By Franz Schubert. For high voice, piano. (D.795,911,957)(Urtext Edition by Diet...(+)
By Franz Schubert. For
high voice, piano.
(D.795,911,957)(Urtext
Edition by Dietrich
Fischer-Dieskau with
musicological revisions
by Elmar Budde)(Ger).
Published by C.F. Peters.
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09109
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. High Voice.
Singing Score, anthology.
Baerenreiter Verlag
#BA09109_00. Published by
Baerenreiter Verlag
(BA.BA09109).
ISBN
9790006530588. 30 x 23 cm
inches. Language: German.
Preface: Christoph
Pregardien/Andreas
Staier.
Volume 9 of
the new Urtext edition of
Schubert’s lieder
contains lieder composed
during the spring and
summer of 1816, some of
which follow upon series
started in 1815. They are
available in separate
books for high, medium
and low voice. The volume
was completed by the
eminent Schubert scholar
Walter Dürr who passed
away at the beginning of
2018.
It was in
1816 that Schubert
completed his settings of
Ossian's songs and added
lieder on texts by Johann
Georg Jacobi, Johann
Peter Uz and Matthias
Claudius. Also included
are the lieder from the
Grob family songbook. In
summer 1816 Schubert
produced his first
settings of poems by
Christian Friedrich
Daniel Schubart
(“Grablied auf
einen Soldaten†and
“An mein
Klavierâ€), the
author of the words to
one of his most famous
songs “Die
Forelleâ€/
“The Troutâ€
(see Volume 2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Franz Schubert. For high voice, piano. Op. 37 through Op. 80; Urtext Edition ...(+)
By Franz Schubert. For
high voice, piano. Op. 37
through Op. 80; Urtext
Edition by Dietrich
Fischer-Dieskau with
musicological revisions
by Elmar Budde (Text
Language: German).
Published by C.F. Peters.
By Franz Schubert. For high voice, piano. Op.1 through Op.36. Urtext Edition by ...(+)
By Franz Schubert. For
high voice, piano. Op.1
through Op.36. Urtext
Edition by Dietrich
Fischer-Dieskau with
musicological revisions
by Elmar Budde (Text
Language: German).
Published by C.F. Peters.
By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 51 Songs(Ger)...(+)
By Johannes Brahms.
Edited by Friedlaender.
For high voice, piano. 51
Songs(Ger).Liebestreu,Tre
ue Liebe,Heimkehr,Der
Schmied,An eine
Aeolsharfe,An die
Nachtigall,Wiegenlied,Mei
ne Liebe ist
gruen,Sapphische Ode,etc.
Published by C.F. Peters.
(Hohe Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For Solo V...(+)
(Hohe Stimme). By Franz
Schubert (1797-1828).
Edited by Walther Durr.
For Solo Voice, Piano.
Playing Score; Urtext
Edition. Op. 25.
Published by Baerenreiter
Verlag
(High Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For high vo...(+)
(High Voice). By Franz
Schubert (1797-1828).
Edited by Walther Durr.
For high voice/Piano.
This edition: Stapled,
Urtext edition. Vocal
score, Anthology.
Language: German, Text
Language: German/English.
58 pages. Published by
Baerenreiter Verlag
High Voice and Piano Piano; Voice (High Voice) SKU: HL.49008561 D 795 ...(+)
High Voice and Piano
Piano; Voice (High Voice)
SKU: HL.49008561
D 795 / D 343.
Composed by Franz
Schubert. This edition:
Saddle stitching. Sheet
music. Einzelausgaben
(Single Sheets).
Classical. 3 pages.
Schott Music #ED0 1314.
Published by Schott Music
(HL.49008561).
ISBN
9790001087230. UPC:
073999226867.
9.0x12.0x0.011
inches.
High Voice and Piano Piano; Voice (High Voice) SKU: HL.49009134 Die Hi...(+)
High Voice and Piano
Piano; Voice (High Voice)
SKU: HL.49009134
Die Himmel ruhmen, Op.
48, No. 4. Composed
by Ludwig van Beethoven.
This edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. High.
Op. 48/4. 2 pages. Schott
Music #ED0 9573.
Published by Schott Music
(HL.49009134).
ISBN
9790001091374. UPC:
073999638875.
9.0x12.0x0.013
inches.
For high
voice and piano. Text by
Christian Furchtegott
Gellert.
High voice and piano SKU: HL.49002702 Composed by John Ireland. This edit...(+)
High voice and piano
SKU: HL.49002702
Composed by John Ireland.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 18 pages.
Schott Music #ED 11202.
Published by Schott Music
(HL.49002702).
ISBN
9790220108761.
9.0x12.0x0.095 inches.
English.
The Advent
No sudden thing of glory
and fear * Hymne for a
child Flocking to the
Temple * My Fair My Fair,
no beauty of thine * The
Salley Gardens Down by
the Salley gardens * The
soldier's return Jump
through the hedge, lass!
* The scapegoat See the
scapegoat, happy
beast.
High voice and piano (High Voice) SKU: HL.49005400 4 Gedichte. Com...(+)
High voice and piano
(High Voice)
SKU:
HL.49005400
4
Gedichte. Composed by
Marcel Mihalovici. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Op. 75. 20
pages. Schott Music #ED
5083. Published by Schott
Music (HL.49005400).
By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 65 songs (Tex...(+)
By Johannes Brahms.
Edited by Friedlaender.
For high voice, piano. 65
songs (Text Language:
German). Trost in
Traenen, Schwermut,
Serenade, Eine gute
Nacht, Fruehlingstrost,
An ein Bild, etc.
Published by C.F. Peters.
The Vocal Library. By Johannes Brahms. Arranged by Richard Walters, Laura Ward a...(+)
The Vocal Library. By
Johannes Brahms. Arranged
by Richard Walters, Laura
Ward and Elaine Schmidt.
(High Voice). Vocal
Collection. Size 8.5x11
inches. 280 pages.
Published by Hal Leonard
Corporation.
Book/Pronunciation Guide/Accompaniment Online Audio. Composed by Various. Edited...(+)
Book/Pronunciation
Guide/Accompaniment
Online Audio. Composed by
Various. Edited by
Richard Walters, Virginia
Saya. Vocal Collection.
German, Classical.
Softcover Audio Online.
344 pages. Published by
Hal Leonard
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Composed by Robert Schumann (1810-1856), edited by Max Friedlaender. Collection ...(+)
Composed by Robert
Schumann (1810-1856),
edited by Max
Friedlaender. Collection
for high voice solo and
piano accompaniment. Text
language German. 196
pages. Published by C.F.
Peters.