Singing in EnglishInstrument : high voice and pianoNombre de Pages : 128The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in English: Even for native speakers, the English language presents singers with particular difficulties. How do you manage diphthongs, for example' How do you make consonants clear without spoiling the vocal line' How do you make sense of the story-telling in a strophic folksong' These issues and more are covered in this book, which contains songs with texts in the English language, from Britain and elsewhere.Content : Introduction - Purcell/Britten: Music for a while - Purcell/Britten: Man if for the woman made - Purcell/Britten: Sweeter than rose - Handel: O sleep, why dost thou leave me' - Handel: Where'er you walk - Haydn: The mermaid's song - Haydn: The spirit's song - Haydn: My mother bids me bind my hair - Warlock: The countryman - Warlock: The baylyn berith the bell away - Warlock: There is a lady sweet and kind - Finzi: Rollicum rorum - Finzi: Fear no more the heat o' the sun - Traditional (arr. Britten): Oliver Cromwell - Traditional (arr. Britten): The salley gardens - Traditional (arr. Britten): The trees they grow so high - Copland: Why do they shut me out of heaven' - Copland: Heart we will forget him - Rorem: Orchids - Rorem: The serpent - Pronunciation guide

Par STRAUSS RICHARD. This new practical edition of the 'Vier Lieder' ('Four songs') Op. 27 for high voice is based on the text of 'Richard Strauss Works ' Critical Edition'. The lyrics were translated into English by John Bernhoff. Beginning with op. 27, Strauss turned to settings of poems by a new generation of lyricists of his age with whom he was sometimes in personal contact (Karl Henckell, Heinrich Hart, John Henry Mackay). The four songs 'Ruhe, meine Seele!' ('Rest Thee, My Spirit!'), 'Cäcilie' ('Cecily'), 'Heimliche Aufforderung' ('The Lover's Pledge') and 'Morgen!' ('Tomorrow!') are among the composer's best known and most popular songs, which is why he later arranged three of them as orchestral songs. At www.richard-strauss-ausgabe.de you will find supplementary digital content for the Richard Strauss Edition (published by the Bavarian Academy of Sciences and Humanities, Munich, under the leadership of Hartmut Schick in cooperation with the Richard Strauss Institute, Garmisch-Partenkirchen). All songs in this edition are in their original keys./ Répertoire / Voix Haute et Clavier

High Voice with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exciting series that provides aspiring jazz vocalists and pianists with staples of the jazz repertoire. The singer's portion, matching the original sheet music, is paired with fresh, unique accompaniments arranged in an authentic jazz style and designed to enable the singer to sound like they're being backed by an accomplished jazz pianist. The accompaniments can be performed as written but include chord labels for pianists who are comfortable playing their own chord voicings. The included audio ' recordings of the printed accompaniments, performed by the series arranger, Brent Edstrom ' can be used by the vocalist in rehearsal or in performance./ Recueil / Voix Haute et Accompagnement de Piano en ligne

High Voice. Par RODGERS / HAMMERSTEIN. Quarante-cinq de plus grandes chansons de la Richard Rodgers. Les symboles de la corde. / Rép International / Recueil / Voix Haute et Piano

Spécialement conçu pour les chanteurs (voix hautes), ce recueil inclus les partitions piano ainsi que enregistrement du piano pour vous permettre de chanter accompagné. Paroles anglaises. / Piano/Vocal/Guitare (PVG)

Low voice book downloadable backing tracks. Par . for low voice and piano This beautiful collection of 14 songs for low voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for high voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano