SKU: HL.51481460

UPC: 196288093046. 8.25x11.5x0.177 inches.

Written in 1885, the eight songs after texts by the now little-known poet Hermann von Gilm have a special place in Richard Strauss’corpus of Lieder. For the first time, he composed an entire set of songs on texts by a single poet, collecting them into one opus that was also to appear in print. Some of the numbers in it, like “Zueignung,” “Die Nacht,” and “Allerseelen,� � are among the most popular Strauss songs of all time, but the entire cycle with its well-planned structure is also worthy of closer examination and performance. The aspiring composer quite consciously aligns himself with the tradition ranging from Schubert to Wolf, choosing the highly Romantic subject of unrequited love and illuminating its most diverse facets. The first edition of op. 10, published in 1887 for high voice, was followed during the composer's lifetime by transposed versions for middle and low registers, something that was then to become the rule for all of Strauss's songs. Henle has returned to these tried and tested transpositions for its own Urtext edition for low voice, so as to offer this wondrous song-cycle to all voice ranges.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: HL.51481640

UPC: 196288215868. 8.25x11.75x0.071 inches.

Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title �M�ditationï¿ ½, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that �[we] have heard this sweet melody innumerable times from the best lady singers�, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of �Ave Maria� is also offered in two transpositions for the lower register.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SKU: HL.49005024

ISBN 9781495000713. UPC: 888680028183.

Selec ted Art Songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others.

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others.

Includes worksfrom Ernst Bacon: It's all I have to bring * Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother, I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shiningnight * Paul Bowles: Cabin; Heavenly Grass; Sugar in the Cane * Theodore Chanler: The Lamb * Ernest Charles: When I Have Sung My Songs * John Duke: Loveliest of Trees; Richard Hageman: Do not go, mylove * Lee Hoiby: Where the Music Comes From * Carles Ives: In the mornin'; Serenity * Herbert Kingsley: The Green Dog * Charles Naginski: The Pasture * John Jacob Niles: Black is thecolor of my true love's hair; Go 'way from my window; The Lass from the Low Countree * Gladys Rich: American Lullaby * William Roy: This Little Rose * John Sacco: Brother Will, Brother John *William Schuman: Holiday Song; Orpheus with his lute.