A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.
Sing Me a Song Voix haute, Piano [Partition + CD] Alfred Publishing
13 Poetic Songs for Solo Singers for Recitals, Concerts, and Contests. Edited by...(+)
13 Poetic Songs for Solo
Singers for Recitals,
Concerts, and Contests.
Edited by Sally K.
Albrecht. For Voice.
(Medium High Voice). This
edition: Book and
Acc./Performance CD.
Vocal Collection. Book
and CD. Published by
Alfred Publishing.
Bright Star Voix haute, Piano Edward B. Marks Music Company
High Voice, Piano SKU: SU.80600390 For High Voice, Piano. Composed...(+)
High Voice, Piano
SKU:
SU.80600390
For
High Voice, Piano.
Composed by Jan
Meyerowitz. Vocal/Choral,
Solo Voice. Accompanied
by piano. Score. Edward
B. Marks Music #80600390.
Published by Edward B.
Marks Music
(SU.80600390).
Text by John
KeatsHigh voice, Piano
Composed: 1964 Published
by: E.B. Marks.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
12 Selected Songs Voix haute, Piano [Partition + Accès audio] Boosey and Hawkes
Realizations by Benjamin Britten High Voice. Composed by Henry Purcell (1659-169...(+)
Realizations by Benjamin
Britten High Voice.
Composed by Henry Purcell
(1659-1695). Edited by
Benjamin Britten. Boosey
and Hawkes Voice.
Classical, English.
Softcover Audio Online.
48 pages. Boosey and
Hawkes #M051934164.
Published by Boosey and
Hawkes
(Three Sacred Solos for High Voice). By Hal H. Hopson. Arranged by Hal H. Hopson...(+)
(Three Sacred Solos for
High Voice). By Hal H.
Hopson. Arranged by Hal
H. Hopson. For piano
(Vocal Solo- High Voice).
Vocal. Sacred. Moderately
Easy. Vocal score.
Published by MorningStar
Music Publishers
By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 15 Magelone S...(+)
By Johannes Brahms.
Edited by Friedlaender.
For high voice, piano. 15
Magelone Songs and 18
Songs(Eng-Ger).Von ewiger
Liebe,Mainacht,Wie bist
du meine Koenigin,etc.
Published by C.F. Peters.
With online audio of Recorded Diction Lessons and Piano Accompaniments. Composed...(+)
With online audio of
Recorded Diction Lessons
and Piano Accompaniments.
Composed by Various.
Edited by Richard
Walters. Vocal
Collection. Collection,
Classical. Softcover
Audio Online. 208 pages.
Published by Hal Leonard
High voice and piano (High Voice) SKU: HL.49002995 Stimmt die Saiten(+)
High voice and piano
(High Voice)
SKU:
HL.49002995
Stimmt
die Saiten. Composed
by Henry Purcell. Edited
by Sir Michael Tippett
and Walter Bergmann. This
edition: Folding. Sheet
music. Edition Schott.
Classical. High. 7 pages.
Schott Music #ED 11931.
Published by Schott Music
(HL.49002995).
ISBN
9790220113390.
8.5x11.5x0.017 inches.
English -
German.
High Voice. Composed by Various. Boosey and Hawkes Voice. Play Along. Softcover ...(+)
High Voice. Composed by
Various. Boosey and
Hawkes Voice. Play Along.
Softcover Audio Online.
48 pages. Boosey and
Hawkes #M051934034.
Published by Boosey and
Hawkes
The Vocal Library. By Various. Arranged by Steven Stolen and Richard Walters. (H...(+)
The Vocal Library. By
Various. Arranged by
Steven Stolen and Richard
Walters. (High Voice).
Vocal Collection. Size
9x12 inches. 80 pages.
Published by Hal Leonard
Corporation.
High Voice The Vocal Library. By Roger Quilter. Arranged by Richard Walters. Voc...(+)
High Voice The Vocal
Library. By Roger
Quilter. Arranged by
Richard Walters. Vocal
Collection. Size 8.5x11
inches. 228 pages.
Published by Hal Leonard.
60 Songs - High Voice. Composed by Roger Quilter (1877-1953). Boosey and Hawke...(+)
60 Songs - High Voice.
Composed by Roger Quilter
(1877-1953). Boosey and
Hawkes
Voice. Softcover. 240
pages.
Boosey and Hawkes
#M051934560.
Published by Boosey and
Hawkes