High Voice and Piano (HSGST/KL) SKU: HL.49033568 Herr! Schicke, was du...(+)
High Voice and Piano
(HSGST/KL)
SKU:
HL.49033568
Herr!
Schicke, was du willt /
Uber Nacht kommt still
das Leid. Composed by
Wolf. This edition:
Saddle stitching. Sheet
music. Einzelausgaben
(Single Sheets). 6 pages.
Schott Music #ED0 7075.
Published by Schott Music
(HL.49033568).
Lieder (for high and medium voice and piano). By Felix Bartholdy Mendelssohn (18...(+)
Lieder (for high and
medium voice and piano).
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Eugene Asti.
For high voice/medium
voice/piano. This
edition: Paperback,
Urtext edition. Vocal
score, Anthology. 154
pages. Published by
Baerenreiter Verlag
Voix haute, Piano [Partition] IMC (International Music Co.)
(200 Songs ) Selected by Sergius Kagen, composed by Franz Schubert (1797-1828). ...(+)
(200 Songs ) Selected by
Sergius Kagen, composed
by Franz Schubert
(1797-1828). Collection
for high voice and piano.
Text language German.
Published by
International Music Co..
Composed by Franz Schubert (1797-1828), edited by Max Friedlaender. Collection f...(+)
Composed by Franz
Schubert (1797-1828),
edited by Max
Friedlaender. Collection
for high voice and piano.
Text language German. 275
pages. Published by C.F.
Peters.
Ave Maria - High Voice * Schubert composed by Franz Schubert (1797-1828). Arrang...(+)
Ave Maria - High Voice *
Schubert composed by
Franz Schubert
(1797-1828). Arranged by
Walter Scott. For voice
solo. Solo. Choral. Sheet
Music. Text Language:
English. 4 pages.
Published by Santorella
Publications
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...(+)
(45 Songs for High
Voice). Composed by
William Bolcom. For
Vocal, High Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 240
pages. Published by
Edward B. Marks Music
High Voice and Piano (High/Medium High) SKU: AP.36-M381391 Composed by Ce...(+)
High Voice and Piano
(High/Medium High)
SKU: AP.36-M381391
Composed by Cecile
Chaminade. High Voice,
Solo with Piano, Solo and
Piano; Performance Music
Ensemble. Master Vocal
Series. Part(s). Alfred
Music #36-M381391.
Published by Alfred Music
(AP.36-M381391).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
High Voice and Piano SKU: HL.14026589 Composed by Roger Quilter. Music Sa...(+)
High Voice and Piano
SKU: HL.14026589
Composed by Roger
Quilter. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV26300901. Published
by Music Sales
(HL.14026589).
Roger
Quilter (1877-1953)
was a British composer,
best known for writing
many gentle and beautiful
songs. Along with Henry
Balfour Gardiner and
Percy Grainger, he was a
member of the Frankfurt
Group, a group of friends
who studied composition
together at the Hoch
Conservatory in
Frankfurt.
Three
Pastoral Songs
(Op.22) is a collection
of three songs based on
countryside scenes: I
will go with my father
a-ploughing - Cherry
valley - I wish and I
wish. They are
arranged here for High
Voice with Piano
accompaniment.
High Voice and Piano (High/Medium High) SKU: AP.36-M379991 Composed by Ce...(+)
High Voice and Piano
(High/Medium High)
SKU: AP.36-M379991
Composed by Cecile
Chaminade. High Voice,
Solo with Piano, Vocal
Score; Performance Music
Ensemble. Master Vocal
Series. Score. Alfred
Music #36-M379991.
Published by Alfred Music
(AP.36-M379991).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09109
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. High Voice.
Singing Score, anthology.
Baerenreiter Verlag
#BA09109_00. Published by
Baerenreiter Verlag
(BA.BA09109).
ISBN
9790006530588. 30 x 23 cm
inches. Language: German.
Preface: Christoph
Pregardien/Andreas
Staier.
Volume 9 of
the new Urtext edition of
Schubert’s lieder
contains lieder composed
during the spring and
summer of 1816, some of
which follow upon series
started in 1815. They are
available in separate
books for high, medium
and low voice. The volume
was completed by the
eminent Schubert scholar
Walter Dürr who passed
away at the beginning of
2018.
It was in
1816 that Schubert
completed his settings of
Ossian's songs and added
lieder on texts by Johann
Georg Jacobi, Johann
Peter Uz and Matthias
Claudius. Also included
are the lieder from the
Grob family songbook. In
summer 1816 Schubert
produced his first
settings of poems by
Christian Friedrich
Daniel Schubart
(“Grablied auf
einen Soldaten†and
“An mein
Klavierâ€), the
author of the words to
one of his most famous
songs “Die
Forelleâ€/
“The Troutâ€
(see Volume 2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: HL.386012 For High Voice and Piano. Composed by Isabelle Abou...(+)
SKU: HL.386012
For High Voice and
Piano. Composed by
Isabelle Aboulker. Vocal.
Softcover. 20 pages.
Alphonse Leduc #AL30881.
Published by Alphonse
Leduc (HL.386012).
ISBN 9781705155417.
UPC: 196288023111.
9.0x12.0
inches.
Isabelle
Aboulker composed Lettre
a ma soeur tant aimee
(Letter to My Beloved
Sister) for the Nadia et
Lili Boulanger
International Voice-Piano
Competition 2021. The
text is based on a
recently discovered
letter from Nadia
Boulanger to her sister
Lili that contains
emotions of a rare
intensity. The letter was
written on February 7,
1917, during a period
when Lili, isolated by
the war and sickness, was
spending a difficult
period at Arcachon to
recover her health.
Vocal Ensemble Piano Accompaniment; Vocal (High Voice) SKU: HL.51480551 <...(+)
Vocal Ensemble Piano
Accompaniment; Vocal
(High Voice)
SKU:
HL.51480551
Song
Cycle Original Keys for
High Voice. Composed
by Robert Schumann.
Edited by Kazuko Ozawa.
Sheet Music. Paperbound.
Henle Music Folios.
Original Keys for High
Voice. Classical.
Softcover. 80 pages. G.
Henle #HN551. Published
by G. Henle
(HL.51480551).
ISBN
9790201805511. UPC:
888680950781.
8.25x11.75x0.295
inches.
1840 was
Schumann's famous
“year of
song†that brought
forth over 100 lieder.
They included Myrthen op.
25, which he dedicated
“to his dear
bride,†Clara
Wieck-Schumann. Besides
famous songs such as
“Widmung,â€
“Lotosblumeâ€
and
“Nussbaum†to
texts by German poets,
the collection also saw
Schumann venture further
afield, whether to the
Scottish Highlands with
settings of Robert Burns
or to Italy for the
“Venetian
Songs†of Thomas
Moore. Schumann
specialist Kazuko Ozawa
has examined the first
edition of 1840 and all
the manuscript sources.
Among the dedicatory
autograph copies she has
also discovered
interesting early
versions of individual
songs that are here
published in an appendix.
Our Urtext edition is
rounded off with an
extensive history of how
Myrthen was composed.
This volume is a
superlative addition to
G. Henle VerlagÂ’s
series of Robert
Schumann's song
cycles.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Antonin Dvorak (1841-1904). Edited by Eva Velická. This edition: ...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Eva
Velická. This edition:
urtext
edition. Paperback.
Barenreiter Urtext. High
Voice. Singing Score.
Opus 99.
Baerenreiter Verlag
#BA10425.
Published by Baerenreiter
Verlag
Composed by Johann Sebastian Bach (1685-1750). General. Baroque. Vocal score. 7 ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). General.
Baroque. Vocal score. 7
pages. Galaxy Music
Corporation #1.1334.
Published by Galaxy Music
Corporation
High voice and piano SKU: HL.49005588 Verse aus Ein gruner Zweig. ...(+)
High voice and piano
SKU: HL.49005588
Verse aus Ein gruner
Zweig. Composed by
Hermann Reutter. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1962.
20 pages. Duration 14'.
Schott Music #ED 5289.
Published by Schott Music
(HL.49005588).