Book/Pronunciation Guide/Accompaniment Online Audio. Composed by Various. Edited by Richard Walters, Virginia Saya. Vocal Collection. German, Classical. Softcover Audio Online. 344 pages. Published by Hal Leonard

Composed by Robert Schumann (1810-1856), edited by Max Friedlaender. Collection for high voice solo and piano accompaniment. Text language German. 196 pages. Published by C.F. Peters.

By H. Wolf. Edited by Gerhardt. For high voice, piano. (Eng-Ger). Published by C.F. Peters.

65 Songs by 13 Composers. Arranged by Richard Walters, Virginia Saya. Vocal Collection. Size 8.5x11 inches. 264 pages. Published by Hal Leonard.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 15 Magelone Songs and 18 Songs(Eng-Ger).Von ewiger Liebe,Mainacht,Wie bist du meine Koenigin,etc. Published by C.F. Peters.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 51 Songs(Ger).Liebestreu,Tre ue Liebe,Heimkehr,Der Schmied,An eine Aeolsharfe,An die Nachtigall,Wiegenlied,Mei ne Liebe ist gruen,Sapphische Ode,etc. Published by C.F. Peters.

(Urtext Edition- Original Keys) Composed by Robert Schumann (1810-1856), edited by Hans Joachim Koehler. Op. 48. Collection for high voice solo and piano accompaniment. Text language German. 44 pages. Published by C.F. Peters.

Voice-High,Piano (High voice, Piano)

SKU: BA.BA09109

Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09109_00. Published by Baerenreiter Verlag (BA.BA09109).

ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.

Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.

It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten” and “An mein Klavier”), the author of the words to one of his most famous songs “Die Forelle”/ “The Trout” (see Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

The Vocal Library. By Johannes Brahms. Arranged by Richard Walters, Laura Ward and Elaine Schmidt. (High Voice). Vocal Collection. Size 8.5x11 inches. 280 pages. Published by Hal Leonard Corporation.

By Various. Edited by Losse. For High Voice and Piano. New selection of 60 songs by famous and less-known composers, also folk songs, selected for their value in vocal teaching, arranged in chronological order (Text Language: German)

By Robert Schumann. Edited by Friedlaender. For high voice, piano. (Ger). Published by C.F. Peters.

By Robert Schumann. Edited by Friedlaender. For high voice, piano. Includes 3 Byron Songs,Op.94,with Harp Accompaniment(Ger). Published by C.F. Peters.

22 art songs for diploma- level performance. Composed by Various. Edited by Luise Horrocks. Classical. Collection / Songbook. Trinity College London #TCL019974. Published by Trinity College London

High Voice. By Johannes Brahms. Vocal Collection. Size 9x12 inches. 208 pages. Published by G. Schirmer, Inc.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 65 songs (Text Language: German). Trost in Traenen, Schwermut, Serenade, Eine gute Nacht, Fruehlingstrost, An ein Bild, etc. Published by C.F. Peters.

High Voice. By Various. Vocal Collection. Size 9x12 inches. 216 pages. Published by G. Schirmer, Inc.

By Wolfgang Amadeus Mozart. Edited by Moser. For high voice, piano. (Text Language: German). Published by C.F. Peters.

Niedermeyer, Berlioz, Gounod, Viradot, Franck, Masse, Lalo, Saint-Saens, Delibes,Bizet, Massenet, Chabrier, Paladihle, Faure, Duparc, Chausson, Debussy, Satie,de Severac, Dupont, Poulenc(Fr). By Various. Edited by Nichols. For high voice, piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.

Compiled by Bernard Taylor. Collection for high voice solo and piano accompaniment. Text language Italian, German, French, English. 251 pages. Published by G. Schirmer, Inc.

By Schumann. Edited by Koehler. For high voice, piano. Op.48(Ger).Play-along CD. Published by C.F. Peters.

High Voice. By Franz Schubert. Vocal Collection. Size 8.5x11 inches. 308 pages. Published by G. Schirmer, Inc.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 48 Songs (Text Language: German). O kuehler Wald, Unueberwindlich, Sommerabend, Mit vierzig Jahren, Verrat, Ernste Gesaenge, etc. Published by C.F. Peters.

The Vocal Library. Performed by Richard Strauss. By Richard Strauss. Arranged by Laura Ward and Richard Walters. (High Voice). Vocal Collection. Size 8.5x11 inches. 184 pages. Published by Hal Leonard Corporation.