(Low Voice Edition With 2 CDs of Piano Accompaniments). Composed by Various. Edi...(+)
(Low Voice Edition With 2
CDs of Piano
Accompaniments). Composed
by Various. Edited by
Maria DiPalma and Richard
Walters. For Low Voice,
Piano Accompaniment.
Vocal Collection.
Softcover with CD. 216
pages. Published by Hal
Leonard
Singer's Jazz Anthology - Low Voice with Recorded Piano Accompaniments Online....(+)
Singer's Jazz Anthology -
Low
Voice with Recorded Piano
Accompaniments Online.
Composed by George
Gershwin
(1898-1937). Singer's
Jazz
Anthology. Jazz,
Standards.
Softcover Audio Online.
128
pages. Published by Hal
Leonard
Singer's Jazz Anthology - Low Voice with Recorded Piano Accompaniments Online....(+)
Singer's Jazz Anthology -
Low
Voice with Recorded Piano
Accompaniments Online.
Composed by Cole Porter.
Singer's Jazz Anthology.
Jazz, Standards.
Softcover
Audio Online. 122 pages.
Published by Hal Leonard
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. ...(+)
(Low Voice and Piano).
Composed by Various. For
Low Voice, Piano
Accompaniment. Vocal.
Softcover. 96 pages. G.
Schirmer #ED4600.
Published by G. Schirmer
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung...(+)
Low Voice and Piano
SKU: HL.49005024
Lieder mit
Instrumentalbegleitung
fur die Schule.
Arranged by Cesar
Bresgen, Friedrich Zipp,
Paul Nitsche, and Werner
Fussan. Edition Schott.
Classical. Score for
Voice and/or Instruments.
60 pages. Schott Music
#HL50499823. Published by
Schott Music
(HL.49005024).
ISBN
9781495000713. UPC:
888680028183.
Selec
ted Art Songs by
prominent American
composers in the G.
Schirmer and AMP catalog,
including songs by Samuel
Barber, John Duke, Lee
Hoiby, Charles Ives, John
Jacob Niles, William
Schuman, and
others.
Selected art
songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Includes
worksfrom Ernst Bacon:
It's all I have to
bring * Samuel
Barber: The
Crucifixion; The Daisies;
Hey nonny no!; The Monk
and His Cat; Mother, I
cannot mind my wheel; A
Slumber Song of the
Madonna; Sure on this
shiningnight * Paul
Bowles: Cabin;
Heavenly Grass; Sugar in
the Cane * Theodore
Chanler: The Lamb *
Ernest Charles: When I
Have Sung My Songs *
John Duke: Loveliest
of Trees; Richard
Hageman: Do not go,
mylove * Lee Hoiby:
Where the Music Comes
From * Carles Ives:
In the mornin';
Serenity * Herbert
Kingsley: The Green
Dog * Charles
Naginski: The
Pasture * John Jacob
Niles: Black is
thecolor of my true
love's hair; Go 'way from
my window; The Lass from
the Low Countree *
Gladys Rich: American
Lullaby * William
Roy: This Little
Rose * John Sacco:
Brother Will, Brother
John *William
Schuman: Holiday
Song; Orpheus with his
lute.
Selected Art
Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Low Voice and
Piano. Composed by
Alexander Goehr. This
edition: Saddle
stitching. Sheet music.
Vocal. Classical.
Softcover. Composed 2004.
Op. 76. 60 pages.
Duration 25'. Schott
Music #ED13074. Published
by Schott Music
(HL.49019219).
ISBN
9790220127427. UPC:
884088918569.
9.0x12.0x0.235 inches.
English.
Eight
songs on texts by Greek
poets Hesiod and Homer in
English translation. c.
25 minutes.
(7 carol arrangements for low voice and piano). By Mack Wilberg (1955-). For Low...(+)
(7 carol arrangements for
low voice and piano). By
Mack Wilberg (1955-). For
Low voice and piano. Solo
Voice. Other Collection.
64 pages. Published by
Oxford University Press