Wedding Prayer. (High Voice and Piano). By Fern Glasgow Dunlap. For Piano, Vocal. Vocal Solo. 6 pages. G. Schirmer #ST41784. Published by G. Schirmer

(Volume 2 (Nos. 16-30)). By Max Reger (1873-1916). High Voice. Boosey and Hawkes Voice. 51 pages. Bote and Bock #M202508022. Published by Bote and Bock

By Roger Quilter. Arranged by David Owen Norris. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 76 pages. Published by Boosey and Hawkes.

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 15 Magelone Songs and 18 Songs(Eng-Ger).Von ewiger Liebe,Mainacht,Wie bist du meine Koenigin,etc. Published by C.F. Peters.

High Voice and Piano (High/Medium High)

SKU: AP.36-M381391

Composed by Cecile Chaminade. High Voice, Solo with Piano, Solo and Piano; Performance Music Ensemble. Master Vocal Series. Part(s). Alfred Music #36-M381391. Published by Alfred Music (AP.36-M381391).

UPC: 660355058363. English.

A reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 1, Book 3: Amour d'automne (W276, 1889); Souhait (W264, 1886); Colette (W285, 1891); L'absente (W271, 1886); L'anneau d'argent (W284, 1891); Amoroso (W283, 1891); Sur la plage (W286, 1892).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

High Voice and Piano (High/Medium High)

SKU: AP.36-M379991

Composed by Cecile Chaminade. High Voice, Solo with Piano, Vocal Score; Performance Music Ensemble. Master Vocal Series. Score. Alfred Music #36-M379991. Published by Alfred Music (AP.36-M379991).

UPC: 660355035937. English.

A reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 1, Book 3: Amour d'automne (W276, 1889); Souhait (W264, 1886); Colette (W285, 1891); L'absente (W271, 1886); L'anneau d'argent (W284, 1891); Amoroso (W283, 1891); Sur la plage (W286, 1892).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

High Voice. This edition: high voice. Vocal Collection. Size 9x12 inches. 208 pages. Published by Hal Leonard.

Composed by R. Hundley. for high voice and piano. Published by Boosey and Hawkes.

By Katherine K. Davis. For High Voice and keyboard. General, Psalm. Psalm 84: 1-3. Vocal Music. Published by E.C. Schirmer Publishing.

Chamber Music High voice, Piano

SKU: PR.UE037980

Op. 21. Composed by Richard Strauss. Collection - Score. 16 pages. Universal Edition #UE037980. Published by Universal Edition (PR.UE037980).

ISBN 9783702475505. UPC: 803452072614. German, English.

Richard Strauss, an early Modern composer and contemporary of Gustav Mahler, is best known for his operas (Salome, Der Rosenkavalier, Elektra, and many more) and was also a prolific composer of lieder. This new edition of his Schlichte Weisen is based on the Richard Strauss Works Critical Edition with English translation by John Bernhoff.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 65 songs (Text Language: German). Trost in Traenen, Schwermut, Serenade, Eine gute Nacht, Fruehlingstrost, An ein Bild, etc. Published by C.F. Peters.

(For High Voice And Piano). By Lowell Liebermann. For high voice solo, piano. Contemporary. Piano reduction/Vocal Score. Standard notation. Opus 22. 8 pages. Duration 6 minutes. Published by Theodore Presser Company

By H. Wolf. Edited by Gerhardt. For high voice, piano. (Eng-Ger). Published by C.F. Peters.

High voice and piano

SKU: HL.49005588

Verse aus Ein gruner Zweig. Composed by Hermann Reutter. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1962. 20 pages. Duration 14'. Schott Music #ED 5289. Published by Schott Music (HL.49005588).

ISBN 9790001060264.