Ce livre excellent et maniable contient les paroles de cent Golden Oldies de la vaste gamme de chansons Country and Western et de ballades. Il comprend les favoris traditionnels et classiques populaires tels que la maison du soleil levant, Love Me tendre, Jolene et Hey Good Lookin '. La forme et le style du livre signifie qu'il est utile comme référence gig-sac, mais la collection fera appel à toute personne qui aime la rejoindre en à une chanson de chanter et séances de karaoké ou même un vieux grand croon dans la salle de bain ! / Voix / 52 pages / Chanson En Séparée

Music Minus One Vocal. Par LLOYD WEBBER ANDREW. All that's missing are your vocals! The music in this book includes the lyrics, vocal lines, and piano accompaniments for eight favorites from this legendary musical classic by Andrew Lloyd Webber. The online audio tracks contain professionally-produced sound-alike audio tracks for performance for 8 songs from the cast recording, including: All I Ask of You - Angel of Music - Masquerade - The Music of the Night - The Phantom of the Opera - The Point of No Return - Think of Me - Wishing You Were Somehow Here Again. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Recueil / Chant

Par PEGLER HEIDI / WEDGWOOD P.. Have you always wanted to be able to sing? Then this book is for you - because it's never too late! This all-in-one tutor book covers approximately two years of singing lessons, and includes essential music theory and technical skills for beginners. The learning process is broken down into bite-sized, manageable chunks with two CDs containing a wealth of music from classical and folk to pop and jazz to sing along to. Additional piano accompaniments to the songs are downloadable from this website. Packed with information, teaching advice and top tips from the experts, this beginner singer's method is perfect for those keen to begin singing, but aren't sure where to start! / Niveau : Facile / Méthode / Voix

Apprendre à chanter la façon Cowboy avec une équipe de vrais originaux, l'A primé Riders dans le ciel ! Doug Ranger, trop mince et Woody Paul, avec l'aide de Joey Miskulin, vous enseignent les qualités chatoyantes magiques de trois - et quatre - partiel chant traditionnel à l'aide de certaines des plus grandes chansons du genre. Les garçons briser certaines de leurs mélodies préférées, y compris la vallée de la rivière Rouge et le Tumbling Tumbleweed. Tout d'abord vous apprendrez la mélodie de base, puis les lignes ténor et soprano et baryton/alto individuellement avant de mettre tout cela ensemble. Chaque chanson est effectuée plusieurs fois, omettant chaque partie à son tour, afin que vous pouvez maîtriser votre propre choix d'harmonie. Avant que vous le connaissez, vous et vos amis chantera ces classiques de clôture-harmony traditionnelles dans un style authentique et vrai ! Musique complète et notation sont inclus dans une brochure d'accompagnement. / Voix / Dvd

Par RATTRAY BRENDA. Brenda Rattray's The Joy of Singing is for children, young people and adults in primary schools, secondary schools, youth groups and churches who would like to build a singing community. Whether a musician or not, the twenty fun songs in this collection will bring variety and enjoyment - perfect for reinforcing confidence in any choir! A wealth of material in here... there are unison songs, simple part-singing, songs with four or more parts - arrangements of well-known spirituals including: Wade In The Water, Rocka My Soul, Kumbayah and Swing Low, Sweet Chariot - and original songs, including African and gospel styles and influences. Detailed teaching notes on each song are included, with discussion points and extension activity suggestions. Citizenship and PSHE themes are also incorporated, making the material ideal for Key Stage 2-3 (Scottish P3-S2 plus). The accompanying 2 CDs contain Audio backing and performance tracks, as well as a PDF of lyrics on the Enhanced CD for easy printing/projection./ Recueil / Chant

Que vous soyez un chanteur de karaoké ou de préparer pour une audition, la série Pro Vocal est pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour huit chansons à succès. Le CD contient des démonstrations d'écoute et d'accompagnement séparée pistes pour que vous puissiez chanter en même temps. Le CD est jouable sur n'importe quel CD, mais il est également améliorée pour les utilisateurs PC et Mac de sorte que vous pouvez régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à usage domestique, le culte, auditions, événements d'entreprise, et les concerts sans une bande de sauvegarde. Ce volume comprend 8 chansons: Can't Smile Without You - Copacabana (A la Copa) - - Même maintenant I Made It Through The Rain - I Write the Songs - On dirait comme We Made It - - Week-end Mandy en Nouvelle-Angleterre. / Chant / 253 pages / Partition

Par ARCH GWYN / PARRY BEN. Le livre de Carol Faber est un volume passionnant de chants de Noël et de chansons avec une touche originale, contemporain, conçu pour respirer l'air frais dans les concerts de Noël. Il contient quarante pièces, habilement édité et arrangé par Gwyn Arch et Ben Parry, capturant une variété d'ambiances et styles à travers le temps - des arrangements contemporains de chants médiévaux et traditionnelles, à spirituals et la musique de partout dans le monde. Il y a aussi une impressionnante gamme de pièces originales par certains des plus respectés compositeurs chorale d'aujourd'hui, y compris Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen et Mike Brewer. Disposées dans le format SA(B) de la série de Faber jeunes voix, il est idéal pour les chorales de jeunes ou de chorales d'adultes amateurs qui ont une pénurie de voix masculines. / Date parution : 2001-08-23/ Répertoire / Voix

Ce volume passionnant de la série Vocal Pro vous permet de chanter avec pistes à consonance semblables à Taylor Swift coups.Que vous soyez un chanteur de karaoké ou de préparer une audition, la série Vocal Pro est fait pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour huit chansons à succès. Le CD contient des démos pour l'écoute et pistes d'accompagnement afin que vous puissiez chanter avec eux.Le CD est jouable sur n'importe quel CD, mais il est également améliorée pour les utilisateurs d'ordinateurs PC et Mac afin que vous puissiez régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à la maison, les partis, auditions, événements d'entreprise, concerts et sans une bande de sauvegarde.Ce volume comporte 8 chansons Taylor Swift: We Are Never Ever Getting Back Together - Begin Again - Eyes Open - I Knew You Were Trouble / Voix

20 of the best Grades 4-5 Songs selected by the major Examination Boards. Par PEGLER HEIDI. The Best Of Singing Grades 4-5 (Low Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses. As well as carefully selected range of classical, contemporary and folk songs, these books bring together some of the greatest jazz standards and Broadway hits ever written, all edited to the highest standard and complete with accompanying CD./ Recueil / Chant

Par SCHUTZ HEINRICH. Verwendung / Kirchenjahr: Wei cor achten -/ Répertoire / Voix

Whether you're a karaoke singer or preparing for an audition, the Pro Vocal series is for you. The book contains the lyrics, melody, and chord symbols for eight hit songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD, but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band. This volume includes 8 songs: Easy to Love (You'd Be So Easy to Love) · Flamingo · I Could Write a Book · I Get Along Without You Very Well (Except Sometimes) · I See Your Face Before Me · Let's Fall in Love · Prelude to a Kiss · We'll Be Together Again. / Lignes Mélodiques/Paroles/Accords

Par CAMPBELL NORMAN / HARRON DON. The musical, Anne of Green Gables is based on the book by Canadian author Lucy Maud Montgomery. Although written as fiction for readers of all ages it has, in recent decades, become considered as a children's book. Montgomery found her inspiration in a newspaper article describing a couple that were mistakenly sent an orphan girl instead of a boy, yet decided to keep her. The music is by Norman Campbell and the lyrics by Don Harron. It is Canada's longest running musical, having been performed every year since 1965 at the Charlottetown Festival at the Confederation Centre of the Arts. / Vocal Music / Répertoire / Voix

Die vier Jahreszeiten-Musicals Wo bleibt denn der Frühling? (Frühling), Prinzessin Emira und die verlorene Stimme (Sommer), Das Luftschloss (Herbst) und Der Fausthandschuh im Schnee (Winter) können schon von Kindern ab vier Jahren einstudiert und aufgeführt werden. Viele praktische Tipps erleichtern die Erarbeitung. Auf den beiden CDs werden alle Lieder als gesungene Fassung und als Playbackversion angeboten. / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix