Vocal Ensemble Piano Accompaniment; Vocal (High Voice)

SKU: HL.51480551

Song Cycle Original Keys for High Voice. Composed by Robert Schumann. Edited by Kazuko Ozawa. Sheet Music. Paperbound. Henle Music Folios. Original Keys for High Voice. Classical. Softcover. 80 pages. G. Henle #HN551. Published by G. Henle (HL.51480551).

ISBN 9790201805511. UPC: 888680950781. 8.25x11.75x0.295 inches.

1840 was Schumann's famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride,” Clara Wieck-Schumann. Besides famous songs such as “Widmung,” “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs” of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann's song cycles.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

High Voice and Piano

SKU: AP.36-M300991

Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Gene Milford. Performance Music Ensemble; Solo Voice with Piano. Ludwig Masters. Score and Part(s). Alfred Music #36-M300991. Published by Alfred Music (AP.36-M300991).

UPC: 660355021596. English.

Composed in 1913-1914, this collection of thirteen songs sets poems by Francis Jammes from "Tristesses" (1905) for high voice and piano. Lili Boulanger (1893-1918) directed that, "all of these melodies should be sung with the feeling of evoking a past that has remained full of freshness." Dedicated to Gabriel Fauré, like most of her small output, the work was first published posthumously in 1919, a year after the composer's tragically short life ended. Reprint edition. Songs included: 1. Elle était descendue au bas de la prairie, 2. Elle est gravement gaie, 3. Parfois, je suis triste, 4. Un poète disait, 5. Au pied de mon lit, 6. Si tout ceci n'est qu'un pauvre rêve, 7. Nous nous aimerons tant, 8. Vous m'avez regardé avec toute votre âme, 9. Les Lilas qui avaient fleuri, 10. Deux Ancolies, 11. Par ce que j'ai souffert, 12. Je garde une médaille d'elle, 13. Demain fera un an.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

High Voice and Piano

SKU: HL.14029235

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV263385. Published by Music Sales (HL.14029235).

High Voice. This edition: high voice. Vocal Collection. Size 9x12 inches. 208 pages. Published by Hal Leonard.

By Donald Martino (1931-2005). For High Voice and Piano. This edition: High Voice and Piano. Contemporary Classical. Contemporary Classical. Grade 5. Sheet Music

(High Voice). Arranged by Richard Walters. For high voice and piano. Vocal Collection. Classical Period, Americana and Vocal Standards. Difficulty: medium. Collection (two copies needed for performance). Vocal melody, lyrics and piano accompaniment. 218 pages. G. Schirmer #ED3851. Published by G. Schirmer

Voice-High,Piano (High voice, Piano)

SKU: BA.BA09109

Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09109_00. Published by Baerenreiter Verlag (BA.BA09109).

ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.

Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.

It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten” and “An mein Klavier”), the author of the words to one of his most famous songs “Die Forelle”/ “The Trout” (see Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(High Voice). For Voice (High voice (Medium-High)). Book; CD; Vocal Collection. Pathways of Song Series. 128 pages. Published by Alfred Music Publishing

High voice, piano - Level 3

SKU: BA.BA10431

Composed by Antonin Dvorak. Edited by Veronika Vejvodová. This edition: urtext edition. Stapled. Barenreiter Urtext. High Voice. Singing Score, anthology. Opus 55. Baerenreiter Verlag #BA10431_00. Published by Baerenreiter Verlag (BA.BA10431).

ISBN 9790260107786. 30 x 23 cm inches. Text Language: Czech, English, German. Preface: Vejvodová, Veronika.

Dvorák ’s song cycle Gypsy Songs op. 55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. 472 pages. Published by Hal Leonard

High Voice. By Leonard Bernstein. Boosey and Hawkes Voice. 152 pages. Published by Boosey and Hawkes.