Chanter Harmony Made Easy vous apprend à chanter l'harmonie à l'oreille. Murphy et les amis de Bill Evans, Janet Beazley, et Chris Stuart s'unissent pour chanter quelques beaux trios et quatuors. D'abord, vous entendez les trois (ou quatre) voix mélangeant ensemble, puis vous entendez chaque partie d'harmonie chanté séparément. Vous apprendrez votre part en chantant avec nous. Nous chantons plusieurs chansons en trois touches différentes alors peu importe ce que votre gamme vocale, vous pouvez tenter votre chance à chanter le rôle principal. Parfois, les hommes (le projet de loi, Chris) prennent la tête, parfois les femmes (Murphy, Janet) de prendre les devants. Avec trois touches à choisir, vous pouvez également trouver une partie de l'harmonie en fonction de votre voice.Along la façon dont nous offrons quelques conseils utiles telles que 'Qu'est-ce que je touche chanter?' 'Comment puis-je trouver ma part de l'harmonie?' et 'Comment puis-je obtenir un bon mélange?' À la toute fin Murphy et Bill éclatent leurs banjos pour une version quatuor entraînante de 'Over in the Gloryland.' Très divertissant! Si vous vous demandez comment chanter l'harmonie, nous avons fait aussi facile que possible. Ou comme on dit en Virginie: 'C'est simple comme bonjour.' Lire encore plus de détails sur notre blog. Will the Circle Be Unbroken, Bury Me Sous le saule, tous les bons moments sont passés et ont disparu, Ne This Road aspect rugueux et Rocky, Amazing Grace, au-dessus de la Gloryland / Niveau : Facile / Accessoire / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

The Complete Resource for Community Choirs. Par BURNS ALISON / PARTINGTON GITIKA. 43 flexible songs, from simple unison to four parts, by established writers and arrangers Ideal for community choirs of all types and school groups of 11+ years Vast range of repertoire, including well-known pop songs, traditional songs from around the world, contemporary songs, protest songs, and rounds Diverse themes, including Peace and Reflection, Liberty and Freedom, and Celebrations Warm-ups and practical tips on working with amateur singers and the natural voice Supporting rehearsal plans for each song, from the basis of learning by ear Copiable pages CD containing MP3s of learning tracks (providing individual vocal parts) and backing tracks for some pieces Recordings of full performances available to download Community Voiceworks is an unrivalled collection of fun, reflective, empowering, and moving songs in the practical Voiceworks format. With five sections covering a variety of life's key themes, there is something for everyone - from classic hits such as 'Sitting on the Dock of the Bay', 'If I had a hammer', 'Walking on Sunshine', and 'Something Inside So Strong' to well-known traditional songs and new works by acclaimed choir leaders. The CD provides recordings of individual parts, allowing non-readers to learn aurally, and song sheets are photocopiable. A truly inclusive collection for all groups who love singing together, regardless of experience!/ Recueil / Voix

Arrangeur: P.A. Chiti. This volume offers a sampling of fourteen great vocal works from the Romantic era for Medium and Low voice that have long been out of the common consciousness but not been entirely forgotten! Rossini and Donizetti among others, wrote songs for everybody from prima donnas to amateurs, each with an impressive sensitivity and depth. Editor and mezzo-soprano, Patricia Atkins Chiti, has drawn from her personal collection of songs, many of which have been out of print for more than a century. Italian Art Songs of the Romantic Era contains fourteen fabulous songs, a detailed foreword that introduces the Romantic era and the Romanze, providing an excellentway for young singers to learn the style of major composers. There is carefully edited text and music, an extensive background to each composer and each song, translations and even phonetic pronunciation guides for Italian. / Répertoire d'Examen / Recueil / Voix

This giant two-volume resource will be indispensable for teachers working with children singing solos. There is a large variety of material, from classic Disney songs to Broadway to movie favorites to songs from 'Sesame Street.? Each volume has songs for both girls and boys and includes a CD (Volume 2) or online audio (Volume 1) with Piano accompaniments for each song. In addition, the CD contains tempo adjustment and transposition software for use on your computer.Kids' Musical Theatre Collection: Volume 2 includes 30 songs from stage, screen and television musicals, these are by far Hal Leonard's largest collections of solos for children. Songs in this volume include: Baby Mine (Dumbo), Be Kind to Your Parents (Fanny), Bein' Green (Sesame Street), Dream for Your Inspiration (The Muppets Take Manhattan), Friend (Snoopy!!!), Gary, Indiana (The Music Man), Getting to Know You (The King and I), God Help the Outcasts (The Hunchback of Notre Dame), I Always Knew (Annie Warbucks), I Don't Want to Live on the Moon (Sesame Street), I Won't Grow Up (Peter Pan) and more. / Voix

14 OF THE GREATEST STANDARDS EVER WRITTEN NOW IN KEYS SPECIFICALLY DESIGNED FOR SINGERS. INCLUDES A BOOK AND 2 CDS - ONE CD FOR HIGH VOICE AND THE OTHER CD FOR LOW VOICE - SO ALL SINGERS, MEN AND WOMEN, CAN FIND A KEY COMFORTABLE FOR THEIR PERSONAL RANGE. THE BOOK INCLUDES ALL OF THE SONGS WRITTEN IN BOTH KEYS WITH LYRICS CLEARLY NOTATED OVER THE MELODY LINE. RHYTHM SECTION: STEVE ALLEE (P) TYRONE WHEELER (B) JONATHAN HIGGINS (D). SONGS AND KEYS (HIGH/LOW): YOU'D BE SO NICE TO COME HOME TO (BB,G-/G,E-) I'VE GOT YOU UNDER MY SKIN (DB/BB) WHAT IS THIS THING CALLED LOVE? (BB/G) NIGHT AND DAY (D/C) LOVE FOR SALE (AB-/F-) JUST ONE OF THOSE THINGS (EB/C) IN THE STILL OF THE NIGHT (EB/C) I LOVE YOU (EB/C) I CONCENTRATE ON YOU (D/C) GET OUT OF TOWN (G/EB) FROM THIS MOMENT ON (F/EB) EASY TO LOVE (G/EB) AT LONG LAST LOVE (BB/G) ALL OF YOU (EB/BB)

Par ARCH GWYN / PARRY BEN. UNE EXCELLENTE OCCASION DE COMMANDER PLUSIEURS EXEMPLAIRES EN A CONSIDERABLEMENT REDUIT LES PRIX - ECONOMISER 20 % PAR COPIE. Le livre de Carol Faber est un volume passionnant de chants de Noël et de chansons avec une touche originale, contemporain, conçu pour respirer l'air frais dans les concerts de Noël. Il contient quarante pièces, habilement édité et arrangé par Gwyn Arch et Ben Parry, capturant une variété d'ambiances et styles à travers le temps - des arrangements contemporains de chants médiévaux et traditionnelles, à spirituals et la musique de partout dans le monde. Il y a aussi une impressionnante gamme de pièces originales par certains des plus respectés compositeurs chorale d'aujourd'hui, y compris Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen et Mike Brewer. Ce volume, arrangé pour SATB, est parfait pour l'école ou églises chorales. Une version SA(B) est également disponible. Les deux publications comprennent accompagnement clavier peu exigeants et les suggestions de lignes instrumentales facultatifs./ Répertoire / Voix

Teacher's Edition. Par EILERS JOYCE / EMILY CROCKER. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musicallyinteresting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefullysequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, and continuein Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD(Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. / Pédagogie / Méthode / Voix

Par ARCH GWYN / PARRY BEN. Le livre de Carol Faber est un volume passionnant de chants de Noël et de chansons avec une touche originale, contemporain, conçu pour respirer l'air frais dans les concerts de Noël. Il contient quarante pièces, habilement édité et arrangé par Gwyn Arch et Ben Parry, capturant une variété d'ambiances et styles à travers le temps - des arrangements contemporains de chants médiévaux et traditionnelles, à spirituals et la musique de partout dans le monde. Il y a aussi une impressionnante gamme de pièces originales par certains des plus respectés compositeurs chorale d'aujourd'hui, y compris Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen et Mike Brewer. Disposées dans le format SA(B) de la série de Faber jeunes voix, il est idéal pour les chorales de jeunes ou de chorales d'adultes amateurs qui ont une pénurie de voix masculines. / Date parution : 2001-08-23/ Répertoire / Voix

Par ARCH GWYN / PARRY BEN. UNE EXCELLENTE OCCASION DE COMMANDER PLUSIEURS EXEMPLAIRES EN A CONSIDERABLEMENT REDUIT LES PRIX - ECONOMISER 20 % PAR COPIE. Le livre de Carol Faber est un volume passionnant de chants de Noël et de chansons avec une touche originale, contemporain, conçu pour respirer l'air frais dans les concerts de Noël. Il contient quarante pièces, habilement édité et arrangé par Gwyn Arch et Ben Parry, capturant une variété d'ambiances et styles à travers le temps - des arrangements contemporains de chants médiévaux et traditionnelles, à spirituals et la musique de partout dans le monde. Il y a aussi une impressionnante gamme de pièces originales par certains des plus respectés compositeurs chorale d'aujourd'hui, y compris Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen et Mike Brewer. Disposées dans le format SA(B) de la série de Faber jeunes voix, il est idéal pour les chorales de jeunes ou de chorales d'adultes amateurs qui ont une pénurie de voix masculines. 10 paquets de la version SATB sont également disponibles (0-571-52324-2). Les deux publications comprennent peu exigeants clavier accompanim.../ Répertoire / Voix

Chantons propos Christmasis une collection de 15 chansons incroyablement festive, pour vous aider à célébrer tous les aspects de Noël.Ce fantastique collection festive est parfait pour KS1 et KS2 enfants. / Voix

Par PEGLER HEIDI / WEDGWOOD P.. Have you always wanted to be able to sing? Then this book is for you - because it's never too late! This all-in-one tutor book covers approximately two years of singing lessons, and includes essential music theory and technical skills for beginners. The learning process is broken down into bite-sized, manageable chunks with two CDs containing a wealth of music from classical and folk to pop and jazz to sing along to. Additional piano accompaniments to the songs are downloadable from this website. Packed with information, teaching advice and top tips from the experts, this beginner singer's method is perfect for those keen to begin singing, but aren't sure where to start! / Niveau : Facile / Méthode / Voix

Par BROWN JASON ROBERT. The complete vocal score for the musical, based on the novel by Robert James Walker, with music and lyrics by Jason Robert Brown. The Bridges of Madison County won a Tony Award for Best Original Musical Score in 2014. / TV, Film, Comédie musicale / Recueil / Voix

8 Shakespeare settings for upper voices. Par CHILCOTT BOB. Variety of composers, including Bob Chilcott, Alan Bullard, Jussi Chydenius, and Andrea Ramsey Two or three vocal parts (SA/SSA) Accompanied and unaccompanied settings Well-known Shakespeare texts, including 'When icicles hand by the wall', 'Blow, blow, thou winter wind', and 'And will he not come again?' Moderate difficulty - ideal for adult and youth choirs Hark, hark, the lark is a collection of eight exquisite settings for upper voices, specially commissioned to celebrate the four hundredth anniversary of William Shakespeare's death. The volume pays tribute to Britain's greatest writer, presenting a selection of his finest texts set to music by some of today's most accomplished choral composers. Forces or Category Upper voices accompanied and unaccompanied/ Recueil / Voix

Voici un ensemble parfait de warm-up pour l'ensemble de jazz vocal qui a été conçu pour améliorer et stimuler la croissance de la capacité vocale et chorale de chaque membre. En pensant au warm-up comme une 'leçon de voix de mini', vous pouvez renforcer les concepts cohérents avec l'encouragement, de critique, de résolution de problèmes et de louange. Ce volume pratique aidera le conducteur fournir un leadership déterminé et développer artistique dans chaque individu à travers des exercices qui renforcent les styles comme le swing, latin et Rock en utilisant le solfège et de syllabes excréments ainsi que le ton et se fondre dans le style ballade. Chaque exercice comprend un clavier d'accompagnement notée avec des modulations multiples et enregistrements professionnels d'une section rythmique et chanteurs de chaque forage sur le CD joint. Disponible: Book / CD Enhanced. / Chant/Vocal/Choeur