Niedermeyer,Berlioz,Gouno
d,Viardot,Franck,
Masse,Lalo,Saint-Saens,
Delibes, Bizet,Massenet,
Chabrier, Paladihle,
Faure, Duparc,
Chausson,Debussy, Satie,
de Severac, Dupont,
Poulenc(Fr). By Various.
Edited by Nichols. For
low voice, piano.
Photoprint edition -
publisher prints this
title after order is
received. Published by
C.F. Peters.
Low voice and piano SKU: HL.49019816 After poems by Jakob Haringer...(+)
Low voice and piano
SKU: HL.49019816
After poems by Jakob
Haringer. Composed by
Arnold Schoenberg. Edited
by Jacques-Louis Monod.
This edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 1933. Op. 48. 52
pages. Duration 6'.
Schott Music #ED 21738.
Published by Schott Music
(HL.49019816).
ISBN
9790001195294. UPC:
841886020849.
9.0x12.0x0.224 inches.
German -
English.
Tenor/Baritone
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. 12 pages.
Published by Hal Leonard
(HL.383304).
ISBN
9781705154144. UPC:
196288021438. 9.0x12.0
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
from––all transposed
into appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Tenor/Baritone edition
features 30 songs,
including: Ain't No
Sunshine • All by
Myself • Bridge over
Troubled Water • Crying
• Dust in the Wind •
Fields of Gold • Fire
and Rain • Hallelujah
• Imagine • Lean on
Me • Mad World • New
York State of Mind •
Rocket Man (I Think It's
Gonna Be a Long Long
Time) • Thinking Out
Loud • Time After Time
• Unchained Melody •
With or Without You •
Wonderful Tonight •
Your Song • and
more.
(19th Century vocal repertoire for Bass (20 pieces). Includes pieces by Berlioz,...(+)
(19th Century vocal
repertoire for Bass (20
pieces). Includes pieces
by Berlioz, Bizet,
Debussy, Gounod,
Masse,Massenet,
Meyerbeer, Saint-Saens,
Thomas, and Verdi.)
Edited by Roger Nichols.
For bass voice and piano.
Format: piano/vocal
songbook. With vocal
melody, lyrics, piano
accompaniment and
introductory text.
Romantic period and
impressionistic.
Photoprint edition -
publisher prints this
title after order is
received. 115 pages. 9x12
inches. Published by C.F.
Peters.
Ave Maria - Low Voice * Schubert composed by Franz Schubert (1797-1828). Arrange...(+)
Ave Maria - Low Voice *
Schubert composed by
Franz Schubert
(1797-1828). Arranged by
Walter Scott. For voice
solo. Solo. Choral. Sheet
Music. Text Language:
English. 4 pages.
Published by Santorella
Publications
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voi...(+)
Medium Voice; Piano
Accompaniment (Low Voice)
SKU: HL.51481460
Low Voice and
Piano. Composed by
Richard Strauss. Edited
by Annette Oppermann.
Henle Music Folios.
Classical, Song Cycle.
Softcover. 40 pages. G.
Henle #HN1460. Published
by G. Henle
(HL.51481460).
UPC:
196288093046.
8.25x11.5x0.177
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard
StraussÂ’corpus of
Lieder. For the first
time, he composed an
entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
“Zueignung,â€
“Die Nacht,â€
and
“Allerseelen,â€
are among the most
popular Strauss songs of
all time, but the entire
cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The first
edition of op. 10,
published in 1887 for
high voice, was followed
during the composer's
lifetime by transposed
versions for middle and
low registers, something
that was then to become
the rule for all of
Strauss's songs. Henle
has returned to these
tried and tested
transpositions for its
own Urtext edition for
low voice, so as to offer
this wondrous song-cycle
to all voice ranges.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Low Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For low voic...(+)
(Low Voice). By Franz
Schubert (1797-1828).
Edited by Walther Durr.
For low voices/piano.
This edition: Stapled,
Urtext edition. Vocal
score, Anthology.
Language: German, Text
Language: German/English.
58 pages. Published by
Baerenreiter Verlag