Aktualisierte Ausgabe inkl. Schafe, Monster und Mäuse. Kaum eine andere deutschsprachige Band ist dafuuml - r bekannt, Alltagssituationen so poetisch zu vertonen und mit so unaufgeregt schoumlnen Melodien zu unterlegen wie Element of Crime. Im Oktober 2018 veroumlffentlicht die Band um Sven Regener ihr zehntes Studioalbum 'Schafe, Monster und Maumluse'. Das Album darf natuuml rlich in dem einzigen umfassenden Songbuch der Band zu ihrer mehr als 30 jauml - hrigen Bandgeschichte nicht fehlen. Deshalb gibt es jetzt eine aktualisierte Neuauflage des Element of Crime Songbooks, welches neben dem neuen Album auch alle bislang ver and ouml - ffentlichtenLieder, unter anderem die Hits 'Am Ende denk ich immer nur an dich', 'Bring den Vorschlaghammer mit', 'Delmenhorst', 'Mittelpunkt der Welt' und 'Wei and szlig - es Papier' beinhaltet. Jeder Titel ist mit Melodielinie, vollständigem Text und Akkordeon notiert und die Handhabung wird durch eine benutzerfreundliche Spiralbindung vereinfacht. / Pop and rock / Recueil / Voix

Ce livre excellent et maniable contient les paroles de cent Golden Oldies de la vaste gamme de chansons Country and Western et de ballades. Il comprend les favoris traditionnels et classiques populaires tels que la maison du soleil levant, Love Me tendre, Jolene et Hey Good Lookin '. La forme et le style du livre signifie qu'il est utile comme référence gig-sac, mais la collection fera appel à toute personne qui aime la rejoindre en à une chanson de chanter et séances de karaoké ou même un vieux grand croon dans la salle de bain ! / Voix / 52 pages / Chanson En Séparée

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

La guerre de Sécession, ce grand conflit fratricide qui a joué un rôle décisif dans l'élaboration de notre histoire et notre conscience nationale, il existe n'est plus dans les souvenirs de première main des hommes vivants. Parmi nos souvenirs, cependant, sont ces 48 chansons des guerre civile, les chansons marching agitateur et hymnes patriotiques, les ballades sentimentales allègrement et les comiques ditties, le proposant des chansons et chansons à boire et chansons combats et aimantes chansons des Etats-Unis le plus sanglant et lutte plus importante. Par le biais de ces chansons, un âge qui est passé est porté à la vie, et nous vivons avec les hommes et les femmes qui marchaient y a un siècle de cette terre qui est le nôtre. / Voix

Eine echte Novität: Erstmals gibt es ein Liederbuch, das ausschließlich für die Klassenstufen 5 und 6 konzipiert ist. In der Repertoireauswahl, der Ansprache der Schülerinnen und Schüler und im Zuschnitt der Angebote geht dieses neuartige Liederbuch gezielt auf die Belange genau dieser Altersstufe ein. Es ist dabei weit mehr als eine reine Repertoiresammlung: Zu vielen Titeln gibt es weiterführende Optionen rund um die Themen Klassenmusizieren, Tanz, Choreografie, Stimme und vieles mehr.- 150 Titel aus allen stilistischen Bereichen, Kontinenten und Zeiten - zahlreiche Zusatzangebote zu Klassenmusizieren - Tanz und Bewegungsanleitungen, Begleitsätze und -patterns - Hintergrundwissen / Voix

Ce volume de la série Pro Vocal propose 15 chansons de l'adaptation cinématographique du classique de comédie musicale Les Misérables.Que vous vous préparez pour une soirée karaoké ou une audition, la série Vocal Pro est fait pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour des chansons classiques. Le CD contient des démos pour l'écoute et pistes d'accompagnement afin que vous puissiez chanter avec eux. Le CD est jouable sur n'importe quel CD, et il est également renforcée afin que les utilisateurs Mac et PC peuvent ajuster les enregistrements de n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à la maison, les partis, auditions, événements d'entreprise, concerts et sans une bande de sauvegarde. / Voix

Rockschool is about singing the songs you love. Your Vocals Grade 5 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 5 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 5 exam.This book for male vocalists contains the songs:Money On My Mind - Sam SmithHall Of Fame - The Script ft. Will.i.amViva La Vida - ColdplayYou Give Me Something - James MorrisonUse Somebody - Kings Of LeonTake me out - Franz FerdinandOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

Whether you're a karaoke singer or preparing for an audition, the Pro Vocal series is for you. The book contains the lyrics, melody, and chord symbols for eight hit songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD, but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal, worship use, auditions, corporate events, and gigs without a backup band. This volume includes 8 songs: Above All · Come, Now Is the Time to Worship · Days of Elijah · God of All · Here I Am to Worship · Lord, Reign in Me · Open the Eyes of My Heart · We Fall Down. / Voix

Whether you're a karaoke singer or preparing for an audition, the Pro Vocal series is for you! The book contains the lyrics, melody, and chord symbols for eight hit songs. The CD contains demos for listening, and separate backing tracks so you can sing along. The CD is playable on any CD player, and also enhanced so PC and Mac users can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band.This volume contains eight songs by Katy Perry: Firework, I Kissed a Girl, Last Friday Night (T.G.I.F.), Part of Me, Roar, Teenage Dream, Unconditionally and Wide Awake. / Voix

Singbook is an inspirational resource for all singing leaders working with children and young people, and contains 12 songs by some of today's most exciting songwriters. Suitable for established singing leaders seeking new repertoire, and those leading singing groups for the first time. Inspires young people with an exciting and vibrant mix of styles. Celebrates our cultural diversity, combining songs from Gujarati, Chinese and Albanian music with the best of the UK. Each song includes warm-ups, learning strategies and interviews with the songwriters. All vocal parts and lyric sheets are photocopiable. The songs are graded and colour-coded into three levels - Starting, Developing and Challenging. This edition features full Piano scores for those wishing to accompany their singers themselves, or for Piano-based rehearsal. To be used alongside Singbook (Catalogue No. 0571523986) Produced in association with Youth Music and NASUWT / Voix

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Third Edition. 42 songs for the Broadway belter. All songs have been especially chosen for this voice type, with careful attention to range and key. / TV, Film, Comédie musicale / Date parution : 2018-05-04/ Recueil / Voix

Arrangeur: P.A. Chiti. This volume offers a sampling of fourteen great vocal works from the Romantic era for Medium and Low voice that have long been out of the common consciousness but not been entirely forgotten! Rossini and Donizetti among others, wrote songs for everybody from prima donnas to amateurs, each with an impressive sensitivity and depth. Editor and mezzo-soprano, Patricia Atkins Chiti, has drawn from her personal collection of songs, many of which have been out of print for more than a century. Italian Art Songs of the Romantic Era contains fourteen fabulous songs, a detailed foreword that introduces the Romantic era and the Romanze, providing an excellentway for young singers to learn the style of major composers. There is carefully edited text and music, an extensive background to each composer and each song, translations and even phonetic pronunciation guides for Italian. / Répertoire d'Examen / Recueil / Voix

Par JOYCE LUCIA. Voix pour les musiciens est un produit de près de 30 ans d'enseignement de classes de voix aux instrumentistes au Berklee College of Music, Boston. C'est un guide de chanter non classique en mettant l'accent sur l'écoute. Joyce Lucia, professeur agrégé de voix est aussi un préparateur physique et professeur d'aérobic qui met l'accent sur la différence de voix de chaque personne et comment reconnaître ces différences permettra chaque chanteur un chemin unique de développement vocal et la confiance. / Niveau : Débutant / All Styles - Methods / Méthode / Voix