Baritone Voice and Piano - Intermediate

SKU: FP.FMJ02

Composed by John Manduell. Sheet Music and Books. Songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse. Classical. Vocal Score. Forsyths Publications #FMJ02. Published by Forsyths Publications (FP.FMJ02).

ISBN 9790570503896.

A wonderfully balanced and yet contrasting set of songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse.

In the first, perhaps the most often quoted of Ronsard's poems, the poet invites young Mignonne to come and look at the purple rose and to realise that her beauty like the rose's will fade all too soon. Du Bellary's poem is redolent of late summer heat and haze as the thresher of the title calmly pursues his work. The Marot is a brief exercise in courteous mockery as the poet chides his ailing lady upon her gastronomic self-indulgence and warns her of the inevitable consequences upon her figure.

Finally published in 2013, Trois Chansons is one of the of the composer’s earliest surviving works, written while he was studying with the late Sir Lennox Berkely as a postgraduate student at the Royal Academy of Music. The first performance was given by Beverley Humphreys at the Royal Academy of Music in 1956.

Composed by Christoph Willibald von Gluck (1714- 1787). Edited by Benoît Dratwicki. Arranged by Hans Schellevis, Michael Töpel, Heinz Moehn, Jurgen Sommer, and Hans Vogt. This edition: urtext edition. Paperback. Christoph Willibald Gluck. Airs d'opera francais / French Operatic Arias \| BARENREITER URTEXT. Baritone. Vocal Score, anthology. 106 pages. Baerenreiter Verlag #BA08169. Published by Baerenreiter Verlag

Baritone voice & Piano

SKU: ST.Y230

Composed by Rhian Samuel. Vocal music. Five songs to poems by Samuel Beckett.. Score. Stainer & Bell Ltd. #Y230. Published by Stainer & Bell Ltd. (ST.Y230).

ISBN 9790220221736.

Comm issioned with Arts Council of Wales funds by the School of European Studies, Cardiff University, for the centenary celebrations of Samuel Beckett's birth, The Flowing Sand is a setting of five poems by this seminal 20th-century modernist that are unified as a song-cycle by meaningful contrasts of mood and of musical style. The movements are 'what would I do', 'my way is in the sand', 'Da Tagte Es', 'Roundelay' and 'saying it again'. Artistically challenging, yet well within the technical range of enterprising conservatoire students, The Flowing Sand is a major addition to the repertoire of contemporary art-song by British composers, and a significant contribution to the celebrations of the writer's anniversary year.