For High Voice and Piano. Arranged by Hall (Francis) Johnson. Vocal Collection. Sacred. Softcover Audio Online. 104 pages. G. Schirmer #ED4354. Published by G. Schirmer

(A Cycle of 10 Songs to Poems by Women for High Voice and Piano). By David Leisner (1953-). Solo instrument with accompaniment. For High Voice, Piano. This edition: High Voice and Piano. Poems by Emily Dickinson, Emily Bronte, Gene Scaramellino, and Elissa Ely. World Premiere: Jordan Hall, Boston: Sanford Sylvan, Baritone; Patricia Thom, Piano. Contemporary. Piano reduction/vocal score. Standard notation. 52 pages. Duration 30 minutes. Published by Theodore Presser Company

(7 carol arrangements for high voice and piano). By Mack Wilberg (1955-). For High voice and piano. Solo Voice. Other Collection. 64 pages. Published by Oxford University Press

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

By Negro Spiritual. Arranged by Hall Johnson. For Voice and Piano. Published by Carl Fischer.

The Vocal Library High Voice. Arranged by Richard Walters. Vocal Collection. Play Along. Softcover Audio Online. 88 pages. Published by Hal Leonard

High Voice. Vocal Collection. Size 9x12 inches. 192 pages. Published by Hal Leonard.

Lieder (for high and medium voice and piano). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Eugene Asti. For high voice/medium voice/piano. This edition: Paperback, Urtext edition. Vocal score, Anthology. 154 pages. Published by Baerenreiter Verlag

(Volume II) Composed by George Frideric Handel (1685-1759), edited by Sergius Kagen. Collection for high voice and piano accompaniment. With vocal melody, piano accompaniment, lyrics, translations and introductory text. Text language Italian and English. 64 pages. Published by International Music Co.

Upper Voices and Piano. Composed by Richard Allain. Choral. Octavo. Novello & Co Ltd. #NOV297438. Published by Novello & Co Ltd.

(High Voice With Online Audio Backing Tracks arranged by Larry Moore). By Various. Arranged by Larry Moore. For High Voice, Piano Accompaniment. Vocal Collection. Softcover Audio Online. 68 pages. Published by Hal Leonard

High Voice and Piano

SKU: HL.14011324

Composed by Henry Purcell. Music Sales America. Exam Material. Book [Softcover]. 60 pages. Music Sales #NOV170265. Published by Music Sales (HL.14011324).

ISBN 9780853603399. 8.5x11.75x0.175 inches.

Edited by Gerald Cooper.

(Contemporary and Traditional Favorites). By Ken Bible. For high voice, piano. Sacred Vocal. Published by Lillenas Publishing Company

By Craig Courtney. (Vocal Collection). Vocal Collections. Sacred. Published by Beckenhorst Press.

Sing Solo Sacred by Neil Jenkins. For voice. Solo Voice. Sing Solo.... Other Collection. Part. 160 pages. Published by Oxford University Press