(Contemporary and Traditional Favorites). By Ken Bible. For high voice, piano. Sacred Vocal. Published by Lillenas Publishing Company

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

For High Voice and Piano. Composed by Francis Poulenc (1899-1963). Vocal Collection. Softcover. 168 pages. Editions Durand #DF16403. Published by Editions Durand

Voice-High,Piano (High voice, Piano)

SKU: BA.BA09109

Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09109_00. Published by Baerenreiter Verlag (BA.BA09109).

ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.

Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.

It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten” and “An mein Klavier”), the author of the words to one of his most famous songs “Die Forelle”/ “The Trout” (see Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Benjamin Britten. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 22 pages. Published by Boosey and Hawkes.

(High Voice). By Various. Edited by Richard Walters. High Voice. Vocal Collection. Book only. 240 pages. G. Schirmer #ED4321. Published by G. Schirmer

With online audio of Recorded Diction Lessons and Piano Accompaniments. Composed by Various. Edited by Richard Walters. Vocal Collection. Collection, Classical. Softcover Audio Online. 208 pages. Published by Hal Leonard

High voice and piano - Late Intermediate

SKU: EC.9278

Composed by Joseph Stillwell. E.C. Schirmer Publishing #9278. Published by E.C. Schirmer Publishing (EC.9278).

UPC: 600313311185. English.

Songs of Love and Solace traces a young man's journey of love and heartbreak. The cycle of four texts by Irish poet William Butler Yeats begins with Brown Penny. This short poem depicts a young man infatuated with the idea of falling in love, and then becoming awestruck as he contemplates the depths of love’s power. In the second poem, He Wishes for the Cloths of Heaven, the poet, speaking to his beloved, realizes he has nothing of value to offer but his dreams. Tread softly, he implores, because you tread on my dreams.” In When You Are Old, we find our poet heartbroken. In his grief he peers into the future and foresees his beloved, in old age, remembering the depth and purity of their forsaken love: “But one man love the pilgrim soul in you, And loved the sorrows of your changing face.” In the final song, The Lake Isle of Innisfree,” the poet, saddened but wiser, wistfully resolves to escape the struggles and heartbreaks of his modern existence, and seek solace in the beauty and calm of nature. Songs may be performed separately.

Singer's Jazz Anthology - High Voice with Recorded Piano Accompaniments Online. Composed by Various. Singer's Jazz Anthology. Jazz, Standards. Softcover Audio Online. 110 pages. Published by Hal Leonard

Voice-High,Piano (High voice, Piano)

SKU: BA.BA09119

Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Stapled. Barenreiter Urtext. Compilation: Christine Martin. Singing Score, anthology. Baerenreiter Verlag #BA09119_00. Published by Baerenreiter Verlag (BA.BA09119).

ISBN 9790006566679. 30 x 23 cm inches. Language: German. Preface: Christine Martin.

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder uvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

Contrast ing genres have also been taken into consideration, beginning with simple strophic songs, via the ballad “Der König von Thule” through to his long Ossian Lied “Cronnan”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(For High Voice And Piano). By Lowell Liebermann. For high voice solo, piano. Contemporary. Piano reduction/Vocal Score. Standard notation. Opus 22. 8 pages. Duration 6 minutes. Published by Theodore Presser Company

High Voice and Piano Piano Accompaniment; Vocal (High Voice)

SKU: HL.50602069

Easy Songs from Four Centuries in Six Languages for High Voice and Piano. By Hegedus Gonczy. By Various. Edited by Dr. Katalin Hegedus Gonczy. Arranged by Dr. Katalin Hegedü, nczy, and s Gö. EMB. 1/a. 20Th Century, Baroque, Classical, English, Hungarian. Softcover. 96 pages. Editio Musica Budapest #Z20006. Published by Editio Musica Budapest (HL.50602069).

ISBN 9781540060297. UPC: 888680956271. 8.0x11.25x0.32 inches. English-French-German-Hun garian-Russian-Spanish. Katalin Gonczy Hegedus.

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and repetiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices (a volumes for high voices, b volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.

High voice, piano - Level 3

SKU: BA.BA10431

Composed by Antonin Dvorak. Edited by Veronika Vejvodová. This edition: urtext edition. Stapled. Barenreiter Urtext. High Voice. Singing Score, anthology. Opus 55. Baerenreiter Verlag #BA10431_00. Published by Baerenreiter Verlag (BA.BA10431).

ISBN 9790260107786. 30 x 23 cm inches. Text Language: Czech, English, German. Preface: Vejvodová, Veronika.

Dvorák ’s song cycle Gypsy Songs op. 55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

High voice, Piano

SKU: BA.BA09110

Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Singing Score. Baerenreiter Verlag #BA09110. Published by Baerenreiter Verlag (BA.BA09110).

ISBN 9790006530595. 30 x 23 cm inches. Language: German. Preface: Thein, Wolfgang / Gardner, Matthew.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

High Voice & Piano

SKU: SU.00220338

For high Voice & Piano. Composed by Arturo Toscanini. Vocal/Choral, Solo Voice. Score. Subito Music Corporation #00220338. Published by Subito Music Corporation (SU.00220338).

Original compsitions by Arturo Toscanini for High Voice, Piano Published by: Subito Music Publishing The first compilation of its kind, The Songs of Arturo Toscanini makes available over 70 pages of original songs, many never before published. Showcasing a mixture of both mature and student works, this song album is suitable for all music levels. The booklet also contains in-depth biographical material as well as several pages of helpful translations and editorial notes. Contents Toscanini as composer Autunno I baci Canto di Mignon Desolazione Donna vorrei morir Fior di siepe Forse una volta Nevrosi Pagina d'album Per album Il pescatore Presentimenti Primo bacio Quando cadran le foglie Son gelosa!! Sono sola Il sorriso e l'anima di Margherita Spes, ultima dea V'amo Editorial Notes Translations Acknowledgments Also available for purchase:.