Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
12 Contemporary Settings of Favorites from the Great American Songbook for Solo ...(+)
12 Contemporary Settings
of Favorites from the
Great American Songbook
for Solo Voice and Piano.
Arranged by Jay Althouse.
For Voice. (Medium High
Voice). Vocal Collection.
Level: High School and
Adult. Book and CD. 64
pages. Published by
Alfred Publishing.
(High Voice (63 Songs)). By Benjamin Britten (1913-1976). Arranged by Richard Wa...(+)
(High Voice (63 Songs)).
By Benjamin Britten
(1913-1976). Arranged by
Richard Walters. For
Vocal. Boosey and Hawkes
Voice. 320 pages. Boosey
and Hawkes #M051933976.
Published by Boosey and
Hawkes
Voice-High,Piano (High voice, Piano) SKU: BA.BA09119 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09119
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Compilation:
Christine Martin. Singing
Score, anthology.
Baerenreiter Verlag
#BA09119_00. Published by
Baerenreiter Verlag
(BA.BA09119).
ISBN
9790006566679. 30 x 23 cm
inches. Language: German.
Preface: Christine
Martin.
Do you know
our performing edition of
Schubert Lieder? 13
volumes containing the
complete Lieder for solo
voice and piano in
editions for high, medium
and low voice are
planned. Nine of these
volumes have already been
published and provide the
basis for this special
sampler at a very special
price. “A Taste of
Schubert†presents
one to three pieces from
each volume to create a
cross-section of
Schubert’s
complete lieder uvre.
Lieder from his famous
cycles are included as
well as
“Sehnsuchtâ€,
of which he wrote several
settings.
Contrast
ing genres have also been
taken into consideration,
beginning with simple
strophic songs, via the
ballad “Der
König von Thuleâ€
through to his long
Ossian Lied
“Cronnanâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
What Is It? Voix haute, Piano [Octavo] Theodore Presser Co.
(For Voice and Piano). By Virgil Thomson (1896-1989). For High Voice, Piano. Pia...(+)
(For Voice and Piano). By
Virgil Thomson
(1896-1989). For High
Voice, Piano. Piano
reduction/vocal score.
Standard notation. 5
pages. Duration 2
minutes, 15 seconds.
Published by Theodore
Presser Company
Voix haute, Piano [Partition + CD] - Intermédiaire Alfred Publishing
(Medium High Voice). Arranged by Mark Hayes. For medium high voice solo and pian...(+)
(Medium High Voice).
Arranged by Mark Hayes.
For medium high voice
solo and piano
accompaniment (High voice
(Medium-High)). Vocal;
Vocal Collection; Worship
Resources. The Mark Hayes
Vocal Solo Collection.
Sacred and Play Along.
Difficulty: medium.
Songbook and
accompaniment CD. Vocal
melody, lyrics, piano
accompaniment and
pronunciation guide (for
French and German). 72
pages. Published by
Alfred Music Publishing
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09109
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. High Voice.
Singing Score, anthology.
Baerenreiter Verlag
#BA09109_00. Published by
Baerenreiter Verlag
(BA.BA09109).
ISBN
9790006530588. 30 x 23 cm
inches. Language: German.
Preface: Christoph
Pregardien/Andreas
Staier.
Volume 9 of
the new Urtext edition of
Schubert’s lieder
contains lieder composed
during the spring and
summer of 1816, some of
which follow upon series
started in 1815. They are
available in separate
books for high, medium
and low voice. The volume
was completed by the
eminent Schubert scholar
Walter Dürr who passed
away at the beginning of
2018.
It was in
1816 that Schubert
completed his settings of
Ossian's songs and added
lieder on texts by Johann
Georg Jacobi, Johann
Peter Uz and Matthias
Claudius. Also included
are the lieder from the
Grob family songbook. In
summer 1816 Schubert
produced his first
settings of poems by
Christian Friedrich
Daniel Schubart
(“Grablied auf
einen Soldaten†and
“An mein
Klavierâ€), the
author of the words to
one of his most famous
songs “Die
Forelleâ€/
“The Troutâ€
(see Volume 2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(7 carol arrangements for high voice and piano). By Mack Wilberg (1955-). For Hi...(+)
(7 carol arrangements for
high voice and piano). By
Mack Wilberg (1955-). For
High voice and piano.
Solo Voice. Other
Collection. 64 pages.
Published by Oxford
University Press
High voice, piano - Level 3 SKU: BA.BA10431 Composed by Antonin Dvorak. E...(+)
High voice, piano - Level
3
SKU: BA.BA10431
Composed by Antonin
Dvorak. Edited by
Veronika Vejvodová.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. High
Voice. Singing Score,
anthology. Opus 55.
Baerenreiter Verlag
#BA10431_00. Published by
Baerenreiter Verlag
(BA.BA10431).
ISBN
9790260107786. 30 x 23 cm
inches. Text Language:
Czech, English, German.
Preface: Vejvodová,
Veronika.
Dvorák
’s song cycle
Gypsy Songs op. 55 on
words by the Czech poet
Adolf Heyduk, were
written at the beginning
of 1880 at the request of
the Bohemian tenor Gustav
Walter, a member of the
Vienna Court Opera and
the work’s
dedicatee. For this
Urtext edition the editor
Veronika Vejvodová has
taken the original print
as her main source. The
edition appears in two
volumes, one for high
voice and another for low
voice.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(12 Contemporary Settings of Favorites from the Great American Songbook for Solo...(+)
(12 Contemporary Settings
of Favorites from the
Great American Songbook
for Solo Voice and Piano
(High Voice)). Arranged
by Jay Althouse. For
Medium High Voice. Vocal
Collection. Book. 64
pages. Published by
Alfred Music Publishing
Vocal Ensemble Piano Accompaniment; Vocal (High Voice) SKU: HL.51480551 <...(+)
Vocal Ensemble Piano
Accompaniment; Vocal
(High Voice)
SKU:
HL.51480551
Song
Cycle Original Keys for
High Voice. Composed
by Robert Schumann.
Edited by Kazuko Ozawa.
Sheet Music. Paperbound.
Henle Music Folios.
Original Keys for High
Voice. Classical.
Softcover. 80 pages. G.
Henle #HN551. Published
by G. Henle
(HL.51480551).
ISBN
9790201805511. UPC:
888680950781.
8.25x11.75x0.295
inches.
1840 was
Schumann's famous
“year of
song†that brought
forth over 100 lieder.
They included Myrthen op.
25, which he dedicated
“to his dear
bride,†Clara
Wieck-Schumann. Besides
famous songs such as
“Widmung,â€
“Lotosblumeâ€
and
“Nussbaum†to
texts by German poets,
the collection also saw
Schumann venture further
afield, whether to the
Scottish Highlands with
settings of Robert Burns
or to Italy for the
“Venetian
Songs†of Thomas
Moore. Schumann
specialist Kazuko Ozawa
has examined the first
edition of 1840 and all
the manuscript sources.
Among the dedicatory
autograph copies she has
also discovered
interesting early
versions of individual
songs that are here
published in an appendix.
Our Urtext edition is
rounded off with an
extensive history of how
Myrthen was composed.
This volume is a
superlative addition to
G. Henle VerlagÂ’s
series of Robert
Schumann's song
cycles.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Mark Hayes. Songbook for medium high voice solo and piano accompanim...(+)
Arranged by Mark Hayes.
Songbook for medium high
voice solo and piano
accompaniment. Text
language English, French,
German. Published by
Alfred Publishing.
Singer's Jazz Anthology - High Voice with Recorded Piano Accompaniments Online...(+)
Singer's Jazz Anthology -
High Voice with Recorded
Piano Accompaniments
Online.
Composed by Cole Porter.
Singer's Jazz Anthology.
Jazz, Standards.
Softcover
Audio Online. 122 pages.
Published by Hal Leonard