Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High v...(+)
(High Voice). Arranged by
for Solo voice by Harry
T. Burleigh. For Voice
(High voice
(Medium-High)). Vocal
Collection. Spiritual.
Book. 208 pages.
Published by Alfred Music
Publishing
(High Voice). Arranged by Richard Walters. For high voice and piano. Vocal Colle...(+)
(High Voice). Arranged by
Richard Walters. For high
voice and piano. Vocal
Collection. Classical
Period, Americana and
Vocal Standards.
Difficulty: medium.
Collection (two copies
needed for performance).
Vocal melody, lyrics and
piano accompaniment. 218
pages. G. Schirmer
#ED3851. Published by G.
Schirmer
High Voice The Vocal Library. By Roger Quilter. Arranged by Richard Walters. Voc...(+)
High Voice The Vocal
Library. By Roger
Quilter. Arranged by
Richard Walters. Vocal
Collection. Size 8.5x11
inches. 228 pages.
Published by Hal Leonard.
Thirty Spirituals Voix haute, Piano [Partition + Accès audio] Schirmer
For High Voice and Piano. Arranged by Hall (Francis) Johnson. Vocal Collection. ...(+)
For High Voice and Piano.
Arranged by Hall
(Francis) Johnson. Vocal
Collection. Sacred.
Softcover Audio Online.
104 pages. G. Schirmer
#ED4354. Published by G.
Schirmer
Sing Me a Song Voix haute, Piano [Partition + CD] Alfred Publishing
13 Poetic Songs for Solo Singers for Recitals, Concerts, and Contests. Edited by...(+)
13 Poetic Songs for Solo
Singers for Recitals,
Concerts, and Contests.
Edited by Sally K.
Albrecht. For Voice.
(Medium High Voice). This
edition: Book and
Acc./Performance CD.
Vocal Collection. Book
and CD. Published by
Alfred Publishing.
14 Russian Songs Voix haute, Piano [Partition] IMC (International Music Co.)
Edited by Boris Gasparov. Collection for medium high voice and piano. With trans...(+)
Edited by Boris Gasparov.
Collection for medium
high voice and piano.
With translations. Text
language Russian and
English. 53 pages.
Published by
International Music Co.
Composed by Robert Schumann (1810-1856), edited by Max Friedlaender. Collection ...(+)
Composed by Robert
Schumann (1810-1856),
edited by Max
Friedlaender. Collection
for high voice solo and
piano accompaniment. Text
language German. 196
pages. Published by C.F.
Peters.
With online audio of Recorded Diction Lessons and Piano Accompaniments. Composed...(+)
With online audio of
Recorded Diction Lessons
and Piano Accompaniments.
Composed by Various.
Edited by Richard
Walters. Vocal
Collection. Collection,
Classical. Softcover
Audio Online. 208 pages.
Published by Hal Leonard
(High Voice (63 Songs)). By Benjamin Britten (1913-1976). Arranged by Richard Wa...(+)
(High Voice (63 Songs)).
By Benjamin Britten
(1913-1976). Arranged by
Richard Walters. For
Vocal. Boosey and Hawkes
Voice. 320 pages. Boosey
and Hawkes #M051933976.
Published by Boosey and
Hawkes
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...(+)
(45 Songs for High
Voice). Composed by
William Bolcom. For
Vocal, High Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 240
pages. Published by
Edward B. Marks Music
Singer's Jazz Anthology - High Voice with Recorded Piano Accompaniments Online...(+)
Singer's Jazz Anthology -
High Voice with Recorded
Piano Accompaniments
Online.
Composed by Various.
Singer's Jazz Anthology.
Christmas, Jazz,
Standards.
Softcover Audio Online.
104
pages. Published by Hal
Leonard
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09109
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. High Voice.
Singing Score, anthology.
Baerenreiter Verlag
#BA09109_00. Published by
Baerenreiter Verlag
(BA.BA09109).
ISBN
9790006530588. 30 x 23 cm
inches. Language: German.
Preface: Christoph
Pregardien/Andreas
Staier.
Volume 9 of
the new Urtext edition of
Schubert’s lieder
contains lieder composed
during the spring and
summer of 1816, some of
which follow upon series
started in 1815. They are
available in separate
books for high, medium
and low voice. The volume
was completed by the
eminent Schubert scholar
Walter Dürr who passed
away at the beginning of
2018.
It was in
1816 that Schubert
completed his settings of
Ossian's songs and added
lieder on texts by Johann
Georg Jacobi, Johann
Peter Uz and Matthias
Claudius. Also included
are the lieder from the
Grob family songbook. In
summer 1816 Schubert
produced his first
settings of poems by
Christian Friedrich
Daniel Schubart
(“Grablied auf
einen Soldaten†and
“An mein
Klavierâ€), the
author of the words to
one of his most famous
songs “Die
Forelleâ€/
“The Troutâ€
(see Volume 2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Lieder (for high and medium voice and piano). By Felix Bartholdy Mendelssohn (18...(+)
Lieder (for high and
medium voice and piano).
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Eugene Asti.
For high voice/medium
voice/piano. This
edition: Paperback,
Urtext edition. Vocal
score, Anthology. 154
pages. Published by
Baerenreiter Verlag
(Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests (Medium ...(+)
(Arranged for Solo Voice
and Piano for Recitals,
Concerts, and Contests
(Medium High Voice)).
Edited by Sally K.
Albrecht. For Voice (High
voice (Medium-High)).
Vocal Collection. Folk;
Multicultural; Recital.
Book. 72 pages