The New York Times calls this Tony® Award-winning Adam Guettel musical 'the most intensely romantic score of any Broadway musical since West Side Story.? 16 songs are included in this composer-approved vocal score / Voix

Par CAPPELLARI ANDREA. Arranged and adapted for 3 voices choral by Andrea Cappellari. Include backing tracks on CD. / Pop & rock / Recueil / Choeur

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Par ALLERME JEAN-MARC. En écrivant ces 48 mélodies en forme de chansons, j'ai souhaité proposer à tous les musiciens, et à ceux qui aiment chanter en particulier, des pièces ludiques et progressives, dans des styles variés à découvrir ou redécouvrir, pour apprendre et se divertir. Sur le disque compact, vous trouverez les versions complètes et les playbacks piano ou guitare, enregistrés par Claudine Ducret et Jean-Marc Bouget, Charles Steiner au piano et Manuel Virtus aux guitares. Vous pourrez ainsi puiser de nombreuses idées de phrasé et d'interprétation, d'une part, et chanter sans modération sur l'accompagnement, d'autre part. Afin de vous guider simplement dans votre travail et de laisser le champ libre à toutes les variantes et revisitations possibles, j'ai choisi d'enregistrer tes parties vocales sur des onomatopées, que d'ailleurs chacun pourra adapter en fonction de son propre feeling, mais il y a bien d'autres façons d'interpréter ces morceaux que je vous conseille d'explorer avec profit, selon votre sensibilité et vos envies. / variété - jazz / Date parution : 2004-04-28/ Recueil / Voix

Par CAMPBELL NORMAN / HARRON DON. The musical, Anne of Green Gables is based on the book by Canadian author Lucy Maud Montgomery. Although written as fiction for readers of all ages it has, in recent decades, become considered as a children's book. Montgomery found her inspiration in a newspaper article describing a couple that were mistakenly sent an orphan girl instead of a boy, yet decided to keep her. The music is by Norman Campbell and the lyrics by Don Harron. It is Canada's longest running musical, having been performed every year since 1965 at the Charlottetown Festival at the Confederation Centre of the Arts. / Vocal Music / Répertoire / Voix

Allons tous chanter, juste pour le plaisir! Etre une pop star et chanter quelques-uns des plus grands succès de Bruno Mars, Taio Cruz, Adam Young, Black Eyed Peas, Bon Jovi et Justin Bieber!Parfait pour le chant de groupe dans la salle de classe, une chorale ou de la communauté, ces chansons ont été soigneusement arrangé pour voix à l'unisson avec les jeunes une certaine harmonie en option. Le Piano / Vocal Collection propose des chansons entièrement accompagnés, et l'édition Chanteur vient dans maniable paks de dix et fournit des pièces vocales seulement.Vérifiez l'enregistrement produit par des professionnels disponibles séparément, pour des possibilités de performance et d'accompagnement! / Voix

40 Fun Warm-Ups Using Songs from Across the United States. Keeping singers in our ensembles excited and energized during the warm-up process is a consistent hurdle for educators across the nation. By using songs that are indigenous to different parts of our country, teachers in choral classrooms can help students prepare their minds, bodies and voices while sharing a bit of our culture and history from different areas of the United States. All of the songs can be used with both inexperienced beginners and advanced singers. The lesson suggestions introduced with each song are intended to be aspringboard for teachers to modify and adapt to their own students' needs and skill levels. Each melody includes strategies that are accessible for those who are just learning how to use their voices, and also for those more sophisticated singers who enjoy a good challenge. Keeping singers in our ensembles excited and energized during the warm-up process is a consistent hurdle for educators across the nation. By using songs that are indigenous to different parts of our country, teachers in choral classrooms can help students prepare their minds, bodies and voices while sharing a bit of our culture and history from different areas of the United States. All of the songs can be used with both inexperienced beginners and advanced singers. The lesson suggestions introduced with each song are intended to be aspringboard for teachers to modify and adapt to their own students' needs and skill levels. Each melody includes strategies that are accessible for those who are just learning how to use their voices, and also for those more sophisticated singers who enjoy a good challenge. / Musique traditionnelle d'Amérique du Nord / Etude / Voix

Chantez huit coups du spectacle avec un groupe professionnel. Que vous soyez un chanteur de karaoké ou de préparer une audition, la série Vocal Pro est fait pour vous!Le livre contient les paroles, la mélodie et les symboles d'accord et les caractéristiques CD démos d'écoute et de pistes d'accompagnement afin que vous puissiez chanter avec eux.Le CD est jouable sur n'importe quel lecteur CD, mais aussi renforcée afin que les utilisateurs PC et Mac peuvent régler l'enregistrement à n'importe quelle hauteur sans changer le tempo!Parfait pour les répétitions à la maison, les partis, auditions, événements d'entreprise, concerts et sans une bande de sauvegarde. Adapté aux voix masculine ou féminine. / Voix

Ce volume de la série Pro Vocal propose 15 chansons de l'adaptation cinématographique du classique de comédie musicale Les Misérables.Que vous vous préparez pour une soirée karaoké ou une audition, la série Vocal Pro est fait pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour des chansons classiques. Le CD contient des démos pour l'écoute et pistes d'accompagnement afin que vous puissiez chanter avec eux. Le CD est jouable sur n'importe quel CD, et il est également renforcée afin que les utilisateurs Mac et PC peuvent ajuster les enregistrements de n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à la maison, les partis, auditions, événements d'entreprise, concerts et sans une bande de sauvegarde. / Voix

Rockschool is about playing the styles of music you love.This pack contains the songs for Level 2, covering grades 4 and 5. This level is tailored to those of you who are building upon the fundamentals as a vocalist. Each book is a standalone resource that features sound-alike backing tracks with top line melody featuring a wide range of artists including Robbie Williams, Coldplay and The Beatles.The level 2 book features:Aural testsRhythm examples and exercisesQuick study piecesBacking vocals techniqueFull mixes and backing tracks over 2CD'sDuel key backing tracksRockschool students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own vocal style. / Voix

32 Schottische Lieder Für 1-2 Singstimmen, Violine, Vc Und Klavier. Par PLEYEL IGNAZ. My lodging is on the cold ground - Gramachree - Sweet Annie - The banks of Banna - My apron deary - Oh, open the door - The birks of Invermay - Robin Adair - The braes of Yarrow - Galla water (bisher unveröff.) - Galla water - The Highland laddie - Here awa, there awa - Waly waly - My Nanie, O - The yellow hair'd laddie - Roslin Castle - Low down in the broom - Auld Rob Morris/ Répertoire / Voix

KS1 & KS2. Durée: environ 30 minutes. Rocher de la Nativité! est la dernière comédie musicale de Sheila Wilson, le compositeur de Hosanna Rock! Ses sept originaux, chansons accrocheuses et jouer divertissant raconter l'histoire de Noël avec brio et enthousiasme, les enfants et le public va adorer. Le spectacle commence et se termine par une célébration à la main jiving, et entre-deux sont une chanson gospel agitation, une douce berceuse, et trois autres taper du pied, les numéros de bascule. Il ya environ 30 parties parlant, y compris un 'directeur' et ses deux assistants stade, mais ce nombre est flexible. Par exemple, les groupes de sympathisants, aubergistes et les épouses, les bergers, les soldats et les anges peuvent être de toute taille. Nous donnons l'autorisation complète pour le jeu et les pièces de langue pour être adapté à votre plâtre. Les sept chansons de CD et playbacks rock et les enfants vont adorer apprendre les chansons accrocheuses. Les deux parties facilement le chant ajoute à l'effet professionnel. / Chant/Vocal/Choeur / 20 pages / Livre