. Level: 3. 48 pages. Published by Les Productions d'OZ. (DZ 901)

Compiled by Robert Gogan. Celtic. Composed 1-31-2006. 130 pages. Published by Feadog.

Cocktail Music, Volume 1. By Various. Arranged by David Jacques. For guitar and voice. Level: 3. 52 pages. Published by Les Productions d'OZ. (DZ 1003)

Voice and Guitar. By Various. Arranged by Joseph Ladone. Vocal Collection. Size 9x12 inches. 44 pages. Published by Associated.

Guitar and voice - Advanced

SKU: DY.DO-1447

Composed by David Braid. Score. Les Editions Doberman-Yppan #DO 1447. Published by Les Editions Doberman-Yppan (DY.DO-1447).

ISBN 9782897962272.

For High Voice and Guitar. By Benjamin Britten. Arranged by Julian Bream. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 16 pages. Published by Boosey and Hawkes.