Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Soprano/Alto High Voice; Vocal SKU: HL.383303 Soprano/Alto Edition...(+)
Soprano/Alto High Voice;
Vocal
SKU:
HL.383303
Soprano/Alto
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. Published by
Hal Leonard (HL.383303).
ISBN 9781705154137.
UPC: 196288021421.
9.0x12.0x0.666
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
from––all transposed
into appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Soprano/Alto edition
features 31 songs,
including: All by Myself
• At Last • Don't
Know Why • Hallelujah
• Hello • I Can't
Make You Love Me • I
Will Always Love You •
Killing Me Softly with
His Song • Landslide
• Million Reasons •
(You Make Me Feel Like) A
Natural Woman • New
York State of Mind •
She Used to Be Mine •
Someone like You • A
Thousand Years • Time
After Time • When We
Were Young • Will You
Love Me Tomorrow (Will
You Still Love Me
Tomorrow) • and
more.
High Voice The Vocal Library. By Roger Quilter. Arranged by Richard Walters. Voc...(+)
High Voice The Vocal
Library. By Roger
Quilter. Arranged by
Richard Walters. Vocal
Collection. Size 8.5x11
inches. 228 pages.
Published by Hal Leonard.
(5 Songs for High Voice and Orchestra). By Ricky Ian Gordon. Solo instrument wit...(+)
(5 Songs for High Voice
and Orchestra). By Ricky
Ian Gordon. Solo
instrument with
accompaniment. For Voice,
Piano. E. e. cummings.
East Lansing, MI;
Soprano, Melanie Helton,
conducted by Raphael
Jimenez.. Contemporary.
Performance score.
Standard notation.
Duration 21 minutes.
Published by Theodore
Presser Company
Vocal Ensemble Piano Accompaniment; Vocal (High Voice) SKU: HL.51480551 <...(+)
Vocal Ensemble Piano
Accompaniment; Vocal
(High Voice)
SKU:
HL.51480551
Song
Cycle Original Keys for
High Voice. Composed
by Robert Schumann.
Edited by Kazuko Ozawa.
Sheet Music. Paperbound.
Henle Music Folios.
Original Keys for High
Voice. Classical.
Softcover. 80 pages. G.
Henle #HN551. Published
by G. Henle
(HL.51480551).
ISBN
9790201805511. UPC:
888680950781.
8.25x11.75x0.295
inches.
1840 was
Schumann's famous
“year of
song†that brought
forth over 100 lieder.
They included Myrthen op.
25, which he dedicated
“to his dear
bride,†Clara
Wieck-Schumann. Besides
famous songs such as
“Widmung,â€
“Lotosblumeâ€
and
“Nussbaum†to
texts by German poets,
the collection also saw
Schumann venture further
afield, whether to the
Scottish Highlands with
settings of Robert Burns
or to Italy for the
“Venetian
Songs†of Thomas
Moore. Schumann
specialist Kazuko Ozawa
has examined the first
edition of 1840 and all
the manuscript sources.
Among the dedicatory
autograph copies she has
also discovered
interesting early
versions of individual
songs that are here
published in an appendix.
Our Urtext edition is
rounded off with an
extensive history of how
Myrthen was composed.
This volume is a
superlative addition to
G. Henle VerlagÂ’s
series of Robert
Schumann's song
cycles.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 15 Magelone S...(+)
By Johannes Brahms.
Edited by Friedlaender.
For high voice, piano. 15
Magelone Songs and 18
Songs(Eng-Ger).Von ewiger
Liebe,Mainacht,Wie bist
du meine Koenigin,etc.
Published by C.F. Peters.
For Voice and Piano. By William Schuman. Text: Langston Hughes. For high voice, ...(+)
For Voice and Piano. By
William Schuman. Text:
Langston Hughes. For high
voice, piano. This
edition: High Voice.
Classical. Piano/Vocal
Score. 5 pages. Duration
3:00. Published by
Theodore Presser Company.
A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.
The Vocal Library. By Various. Arranged by Carol Kimball and Richard Walters. Vo...(+)
The Vocal Library. By
Various. Arranged by
Carol Kimball and Richard
Walters. Vocal
Collection. Size 8.5x11
inches. 320 pages.
Published by Hal Leonard
Corporation.
With online audio of Recorded Diction Lessons and Piano Accompaniments. Composed...(+)
With online audio of
Recorded Diction Lessons
and Piano Accompaniments.
Composed by Various.
Edited by Richard
Walters. Vocal
Collection. Collection,
Classical. Softcover
Audio Online. 208 pages.
Published by Hal Leonard
(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High v...(+)
(High Voice). Arranged by
for Solo voice by Harry
T. Burleigh. For Voice
(High voice
(Medium-High)). Vocal
Collection. Spiritual.
Book. 208 pages.
Published by Alfred Music
Publishing
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...(+)
(45 Songs for High
Voice). Composed by
William Bolcom. For
Vocal, High Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 240
pages. Published by
Edward B. Marks Music
High Voice. Composed by Franz Schubert (1797-1828). Edited by Walther Durr. Th...(+)
High Voice. Composed by
Franz Schubert
(1797-1828).
Edited by Walther Durr.
This
edition: urtext edition.
Paperback. Vocal score,
anthology. Published by
Baerenreiter Verlag
High voice and piano SKU: HL.49002702 Composed by John Ireland. This edit...(+)
High voice and piano
SKU: HL.49002702
Composed by John Ireland.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 18 pages.
Schott Music #ED 11202.
Published by Schott Music
(HL.49002702).
ISBN
9790220108761.
9.0x12.0x0.095 inches.
English.
The Advent
No sudden thing of glory
and fear * Hymne for a
child Flocking to the
Temple * My Fair My Fair,
no beauty of thine * The
Salley Gardens Down by
the Salley gardens * The
soldier's return Jump
through the hedge, lass!
* The scapegoat See the
scapegoat, happy
beast.
For Voice and Piano. By Lily S. Strickland. Text: Lily S. Strickland. For High V...(+)
For Voice and Piano. By
Lily S. Strickland. Text:
Lily S. Strickland. For
High Voice, Piano. This
edition: Low voice in G.
Classical. Piano/Vocal
Score. 4 pages. Published
by Theodore Presser
Company.