(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. 472 pages. Published by Hal Leonard

By Karol Szymanowski (1882-1937). Arranged by Oramo Sakari. For High Voice, Piano. Piano reduction/vocal score. Op.31. 29 pages. Published by Universal Edition

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 65 songs (Text Language: German). Trost in Traenen, Schwermut, Serenade, Eine gute Nacht, Fruehlingstrost, An ein Bild, etc. Published by C.F. Peters.

Edited by Patrick M. Liebergen. For Voice. (High Voice). Vocal Collection. Book. 200 pages. Published by Alfred Publishing.

(Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests (Medium High Voice)). Edited by Sally K. Albrecht. For Voice (High voice (Medium-High)). Vocal Collection. Folk; Multicultural; Recital. Book. 72 pages

(High Voice). By Various. Edited by Richard Walters. High Voice. Vocal Collection. Book only. 240 pages. G. Schirmer #ED4321. Published by G. Schirmer

33 Songs for High Voice and Piano. Composed by Various. Edited by Bernd Frank. Vocal Collection. Softcover. Schott Music #ED21712. Published by Schott Music

By Various. For High Voice and Piano. Level: ABRSM Grade 8. Published by Edition Peters.

By Various. For High Voice and Piano. Level: ABRSM Grade 7. Published by Edition Peters.

By Various. For High Voice and Piano. Level: ABRSM Grade 6. Published by Edition Peters.

By Gwyneth W. Walker. Text: Jelaluddin Rumi, translated by C. Barks. For High voice and piano. Vocal Music. Published by E.C. Schirmer Publishing.

(12 Contemporary Settings of Favorites from the Great American Songbook for Solo Voice and Piano (High Voice)). Arranged by Jay Althouse. For Medium High Voice. Vocal Collection. Book. 64 pages. Published by Alfred Music Publishing

(12 Contemporary Settings of Favorites from the Great American Songbook for Solo Voice and Piano (High Voice)). Arranged by Jay Althouse. For Medium High Voice. Vocal Collection. Book & CD. 64 pages. Published by Alfred Music Publishing

http://www.sheetmusicplus .com/title/Great-American -Songwriters-for-Solo-Sin gers/19223027

For Voice and Keyboard. By Fred Koch. Arranged by Mary Baker Eddy. Text: Mary Baker Eddy. For High Voice, Keyboard. Piano/Vocal Score. 32 pages. Published by Carl Fischer.

Vocal Ensemble Piano Accompaniment; Vocal (High Voice)

SKU: HL.51480551

Song Cycle Original Keys for High Voice. Composed by Robert Schumann. Edited by Kazuko Ozawa. Sheet Music. Paperbound. Henle Music Folios. Original Keys for High Voice. Classical. Softcover. 80 pages. G. Henle #HN551. Published by G. Henle (HL.51480551).

ISBN 9790201805511. UPC: 888680950781. 8.25x11.75x0.295 inches.

1840 was Schumann's famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride,” Clara Wieck-Schumann. Besides famous songs such as “Widmung,” “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs” of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann's song cycles.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
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(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High voice (Medium-High)). Vocal Collection. Spiritual. Book. 208 pages. Published by Alfred Music Publishing

The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.

The Vocal Library. By Various. Arranged by Steven Stolen and Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 80 pages. Published by Hal Leonard Corporation.

Sing Solo Sacred by Neil Jenkins. For voice. Solo Voice. Sing Solo.... Other Collection. Part. 160 pages. Published by Oxford University Press