Composed by Charles Francois Gounod (1818-1893), edited by Marty Winkler. Collection for high voice solo and piano accompaniment. 132 pages. Published by Edwin F. Kalmus.

Five Eyes by Cecil Armstrong Gibbs. For Piano, Voice (High Voice). Boosey and Hawkes Voice. 6 pages. Boosey and Hawkes #M060030840. Published by Boosey and Hawkes

High voice and piano (High Voice)

SKU: HL.49008578

B-flat major. Composed by Robert Schumann. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. High. Op. 35/3. 6 pages. Schott Music #ED0 1440. Published by Schott Music (HL.49008578).

ISBN 9790001087384.

Composed by F. Flaxington Harker. Single piece for high voice solo and piano accompaniment. C# Minor. 6 pages. Published by G. Schirmer, Inc.

Seven Songs for High Voice and Piano. By Gerald Finzi. (High Voice). Boosey and Hawkes Voice. Softcover. Size 9x12 inches. 24 pages. Published by Boosey and Hawkes.

High voice with piano-accompaniment

SKU: HL.49005864

Composed by Walter Schulthess. Sheet music. Edition Schott. Classical. 40 pages. Schott Music #ED 5838. Published by Schott Music (HL.49005864).

ISBN 9790001063401.

High Voice Part and Piano (HI VOICE/PNO)

SKU: HL.49008564

Composed by Franz Schubert. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. Op. 92/1 / op. 20/2. 8 pages. Schott Music #ED0 1326. Published by Schott Music (HL.49008564).

ISBN 9790001087261. 9.25x12.0x0.05 inches.

High Voice. By Franz Liszt. Vocal Collection. Size 9x12 inches. 62 pages. Published by G. Schirmer, Inc.

High Voice. By Paul Creston. Vocal Solo. Size 9x12 inches. 12 pages. Published by G. Schirmer, Inc.

(High Voice, Book/CD). By Various. Boosey and Hawkes Voice. Softcover with CD. 56 pages. Boosey and Hawkes #M051934324. Published by Boosey and Hawkes

High Voice. By Francis Poulenc. Vocal Collection. Size 9x12 inches. 42 pages. Published by Salabert.

Composed by Johann Sebastian Bach (1685-1750). General. Baroque. Vocal score. 7 pages. Galaxy Music Corporation #1.1334. Published by Galaxy Music Corporation

By Benjamin Britten. (High Voice). Boosey and Hawkes Voice. Size 9.25x12.25 inches. 40 pages. Published by Boosey and Hawkes.

Drei Lieder der Ophelia. By Richard Strauss. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 16 pages. Published by Bote and Bock.

High Voice in A. By Ralph Vaughan Williams. (High Voice). Boosey and Hawkes Voice. Size 9.25x12.25 inches. 5 pages. Published by Boosey and Hawkes.

High Voice. Composed by Various. Vocal Collection. Softcover. 232 pages. Published by Hal Leonard

(High Voice). For Voice (High voice (Medium-High)). Book; CD; Vocal Collection. Pathways of Song Series. 128 pages. Published by Alfred Music Publishing

High voice and piano - advanced

SKU: M7.AST-117

Second episode. Composed by Wilhelm Rettich. This edition: Saddle-wire stitching. Sheet music. Op. 125. 12 pages. Duration 8'. MDS (Music Distribution Services) #AST 117. Published by MDS (Music Distribution Services) (M7.AST-117).

ISBN 9790203801177.

SKU: HL.8771019

Softcover. 36 pages. Alliance Publications #AP10195. Published by Alliance Publications (HL.8771019).

UPC: 649325101957. 8.5x11.0x0.111 inches.

High Voice and Piano

SKU: HL.50562591

Composed by Manuel de Falla and Manuel de Falla. This edition: ME0112900. Editions Durand. With Text Language: Spanish, French. 32 pages. Editions Durand #ME0112900. Published by Editions Durand (HL.50562591).

UPC: 884088348953. 9.0x12.0x0.113 inches.

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

Chamber Music High voice, Piano

SKU: PR.111402950

Op. 135. Composed by Lowell Liebermann. 36 pages. Duration 18 minutes. Theodore Presser Company #111-40295. Published by Theodore Presser Company (PR.111402950).

UPC: 680160684168.

High voice and piano (High Voice)

SKU: HL.49002994

Composed by Henry Purcell. Sheet music. Edition Schott. Classical. 4 pages. Schott Music #ED11926. Published by Schott Music (HL.49002994).

ISBN 9790220113345. 8.5x11.5x0.009 inches. English - German.