Vocal transcriptions de 22 chansons classiques des chanteurs emblématiques de sexe masculin, y compris: Beyond the Sea (Bobby Darin) - Can't Help Falling in Love (Elvis Presley) - Georgia on My Mind (Ray Charles) - I've Got the World on a String (Louis Prima) - Mona Lisa (Nat King Cole) - My Funny Valentine (Chet Baker) - Ol' Man River (Bing Crosby) - What a Wonderful World (Louis Armstrong) / Voix / 120 pages / Partition

Ce volume passionnant de la série Pro Vocal vous permet de chanter avec son-alike pistes à 10 primé aux Grammy Awards mâles chansons pop entre 2000 et 2009.Que vous soyez un chanteur de karaoké ou la préparation à une audition, la série Pro Vocal est pour vous. Le livre contient les paroles, la mélodie, et les symboles d'accord pour huit chansons classiques. Le CD contient des démos pour l'écoute et pistes d'accompagnement afin que vous puissiez chanter en même temps.Le CD est jouable sur n'importe quel CD, mais il est également améliorée pour les utilisateurs d'ordinateurs PC et Mac de sorte que vous pouvez régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à la maison, les partis, les auditions, les événements corporatifs, concerts et sans une bande de sauvegarde.Inclus: Cry Me a River - Daughters - Don't Let Me Be Lonely Tonight - From the Bottom of My Heart - Make It Mine - Say Et Plus! / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along books give you everything you need to sing with your favorite songs. Each songbook has the lyrics, music notation, and chords to eight great hits, with lyrics-only pages included. There are two versions of every song on the CD: a full-performance track with an amazing sound-alike recording, and a professional accompaniment track so you can sing along. When you use the CD in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily change the key and temp to individualize the playback for just your voice and style. Titles (and artists): When a Man Loves a Woman (Percy Sledge) * Everyday People (Sly and the Family Stone) * Don't Let Me Be Misunderstood (The Animals) * For What It's Worth (Buffalo Springfield) * Soul Man (Sam and Dave) * Sunshine of Your Love (Cream) * (Your Love Has Lifted Me) Higher and Higher (Jackie Wilson) * Viva Las Vegas.

Ce livre excellent et maniable contient les paroles de cent Golden Oldies de la vaste gamme de chansons Country and Western et de ballades. Il comprend les favoris traditionnels et classiques populaires tels que la maison du soleil levant, Love Me tendre, Jolene et Hey Good Lookin '. La forme et le style du livre signifie qu'il est utile comme référence gig-sac, mais la collection fera appel à toute personne qui aime la rejoindre en à une chanson de chanter et séances de karaoké ou même un vieux grand croon dans la salle de bain ! / Voix / 52 pages / Chanson En Séparée

Kenneth Simpson. This collection is divided into ten sections: music - learning music - times and seasons - Christmas - greetings - gusto - drollery - getting around - birds and beasts - and miscellanea. Most of the items are musically straightforward and of moderate compass. / Voix

10 exquisite settings for female voices of any age, featuring texts by female poets. This unique book offers each piece in both high and low keys. Equally appropriate for the mature recital singer and the developing voice. / Voix

3rd Edition. This series features 50 songs from dozens of shows, some that have never before appeared in any vocal collections. / TV, Film, Comédie musicale / Date parution : 2018-05-04/ Recueil / Voix

Chantons propos Christmasis une collection de 15 chansons incroyablement festive, pour vous aider à célébrer tous les aspects de Noël.Ce fantastique collection festive est parfait pour KS1 et KS2 enfants. / Voix

Par . Semblable au syllabus de piano classique à succès, publié fin 2020, le répertoire choisi colle à quatre principes clés : défendre des compositeurs ethniquement diversifiés ; représenter les genres ; connaître l'histoire et la tradition de l'apprentissage d'instruments ; et permettre aux étudiants de se sentir à l'aise pour étudier la musique dans un environnement populaire et classique. Chaque échelon du programme vocal de 2021, très attendu, comprend dix arrangements de 'tubes', évalués et conçus de manière à doter les chanteurs contemporains de compétences pertinentes pour l'industrie, quel que soit l'environnement dans lequel ils se produisent. / Date parution : 2021-11-03/ Recueil / Vocal