Mezzo-soprano voice & piano (Solo) - Difficult

SKU: OU.9780193394025

Composed by Howard Skempton. Voice & Piano. Vocal score. 16 pages. Duration 9'. Oxford University Press #9780193394025. Published by Oxford University Press (OU.9780193394025).

ISBN 9780193394025. 12 x 8 inches.

For mezzo-soprano and piano. Brave Guy of Warwick sets text from Lines written at Warwick by George Crabbe (1754-1832) which describes a portion of the legend of Guy of Warwick. This piece is engaging and characterful, and audiences are bound to be charmed by both the music and the story.

Composed by Mieczyslaw Weinberg. Peermusic Classical. Softcover. Peermusic Classical #PEER4036. Published by Peermusic Classical

Mezzo-Soprano & Piano

SKU: SU.32040040

For Mezzo-Soprano & Piano. Composed by Amy Riebs Mills. Vocal/Choral, Solo Voice. Accompanied by piano. Piano Vocal Score. Subito Music Corporation #32040040. Published by Subito Music Corporation (SU.32040040).

Mezzo-Soprano & Piano Duration: 17' Composed: 2014 Published by: Amy Mills Music, LLC These three art songs can be performed independently or in sequence, at any time of the year. Stuart McAlpine’s profound text explores three men from the Christmas story, Joseph, the Inn-keeper, and Simeon. The creative and beautiful musical settings allow for powerfully dramatic interpretation and performance. To Joseph (who taught me how to look at art) The singer sings to Joseph, …you beheld a work of art, the making of a holy heart… and watching through Joseph’s eyes, when hung at last, its meaning was decreed. (4:40) The Inn-keeper’s Lament McAlpine brilliantly explores the possibility…what if the inn-keeper who turned away Mary & Joseph later became the inn-keeper who accepted the injured man brought in by the Good Samaritan? This powerfully dramatic piece depicts the Bethlehem inn-keeper’s bravado, Caeser’s decree was heaven sent, as guests raised glasses, I raised rent! But as the enormity of his mistake became apparent, in later years he bemoans, …if I’d known then what I know now… and finally declares at the end, I know now! (7:50) Simeon’s Last Prayer Simeon sings of being summoned to the temple where he holds his infant Savior. …then as grandfathers do, rejoiced as if he were my one-and-only too. As he leaves he whispers his final prayer, …dismiss your servant, to find You face-to-face. (4:30) Difficulty Level: Baritone/Mezzo-Soprano 6 (Professional) (Baritone Range: low A (optional low G) to high F# (optional high G,A) (Mezzo Range: low A (optional low G) to high G (optional high A) Piano 6 (Professional)(Same level as Debussy or Ravel) See also the version for Baritone Voice and Piano See composer website for audio sample.

For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 seconds. Theodore Presser Company #111-40297. Published by Theodore Presser Company

Mezzo-Soprano and Piano Mezzo-Soprano; Piano Accompaniment (Mezzo-Soprano)

SKU: HL.48024675

15 Old Songs About 'Orlando Furioso' by Ariost Mezzo-Soprano and Piano. Composed by Detlev Glanert. Boosey & Hawkes Voice. Classical. Softcover. 52 pages. Bote & Bock #M202532010. Published by Bote & Bock (HL.48024675).

ISBN 9781540058515. UPC: 888680952495.

Creat ed in 2004 for the radio production Orlando furioso of the WDR, 'Orlando-Lieder' tries to give new and colourful form to the old narrative style of an invented time of troubadours. Tenderness is juxtaposed to passion, harmony to brusqueness. The voice of the countertenor symbolizes the objective observation of what is happening in the novel by one of the balladeers travelling the courts of the world and informing us about the adventures of people, their strange encounters and their great emotions.Mezzo-Soprano and Piano. Contents: Lied der Sehnsucht * Lied der Wehmut * Der Hippogryph * Hexensabbat * Orlandos Traum * Logistillas Schloss * Amors Pfeil * Insel der Dufte * Lied der Augen * Eis * Liebesschmerz * Lied vom Meer * Lied vom Mond * Untrostlich * Erwachen.

Mezzo-soprano voice and piano

SKU: LM.29331

Composed by Regis Campo. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29331. Published by Editions Henry Lemoine (LM.29331).

ISBN 9790230993319.

1. Gruselett (1'30) - 2. Schmetterling (2') - 3. Himmel und Erde (2'40).

Mezzo-Soprano or Alto. Composed by Franz Abt (1819-1885). Masterworks; Vocal Method. Kalmus Edition. Masterwork; Romantic. Book. 140 pages. Kalmus Classic Edition #00-K09142. Published by Kalmus Classic Edition

(13 Selected Arias from Early Baroque to Classic Mezzo-Soprano/Soprano). By Various. Edited by Alan Curtis. For Mezzo-Soprano, Soprano, Piano Accompaniment. Boosey and Hawkes Voice. Softcover. 88 pages. Bote and Bock #M202523438. Published by Bote and Bock

(Mezzo Soprano and Piano Reduction). By Kaija Saariaho (1952-). Arranged by Christopher Brown. For Mezzo-Soprano, Piano Accompaniment (Mezzo-Soprano). Music Sales America. Book only. 42 pages. Chester Music #CH7165401. Published by Chester Music

Voice (Music For Voice)

SKU: HL.48187140

Composed by Leo Delibes. Leduc. Softcover. Heugel & Cie #HE05705. Published by Heugel & Cie (HL.48187140).

UPC: 888680849337. 10.5x13.75x0.16 inches.

Delibes Lakme No 13 Ter Melodie Mezzo Soprano Solo & Piano Book.

Mezzo-Soprano and Piano

SKU: HL.14027822

Composed by Bent Sorensen. Music Sales America. Classical. Book [Softcover]. 21 pages. Music Sales #KP01105. Published by Music Sales (HL.14027822).

ISBN 9788759877579. English.

Roses Are Falling - 5 songs for Mezzo-Soprano and Piano by Bent Sorensen (1998) with lyrics by Selima Hill. Programme note: Roses are Falling had its origin in a small opera sketch I created with the English poet Selima Hill in just under a week during an opera workshop in the south of England in the autumn of 1998. After the workshop I was asked to make a song cycle out of the material. The opera sketch begins with a woman and a man sitting alone in a room. They have drawn aside from the rest of a large party and they have just decided to finish their love affair. The other guests at the party come into the room, and amidst the crowd the man leaves the room. The women is leftthere alone among all these inconsequential people: alone, singing her own thoughts and torment. The first three songs were all taken from this part. In the fourth song, which was written late, the text is taken from one of Selima Hill's poetry collections. The fifth and last song comes partly from the beginning of the opera, where the man and the women sit alone (she knows what is coming), partly from the end of the story, where despite the gab in time and space they touch each other with their dreams. His voice is heard as a whisper that merges with hers: He takes me in his arms like the moon that turns and take the evening from the sun. Roses are Falling was premiered in 2000 in London by Lore Lixenberg and Domenic Saunders.

(Mezzo-Soprano/Contralto and Piano). By Various. For Mezzo-Soprano, Contralto, Piano Accompaniment. Vocal. Softcover. 101 pages. Ricordi #R140556. Published by Ricordi