Tenor/Baritone
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. 12 pages.
Published by Hal Leonard
(HL.383304).
ISBN
9781705154144. UPC:
196288021438. 9.0x12.0
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
fromââall
transposed into
appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Tenor/Baritone edition
features 30 songs,
including: Ain't No
Sunshine ⢠All by
Myself ⢠Bridge over
Troubled Water â¢
Crying ⢠Dust in the
Wind ⢠Fields of
Gold ⢠Fire and Rain
⢠Hallelujah â¢
Imagine ⢠Lean on Me
⢠Mad World â¢
New York State of Mind
⢠Rocket Man (I
Think It's Gonna Be a
Long Long Time) â¢
Thinking Out Loud â¢
Time After Time â¢
Unchained Melody â¢
With or Without You
⢠Wonderful Tonight
⢠Your Song â¢
and more.
Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voi...(+)
Medium Voice; Piano
Accompaniment (Low Voice)
SKU: HL.51481460
Low Voice and
Piano. Composed by
Richard Strauss. Edited
by Annette Oppermann.
Henle Music Folios.
Classical, Song Cycle.
Softcover. 40 pages. G.
Henle #HN1460. Published
by G. Henle
(HL.51481460).
UPC:
196288093046.
8.25x11.5x0.177
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard
StraussÂ’corpus of
Lieder. For the first
time, he composed an
entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
“Zueignung,â€
“Die Nacht,â€
and
“Allerseelen,â€
are among the most
popular Strauss songs of
all time, but the entire
cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The first
edition of op. 10,
published in 1887 for
high voice, was followed
during the composer's
lifetime by transposed
versions for middle and
low registers, something
that was then to become
the rule for all of
Strauss's songs. Henle
has returned to these
tried and tested
transpositions for its
own Urtext edition for
low voice, so as to offer
this wondrous song-cycle
to all voice ranges.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Low Voice; Piano SKU: HL.48013848 Low Voice and Piano. Composed by...(+)
Low Voice; Piano
SKU:
HL.48013848
Low
Voice and Piano.
Composed by Wilhelm
Kienzl. Boosey and Hawkes
Voice. Classical. Bote
and Bock #M202500972.
Published by Bote and
Bock (HL.48013848).
UPC:
073999542448.
Voice
and Keyboard.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Edited by David Fanning. Collection for bass voice and piano. With introductory ...(+)
Edited by David Fanning.
Collection for bass voice
and piano. With
introductory text,
translations, vocal
melody and pronunciation
guide. 19th and 20th
Century Repertoire. Text
language English, French,
and German. Published by
C.F. Peters.
12 Contemporary Settings of Favorites from the Great American Songbook for Solo ...(+)
12 Contemporary Settings
of Favorites from the
Great American Songbook
for Solo Voice and Piano.
Arranged by Jay Althouse.
For Voice. (Medium Low
Voice). Vocal Collection.
Level: High School and
Adult. Book and CD. 64
pages. Published by
Alfred Publishing.
The Vocal Library Low Voice. Composed by Various. Arranged by Richard Walters, S...(+)
The Vocal Library Low
Voice. Composed by
Various. Arranged by
Richard Walters, Steven
Stolen. Vocal Collection.
Play Along. Softcover
Audio Online. 80 pages.
Published by Hal Leonard
The Vocal Library. By Various. Arranged by Steven Stolen, Richard Walters. (Low...(+)
The Vocal Library. By
Various. Arranged by
Steven Stolen, Richard
Walters. (Low Voice).
Vocal Collection. Size
9x12 inches. 80 pages.
Published by Hal Leonard
Corporation.