Par VERDI GIUSEPPE. Volta La Terrea Fronte Alle Stelle is a solo aria from the opera Un Ballo In Maschera (A Masked Ball). It is presented here for solo Soprano Voice with Piano accompaniment in standard notation with added chord symbols. Scribe's libretto to Verdi's 'A Masked Ball' concerns the real-life assassination of King Gustave III of Sweden at a masked ball in 1792, but adds a love story to what was probably a political murder. The King, Ricardo, is in love with Amelia, wife of his friend Renato. Renato warns the King to beware a plot to kill him. The King visits Ulrica the mystic, and she says he will die by the next friendly hand he shakes. The plot develops, and ends with anexploration of the concepts of innocence and remorse. Volta La Terrea Fronte Alle Stelle is a solo aria from the opera Un Ballo In Maschera (A Masked Ball). It is presented here for solo Soprano Voice with Piano accompaniment in standard notation with added chord symbols. Scribe's libretto to Verdi's 'A Masked Ball' concerns the real-life assassination of King Gustave III of Sweden at a masked ball in 1792, but adds a love story to what was probably a political murder. The King, Ricardo, is in love with Amelia, wife of his friend Renato. Renato warns the King to beware a plot to kill him. The King visits Ulrica the mystic, and she says he will die by the next friendly hand he shakes. The plotdevelops, and ends with an exploration of the concepts of innocence and remorse. / Opéra-opérette / Répertoire / Chant et Piano

for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano

POÈMES : ANNE WARTHMANN. Par BONNET ANAEL. / Date parution : 2023-03-21/ Recueil / Soprano et Piano

Four comprehensive anthologies of Mozarts opera arias. Includes Mozart's complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages, as well as Italian, French and German. / Soprano Et Piano

Szene und Arie. Par MARSCHNER HEINRICH. Szene Et Arie (Og 99)/ Répertoire / Soprano et Piano

La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Soprano 2