(15 Chamber Compositions) Composed by Vincenzo Bellini. For high voice and piano...(+)
(15 Chamber Compositions)
Composed by Vincenzo
Bellini. For high voice
and piano. Format:
piano/vocal songbook.
With vocal melody,
lyrics, piano
accompaniment, text
translations and
introductory text.
Classical period. Text
language Italian/English.
79 pages. 8.5x11 inches.
Published by Ricordi.
(Songs for Voice and Piano) Composed by Vincenzo Bellini. Collection for high vo...(+)
(Songs for Voice and
Piano) Composed by
Vincenzo Bellini.
Collection for high voice
and piano. Text language
Engish and Italian (with
English translations).
158 pages. Published by
Ricordi.
Edited by Heidi Pegler, Nicola-Jane Kemp. Collection and accompaniment CD for hi...(+)
Edited by Heidi Pegler,
Nicola-Jane Kemp.
Collection and
accompaniment CD for high
voice and piano
accompaniment. With
translations, background
notes and pronunciation
guides. Text language
Italian, German, and
French. 80 pages.
Published by Faber Music.
By Francesco Paolo Tosti (1846-1916). Collection for high voice solo and piano a...(+)
By Francesco Paolo Tosti
(1846-1916). Collection
for high voice solo and
piano accompaniment. Text
language Italian, French,
English. 168 pages.
Published by Ricordi.
48 Songs from the 19th and 20th Centuries - High Voice. Composed by Vario...(+)
48 Songs from the 19th
and 20th Centuries - High
Voice. Composed by
Various. Edited by Ilaria
Narici. Vocal Collection.
Softcover. 214 pages.
Ricordi #NR141461.
Published by Ricordi
(HL.50600667).
Italian Art Songs of the Romantic Era (Medium High Voice). Edited by Patricia Ch...(+)
Italian Art Songs of the
Romantic Era (Medium High
Voice). Edited by
Patricia Chiti. For Voice
(High voice
(Medium-High)).
Masterworks; Vocal
Collection. Masterwork;
Romantic. Book. 112
pages. Published by
Alfred Music Publishing
By Donald Martino. For High Voice and Piano. This edition: High Voice and Piano....(+)
By Donald Martino. For
High Voice and Piano.
This edition: High Voice
and Piano. Contemporary
Classical. Contemporary
Classical. Sheet Music.
Published by Dantalian,
Inc. Level: Grade 5.
(High Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For high vo...(+)
(High Voice). By Franz
Schubert (1797-1828).
Edited by Walther Durr.
For high voice/Piano.
This edition: Paperback,
Urtext edition. Vocal
score, Anthology.
Language: German, Text
Language: German/English.
164 pages. Published by
Baerenreiter Verlag
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
High Voice and Piano Piano Accompaniment; Vocal (High Voice) SKU: HL.50602069...(+)
High Voice and Piano
Piano Accompaniment;
Vocal (High Voice)
SKU: HL.50602069
Easy Songs from Four
Centuries in Six
Languages for High Voice
and Piano. By Hegedus
Gonczy. By Various.
Edited by Dr. Katalin
Hegedus Gonczy. Arranged
by Dr. Katalin
Hegedü, nczy, and s
Gö. EMB. 1/a. 20Th
Century, Baroque,
Classical, English,
Hungarian. Softcover. 96
pages. Editio Musica
Budapest #Z20006.
Published by Editio
Musica Budapest
(HL.50602069).
ISBN
9781540060297. UPC:
888680956271.
8.0x11.25x0.32 inches.
English-French-German-Hun
garian-Russian-Spanish.
Katalin Gonczy
Hegedus.
A Panorama
of Songs fills a want
that has been felt for
decades. A selection of
songs in six European
languages from the 16th
to the mid-20th century
encompassing every
musical period, it seeks
to help beginner-level
students of voice
teachers and repetiteurs,
and foremost the singers
themselves. The series
brings a breath of fresh
air and new works to the
conventional Lied
repertoire, truly
offering a new panorama.
Using the means of modern
technology it also
provides immense help in
learning and performing
the songs. The three
volumes of the series are
arranged by level of
difficulty, and all of
them are available for
high and low voices (a
volumes for high voices,
b volumes for low
voices). Each volume is a
complete unit in itself,
including all six
languages (English,
French, German, Italian,
Russian, and Spanish) and
presenting a
cross-section of styles
from the early Baroque to
the 20th century.
Interpretation of the
songs is facilitated by
literal English and
Hungarian translations of
their texts, and the
reading of the Cyrillic
script is assisted by
transliteration (again in
English and Hungarian).
Ornamentation suggestions
for the performance of
the Baroque works are
also included. The
printed music is
accompanied by additional
useful material to help
the learning process,
available online at
www.emb.hu/downloads. The
website contains the
piano accompaniments of
all of the songs, as well
as all the original texts
recited by native
speakers.
For High Voice and Piano. Composed by Francis Poulenc (1899-1963). Vocal Coll...(+)
For High Voice and Piano.
Composed by Francis
Poulenc
(1899-1963). Vocal
Collection. Softcover.
168
pages. Editions Durand
#DF16403. Published by
Editions Durand
High Voice and Piano Piano; Voice (High Voice) SKU: HL.49008528 Italia...(+)
High Voice and Piano
Piano; Voice (High Voice)
SKU: HL.49008528
Italian. Composed
by Tommaso Giordani.
Arranged by Guido Papini.
This edition: Folding.
Sheet music.
Einzelausgaben (Single
Sheets). Classical. High.
4 pages. Schott Music
#ED01159. Published by
Schott Music
(HL.49008528).
ISBN
9790001086912. UPC:
073999357172.
9.0x12.0x0.013 inches.
Italian.
A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.