Piano Accompaniment; Soprano (Soprano) SKU: HL.48025145 Soprano (or Te...(+)
Piano Accompaniment;
Soprano (Soprano)
SKU:
HL.48025145
Soprano (or Tenor) and
Piano. Composed by
Simon Laks. Boosey &
Hawkes Voice. Classical.
Softcover. 24 pages.
Duration 660 seconds.
Bote & Bock #M202537084.
Published by Bote & Bock
(HL.48025145).
ISBN
9783793144052. UPC:
196288096269. 0.102
inches.
A Pole with
Jewish roots, traveller
and student, the
versatile composer and
publicist Szymon Laks
developed his artistic
maturity inthe fertile
environment of the French
capital between the world
wars. Close to the Ecole
de Paris, Laks'
enthusiasm and openness
forpopular music,
neo-classicism and Polish
song can also be heard in
his works. His work was
abruptly interrupted by
the Second World War and
his deportation to the
Auschwitz concentration
camp. In the song cycle
created in 1947, which is
full of tension on the
frontiers between art
song and folklore, Laks'
most personal memories of
his mother's singing - as
well as of the Jewish
culture in Poland, which
was destroyed by National
Socialism - echo
through.
Soprano voice and piano (GSG/KL) - difficult SKU: HL.49033271 Fragment...(+)
Soprano voice and piano
(GSG/KL) - difficult
SKU: HL.49033271
Fragment from Das
Urteil (The Judgement) by
Franz Kafka. Composed
by Ekkehard Jost. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Composed
2004. 20 pages. Duration
7'. Schott Music #ED
9750. Published by Schott
Music (HL.49033271).
ISBN 9790001136877.
9.0x12.0x0.088 inches.
German.
Kafka's
ouvre is interspersed
with moments of utter
anxiety. Moments in
which, induced by
adrenalin, the blood
pressure rises. Blood
vessels which seem to
constrict, pump enormous
quantities of blood the
pressure of which might
make one believe that the
head is going to explode.
In The Judgment, an
innocent opening story
leads to one of the most
unusual showdowns in
world literature: The
beloved father sentences
his son to death by
drowning; the son
immediately obeys since
his life, his existence
almost explodes, becomes
blurred, dissolves at the
moment the judgment is
pronounced. For me, the
'self' driving him - I
imagine this as a high
sound in the inner ear -
could only be a soprano.
This is why the actual
'fall' has turned out to
be clear, almost friendly
and why Georg only seems
to want to breathe a soft
and quiet 'Dear parents,
I have always loved you'
during the fall while no
longer keeping the
singing tone, shortly
before death, almost
casually, takes hold of
him. Christian Jost.