Par SCHUBERT FRANZ. Contents: Afar ? After Work ? Angel of Beauty ? Atlas ? Ave Maria ? Benumbed ? The Brook's Lullaby ? By the Sea ? The Carrier-Pigeon ? Courage ? Death and the Maiden ? TheDouble ? The Erlking ? Faith in Spring ? Farewell, Our Love to Sever ? The Favorite Color ? The Fishermaiden ? Frozen Tears ? Good Night ? The Gray Head ? The Guide-Post ? Halt bythe Brook ? Hark! Hark! the Lark ? The Hateful Color ? Hedge Rose ? Her Portrait ? The Hunter ? Huntsman's Even Song ? Illusion ? In the Village ? Jealousy and Pride ? The LastHope ? The Linden Tree ? Longing for Spring ? Looking Backward ? Love's Message ? The Maiden's Lament ? Margaret at the Spinning-Wheel ? Mignon's Song ? The Miller and the Brook ? TheMiller's Flowers ? Mine ? The Mock Suns ? Morning Greeting ? My Abode ? My Sweet Repose(Du Bist Die Ruh) ? On the River ? The Organ Player ? Parting ? Pause ? The Post ? Praise of Tears ? The Question ? The Raven ? Rest ? Restless Love ? Romance (Rosamund) ? The Secret ? Serenade ? The Shepherd's Lament ? Solitude ? Spring Dreams ? The StormyMorning ? Teardrops ? Thanks to the Brook ? To Be Sung on the Waters ? The Town ? The Trout ? Ungeduld (Impatience) ? The Vane ? The Wanderer ? Wanderer's Night-Song ? Wandering? Warrior's Foreboding ? The Water-Course ? The Wayside Inn ? Whither' ? Who is Sylvia ? Will O' the Wisp ? With the Green Lute-Band ? Withered Flowers ? The Young Nun. / Rép Classique / Répertoire / Chant et Piano

63 songs, with extensive historical introductory notes. Includes all art songs originally composed for voice and piano published by Boosey and Hawkes. Available for for High Voice as well as for Medium/Low Voice, with newly published transpositions as necessary. / Voix Haute Et Piano

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others.Includes works from Ernst Bacon: It's all I have to bring - Samuel Barber: The Crucifixion- The Daisies- Hey nonny no!- The Monk and His Cat- Mother, I cannot mind my wheel- A Slumber Song of the Madonna- Sure on this shining night - Paul Bowles: Cabin- Heavenly Grass- Sugar in the Cane - Theodore Chanler: The Lamb - Ernest Charles: When I Have Sung My Songs - John Duke: Loveliest of Trees - Richard Hageman: Do not go, my love - Lee Hoiby: Where the Music Comes From - Carles Ives: In the mornin'- Serenity - Herbert Kingsley: The Green Dog - Charles Naginski: The Pasture - John Jacob Niles: Black is the color of my true love's hair- Go 'way from my window- The Lass from the Low Countree - Gladys Rich: American Lullaby - William Roy: This Little Rose - John Sacco: Brother Will, Brother John - William Schuman: Holiday Song- Orpheus with his lute. / Voix Hautes Et Piano

Aus ?Letzte Blätter? Von Hermann Von Gilm. Par STRAUSS RICHARD. New practical edition of the “Acht Gedichte” op. 10 by Richard Strauss from “Letzte Blätter” by Austrian poet Hermann von Gilm (1812-1864). Strauss composed these songs in 1885 when he was 21 years old. He often accompanied his wife, the soprano Pauline Strauss-de Ahna, on the piano and worked with her on interpretations of his piano songs. The resulting entries of the composer (e.g. performance markings) are reproduced in this edition. Included are three of the best-known of his songs, „Zueignung“ No. 1 (“Devotion“), „Nichts“ No. 2 (“Nought“) and „Die Nacht“ No. 3 (“Night“). The songs in this edition are set in their original keys. Based on the text of “Richard Strauss Works” – Critical Edition (RSW), with English translations by John Bernhoff./ Répertoire / Voix Haute et Piano

Par SZYMANOWSKI KAROL. The composition of the Princess Songs marked the beginning of a particularly productive phase for Karol Szymanowski. Based on a series of poems by his sister Zofia, Szymanowski composed this colorful and glittering music in 1915; its exotic, lyrical and fantastical world is expressed in the coloratura soprano’s many passages, featuring trills and rapid runs. The princess herself remains mysteriously undefined. Love is her only recurrent theme. By withdrawing into internal fantasy during a time of war, Szymanowski found an opportunity to retreat into a dream world, and composing songs remained an important part of his lifelong work; in 1933 he arranged three of the six Princess Songs for voice and orchestra. (Sakari Oramo orchestrated the other three and conducted their first performance in 2012). (Translation on UE website by Grant Chorley.)/ Répertoire / Voix Haute et Piano

Par BRAHMS JOHANNES. The 'Deutsche Volkslieder” WoO by Johannes Brahms were published in altogether seven books in 1894. The first six books each comprised seven songs for voice and piano accompaniment, and Book VII contained the subsequently composed songs nos. 43 to 49 for four-part chorus and piano ad libitum. Brahms had completed his compilation of the books in the winter of 1893/94- however, most of the songs were written earlier. Brahms' primary text source was the two-volume collection of 'Deutsche Volkslieder mit ihren Original-Weisen” (German Folksongs with their Original Melodies) published in 1838/1840 by Anton Wilhelm von Zuccalmaglio./ Répertoire / Voix Haute et Piano

Par HOWARD EMILY. Two Songs after Friday Afternoons by Emily Howard is a 5-minute work for children?s choir and piano. With texts by Selma Dimitrijevic the two songs are called 1. Big Bums 2. Pi (A Pie') / Date parution : 2022-04-12/ Répertoire / Voix Haute et Piano

Par STRAUSS RICHARD. This new practical edition of the 'Vier Lieder' ('Four songs') Op. 27 for high voice is based on the text of 'Richard Strauss Works ' Critical Edition'. The lyrics were translated into English by John Bernhoff. Beginning with op. 27, Strauss turned to settings of poems by a new generation of lyricists of his age with whom he was sometimes in personal contact (Karl Henckell, Heinrich Hart, John Henry Mackay). The four songs 'Ruhe, meine Seele!' ('Rest Thee, My Spirit!'), 'Cäcilie' ('Cecily'), 'Heimliche Aufforderung' ('The Lover's Pledge') and 'Morgen!' ('Tomorrow!') are among the composer's best known and most popular songs, which is why he later arranged three of them as orchestral songs. At www.richard-strauss-ausgabe.de you will find supplementary digital content for the Richard Strauss Edition (published by the Bavarian Academy of Sciences and Humanities, Munich, under the leadership of Hartmut Schick in cooperation with the Richard Strauss Institute, Garmisch-Partenkirchen). All songs in this edition are in their original keys./ Répertoire / Voix Haute et Clavier

Low voice book downloadable backing tracks. Par . for low voice and piano This beautiful collection of 14 songs for low voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for high voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano

High voice book downloadable backing tracks. Par . for high voice and piano This beautiful collection of 14 songs for high voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for low voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano

replaces H 1559 Dvorak's song cycle Gypsy Songs op. 55 on words by the Czech poet Adolf Heyduk were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and the work's dedicatee.For this Urtext edition the editor Veronika Vejvodova has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice. / Voix Haute Et Piano

Numbering more than 100 in total, and composed across a 60-year period, Gabriel Fauré's songs form the single most influential contribution to the field of French art song. Despite their importance, the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources, along with evidence and interpretative advice from artists who worked with Fauré. Above all, it is a practical edition, informed by extensive work with musicians in performances, masterclasses and workshops. This second volume comprises the songs of Fauré's creative maturity, including popular favourites (Les Roses d'Ispahan, Clair de lune) alongside some lesser-known gems, together with his three vocal duets and the delightful four-voice Madrigal. / Voix Haute Et Piano

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lessons and accompaniments which are available to stream online. / Date parution : 2023-06-01/ Recueil / Voix Haute et Piano