(Contemporary and Traditional Favorites). By Ken Bible. For high voice, piano. Sacred Vocal. Published by Lillenas Publishing Company

Composed by Thomas Fettke. For high voice, medium voice, piano. Sacred Vocal. Book/CD Combo. Published by Lillenas Publishing Company

The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.

High Voice. Edited by Lloyd Alvin Pfautsch. Series; Vocal; Vocal Collection; Worship Resources. Lawson-Gould. Sacred. Collection. 54 pages. Alfred Music #00-LG00921. Published by Alfred Music

High Voice Compiled by Joan Frey Boytim. Arranged by Joan Frey Boytim. Vocal Collection. Size 9x12 inches. 192 pages. Published by Hal Leonard.

Sing Solo Sacred by Neil Jenkins. For voice. Solo Voice. Sing Solo.... Other Collection. Part. 160 pages. Published by Oxford University Press

(High Voice With Online Audio Backing Tracks arranged by Larry Moore). By Various. Arranged by Larry Moore. For High Voice, Piano Accompaniment. Vocal Collection. Softcover Audio Online. 68 pages. Published by Hal Leonard

(16 songs with piano or organ). For High voice and keyboard. Solo Voice. Other Collection. Book and CD. 64 pages. Published by Oxford University Press

The Vocal Library High Voice. Composed by Various. Arranged by Richard Walters. Vocal Collection. Play Along. Softcover Audio Online. 64 pages. Published by Hal Leonard

High Voice. This edition: high voice. Vocal Collection. Size 9x12 inches. 208 pages. Published by Hal Leonard.

Edited by Lloyd Alvin Pfautsch. Series; Vocal; Vocal Collection; Worship Resources. Lawson-Gould. Sacred. Book. 68 pages. Alfred Music #00-LG00688. Published by Alfred Music

High Voice. By Various. Vocal Collection. Size 9x12 inches. 112 pages. Published by G. Schirmer, Inc.

High Voice & Piano

SKU: SU.28040140

For High Voice & Piano. Composed by John Newell. Vocal/Choral, Solo Voice. Accompanied by piano. Score. Abierto Music #28040140. Published by Abierto Music (SU.28040140).

Settings of four Psalms that are appropriate for use in concert in a religious service. The movements are: I lift up mine eyes (Psalm 121), The Lord is my shepherd (Psalm 23), Sing, oh my soul (selected from various Psalms) and I thank thee, God (text by the composer).Audio and score previews are available at: johnnewellmusic.com/works /vocal-solo/ High Voice & Piano Duration: 11' Composed: 1994-95 Published by: Abierto Music.

(High Voice Edition with CD of Piano Accompaniments). By Various. For High Voice, Piano Accompaniments. Vocal Collection. Book with CD. 64 pages. Published by Hal Leonard

(High Voice). Arranged by Richard Walters. For high voice and piano. Vocal Collection. Classical Period, Americana and Vocal Standards. Difficulty: medium. Collection (two copies needed for performance). Vocal melody, lyrics and piano accompaniment. 218 pages. G. Schirmer #ED3851. Published by G. Schirmer

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

Composed by Various. Vocal Collection. Sacred and Play Along. Softcover Audio Online. With vocal melody, lyrics and piano accompaniment. 47 pages. Published by G. Schirmer

Composed by Craig Courtney / Dan Forrest. Beckenhorst Press #VC16H. Published by Beckenhorst Press

5 Songs and a Duet for High Voice(s) and Piano. By Henry Purcell. Arranged by Walter Bergmann, Michael Tippett. Schott. Size 9x12 inches. 32 pages. Published by Schott.