Chamber Music High voice, Piano SKU: PR.141401010 Selected Songs for H...(+)
Chamber Music High voice,
Piano
SKU:
PR.141401010
Selected Songs for
High Voice and Piano.
Composed by David
Leisner. Sws. Collection
- Performance. 28 pages.
Theodore Presser Company
#141-40101. Published by
Theodore Presser Company
(PR.141401010).
ISBN
9781491130612. UPC:
680160676415. 9 x 12
inches. English. Emily
Dickinson, Emily Bronte,
Elissa Ely, Kenneth
Patchen, Wendell
Berry.
First known
to the music world as a
guitar recitalist, David
Leisner turned to
composing his own guitar
repertoire, and soon
expanded his work to
create a rich catalog in
the grand tradition of
art songs for voice with
guitar. Much beloved by
singers for his poignant
lyricism and powerful
cultivation of meaningful
texts, Leisner has also
composed a wealth of art
songs for voice with
piano. The present
collection is a selection
of six songs from
existing cycles for high
voice, on texts by Emily
Dickinson, Emily Bronte,
Elissa Ely, Kenneth
Patchen, and Wendell
Berry.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Chamber Music High voice, Piano SKU: PR.111402950 Op. 135. Compose...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402950
Op.
135. Composed by
Lowell Liebermann. 36
pages. Duration 18
minutes. Theodore Presser
Company #111-40295.
Published by Theodore
Presser Company
(PR.111402950).
(A Cycle of 10 Songs to Poems by Women for High Voice and Piano). By David Leisn...(+)
(A Cycle of 10 Songs to
Poems by Women for High
Voice and Piano). By
David Leisner (1953-).
Solo instrument with
accompaniment. For High
Voice, Piano. This
edition: High Voice and
Piano. Poems by Emily
Dickinson, Emily Bronte,
Gene Scaramellino, and
Elissa Ely. World
Premiere: Jordan Hall,
Boston: Sanford Sylvan,
Baritone; Patricia Thom,
Piano. Contemporary.
Piano reduction/vocal
score. Standard notation.
52 pages. Duration 30
minutes. Published by
Theodore Presser Company
(For High Voice And Piano). By Lowell Liebermann. For high voice solo, piano. Co...(+)
(For High Voice And
Piano). By Lowell
Liebermann. For high
voice solo, piano.
Contemporary. Piano
reduction/Vocal Score.
Standard notation. Opus
22. 8 pages. Duration 6
minutes. Published by
Theodore Presser Company
For Voice and Piano. By Lily S. Strickland. Text: Lily S. Strickland. For High V...(+)
For Voice and Piano. By
Lily S. Strickland. Text:
Lily S. Strickland. For
High Voice, Piano. This
edition: Low voice in G.
Classical. Piano/Vocal
Score. 4 pages. Published
by Theodore Presser
Company.
For Voice and Piano. By Claude Debussy. Text: Paul Verlaine. For High Voice, Pia...(+)
For Voice and Piano. By
Claude Debussy. Text:
Paul Verlaine. For High
Voice, Piano. This
edition: high voice.
Selected Vocal
Masterpieces: French
Songs. Classical.
Piano/Vocal Score. 7
pages. Published by
Theodore Presser Company.
The Rivals Voix haute, Piano [Vocal Score] Theodore Presser Co.
Four Songs for High Voice and Piano. By Seymour Barab. Text: James Stephens. For...(+)
Four Songs for High Voice
and Piano. By Seymour
Barab. Text: James
Stephens. For High Voice
Solo, Piano. Classical.
Piano/Vocal Score. 15
pages. Published by
Theodore Presser Company.
What Is It? Voix haute, Piano [Octavo] Theodore Presser Co.
(For Voice and Piano). By Virgil Thomson (1896-1989). For High Voice, Piano. Pia...(+)
(For Voice and Piano). By
Virgil Thomson
(1896-1989). For High
Voice, Piano. Piano
reduction/vocal score.
Standard notation. 5
pages. Duration 2
minutes, 15 seconds.
Published by Theodore
Presser Company
For Voice and Piano. By William Schuman. Text: Langston Hughes. For high voice, ...(+)
For Voice and Piano. By
William Schuman. Text:
Langston Hughes. For high
voice, piano. This
edition: High Voice.
Classical. Piano/Vocal
Score. 5 pages. Duration
3:00. Published by
Theodore Presser Company.
Time To The Old Voix haute, Piano [Vocal Score] Theodore Presser Co.
By William Schuman. Arranged by Archibald Macleish. Text: Archibald Macleish. Fo...(+)
By William Schuman.
Arranged by Archibald
Macleish. Text: Archibald
Macleish. For High Voice,
Piano. Piano/Vocal Score.
10 pages. Duration 11:15.
Published by Theodore
Presser Company.
(From the Largo of the New World Symphony) Composed by Antonin Dvorak (1841-1904...(+)
(From the Largo of the
New World Symphony)
Composed by Antonin
Dvorak (1841-1904),
arranged by William Arms
Fisher. Piano/Vocal Score
for high voice and piano.
E Flat Major. 5 pages.
Published by Theodore
Presser Company.
(5 Songs for High Voice and Orchestra). By Ricky Ian Gordon. Solo instrument wit...(+)
(5 Songs for High Voice
and Orchestra). By Ricky
Ian Gordon. Solo
instrument with
accompaniment. For Voice,
Piano. E. e. cummings.
East Lansing, MI;
Soprano, Melanie Helton,
conducted by Raphael
Jimenez.. Contemporary.
Performance score.
Standard notation.
Duration 21 minutes.
Published by Theodore
Presser Company
(A Prayer by St. Francis of Assisi) By Olive Dungan. Single piece for high voice...(+)
(A Prayer by St. Francis
of Assisi) By Olive
Dungan. Single piece for
high voice and piano
accompaniment. D Major. 4
pages. Published by
Theodore Presser Company.
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09109
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. High Voice.
Singing Score, anthology.
Baerenreiter Verlag
#BA09109_00. Published by
Baerenreiter Verlag
(BA.BA09109).
ISBN
9790006530588. 30 x 23 cm
inches. Language: German.
Preface: Christoph
Pregardien/Andreas
Staier.
Volume 9 of
the new Urtext edition of
Schubert’s lieder
contains lieder composed
during the spring and
summer of 1816, some of
which follow upon series
started in 1815. They are
available in separate
books for high, medium
and low voice. The volume
was completed by the
eminent Schubert scholar
Walter Dürr who passed
away at the beginning of
2018.
It was in
1816 that Schubert
completed his settings of
Ossian's songs and added
lieder on texts by Johann
Georg Jacobi, Johann
Peter Uz and Matthias
Claudius. Also included
are the lieder from the
Grob family songbook. In
summer 1816 Schubert
produced his first
settings of poems by
Christian Friedrich
Daniel Schubart
(“Grablied auf
einen Soldaten†and
“An mein
Klavierâ€), the
author of the words to
one of his most famous
songs “Die
Forelleâ€/
“The Troutâ€
(see Volume 2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
High Voice and Piano SKU: HL.14011324 Composed by Henry Purcell. Music Sa...(+)
High Voice and Piano
SKU: HL.14011324
Composed by Henry
Purcell. Music Sales
America. Exam Material.
Book [Softcover]. 60
pages. Music Sales
#NOV170265. Published by
Music Sales
(HL.14011324).
Ave Maria - High Voice * Schubert composed by Franz Schubert (1797-1828). Arrang...(+)
Ave Maria - High Voice *
Schubert composed by
Franz Schubert
(1797-1828). Arranged by
Walter Scott. For voice
solo. Solo. Choral. Sheet
Music. Text Language:
English. 4 pages.
Published by Santorella
Publications