SKU: HL.48024893

ISBN 9783923051700. UPC: 840126925098.

As an educational and recital piece, Bertold Hummel's Sonatina Op. 35, composed in 1969, has accompanied many a young musician following his or her own path. Having sold a thousand times all over the world, it is one of the composer's best-known works and hasbeen included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. The three movements are characterized by warmth and exciting rhythms: in the powerful Maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive Fugato. The second movement Elegie consists of a single soulful melody over spherical harmonies of the piano. As a highlight, playful ease, marching rhythms and dramatic intensifications alternate in quick succession in the Finale vivace, followed by wild arpeggios that conclude the piece. Originally composed for violin, versions for viola and violoncello were already commonly used. To mark its 50th birthday, Simrock / Boosey & Hawkes present the work in a revised, newly set edition. Written in the 1990s by the composer himself and now available forthe first time, the versions for alto and tenor saxophone are valuable additions to the repertoire for beginning instrumentalists.

SKU: HL.48024889

UPC: 840126919776.

As a lesson and lecture piece, Bertold Hummel's Sonatine op. 35, created in 1969, accompanied many young musicians on their way. Sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. Warmth and sparkling rhythm characterize the three movements: inthe powerful maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive fugato. The second movement Elegie consists of a single soulful melody about spherical harmonies of the piano. As the highlight in the Finale vivace, playful lightness, marching rhythms and dramatic increases replace each other in quick succession; wild arpeggios lead to the end. Originally composed for violin, versions for viola and cello were already familiar. For the 50th birthday, Simrock / Boosey & Hawkespresents the work in a revised, revised edition. A repertoire enrichment for beginning instrumentalists are the first available versions for alto and tenor saxophone, which the composer made himself in the 1990s.

SKU: HL.48024890

UPC: 840126919783.

As a lesson and lecture piece, Bertold Hummel's Sonatine op. 35, created in 1969, accompanied many young musicians on their way. Sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. Warmth and sparkling rhythm characterize the three movements: inthe powerful maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive fugato. The second movement Elegie consists of a single soulful melody about spherical harmonies of the piano. As the highlight in the Finale vivace, playful lightness, marching rhythms and dramatic increases replace each other in quick succession; wild arpeggios lead to the end. Originally composed for violin, versions for viola and cello were already familiar. For the 50th birthday, Simrock / Boosey & Hawkespresents the work in a revised, revised edition. A repertoire enrichment for beginning instrumentalists are the first available versions for alto and tenor saxophone, which the composer made himself in the 1990s.

SKU: BT.SCHEE3019

Violin, Cello, Piano. Hoeckner.

SKU: HL.48025063

ISBN 9783923051755. UPC: 196288031758. 9.0x12.0x0.338 inches.

Sergej Bortkiewicz (1877-1952) wrote his Russian Rhapsody, Op. 45 (1935) and the Piano Concerto No. 2 in C minor, Op. 28 (1924) for the pianist Paul Wittgenstein. He lost his right arm in the First World War and thereupon commissioned works from important composers. While Wittgenstein made some of the contributions by Ravel, Britten, Hindemith, Richard Strauss and others. sounded too modern, he had a preference for Bortkiewicz's concerto, as it paid homage to the “pharaonic virtuoso” late romantic tradition à la Rachmaninoff. It is precisely this “sound” that the Piano Concerto No. 2 recommended for a new version for two hands, which is now available and opens up a broader scope for the charming, emotional work. In addition to the redesign of the solo part, the arranger Alfonso Soldano also offers a new cadenza that ensures a smoother transition between tempo and sound changes.