Whether you're a karaoke singer or preparing for an audition, the Pro Vocal series is for you. The book contains the lyrics, melody, and chord symbols for eight hit songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD, but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band. This pack includes 8 songs: But Beautiful - Glad to Be Unhappy - I Thought About You - I'll Walk Alone - In a Sentimental Mood - Little White Lies - (I'm Afraid) The Masquerade Is Over - Prelude to a Kiss. / Voix

Pro Vocal Women's Edition Volume 18. Par . Whether you're a karaoke singer or preparing for an audition, the Pro Vocal series is for you. The book contains the lyrics, melody, and chord symbols for eight classic songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD, but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band. This volume features 10 popular jazz standards. / Date parution : 2022-02-12/ Recueil / Chant et Accords

Vocal strength is essential to producing a good sound and singing with control and confidence. A weak voice is one that tires easily, one that is inconsistent in sound quality and/or pitch and dynamics, and one that gives out many years before the singer is ready to stop singing.Vocal strength is not all about singing loudly, it's about singing well. The exercises and musical selections in Vocal Exercises For Building Strength, Endurance And Facility are designed to help singers hone and refine their skills to develop the kind of control and consistency professional singers need to compete and find work.But mastering these skills is not just a task for professional singers - amateur singers who work on the exercises in this book will find singing easier and more fun with each new level of control they achieve.The CD contains demos for listening, and separate backing tracks so you can sing along. In addition to vocal exercises, several songs are included for practice, including Danny Boy, The House of the Rising Sun, Look for the Silver Lining, Sometimes I Feel like a Motherless Child and more. / Voix

Par EILERS JOYCE / EMILY CROCKER. Teachers Edition. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musically interesting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, and continue in Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD (Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. Teachers Edition. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musically interesting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-partsongs in Vol. 1, and continue in Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD (Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. / Pédagogie / Méthode / Voix

Your first song is the hardest one you will ever write. This book is designed to help you accomplish that goal. Were not going to jot down just any song, but one that you are proud of, one that gives you the confidence and the process required to write your second song, your third song, and on and on. Here you will find the basic musical knowledge you need and a process for putting that knowledge to work. Lets get started. Lets make you into a songwriter! Includes access to audio examples online for download or streaming. / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

A Practical Sight-Singing Course. Par EILERS JOYCE / EMILY CROCKER. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musicallyinteresting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefullysequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, and continuein Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD(Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. / Pédagogie / Méthode / Voix

ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along books give you everything you need to sing with your favorite songs. Each songbook has the lyrics, music notation, and chords to eight great hits, with lyrics-only pages included. There are two versions of every song on the CD: a full-performance track with an amazing sound-alike recording, and a professional accompaniment track so you can sing along. When you use the CD in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily change the key and temp to individualize the playback for just your voice and style. The Ultimate Vocal Sing-Along: Country Divas package features your favorite hit country songs for the female voice, along with an enhanced CD that lets you sing along with a complete backing track. Titles (and artists): All Jacked Up (Gretchen Wilson) * How Do I Live (LeAnn Rimes) * Some Hearts (Carrie Underwood) * This Kiss (Faith Hill) * Who's Sorry Now (Connie Francis) * Wide Open Spaces (Dixie Chicks) * Because You Love Me (Jo Dee Messina).

Que vous prépariez une audition ou que vous soyez un chanteur de karaoké cette collection est faite pour vous. Pro Vocal met à votre disposition les paroles, lignes mélodiques et accords guitare de 8 chansons. Le livre est accompagné d'un CD contenant 2 versions de chaque morceaux : un démo complète et une version sans chant. / Chant Et Guitare