| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| Reflections Piano seul Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Upriver Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band SKU:
PR.465000130 For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130). ISBN
9781598064070. UPC:
680160600144. 9x12
inches. Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Upriver Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band SKU:
PR.46500013L For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L). UPC:
680160600151. 11 x 14
inches. I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Brevis in D, Op. 63 Chorale, Orgue [Vocal Score] Boosey and Hawkes
For Boy's Voices and Organ. By Benjamin Britten. (Vocal Score). Boosey and Hawk...(+)
For Boy's Voices and
Organ. By Benjamin
Britten. (Vocal Score).
Boosey and Hawkes Large
Choral. Size 9x12 inches.
14 pages. Published by
Boosey and Hawkes.
$17.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Jazz Guitar Etudes by Greg Fishman Guitare [Partition + CD] Greg Fishman Jazz Studios
By Greg Fishman. For Guitar. Play-Along (Book CD). Published by Greg Fishman Jaz...(+)
By Greg Fishman. For
Guitar. Play-Along (Book
CD). Published by Greg
Fishman Jazz Studios
$24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Sanctissima Chorale SATB SATB, Piano Fred Bock Music Company
Arranged by Doug Andrews. SATB. Fred Bock Publications. Anthem, Christmas, Con...(+)
Arranged by Doug Andrews.
SATB. Fred Bock
Publications.
Anthem, Christmas,
Concert.
Octavo. 8 pages. Fred
Bock
Music Company #BG2563.
Published by Fred Bock
Music
Company
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Peace to the World Chorale SATB SATB divisi Pavane Publishing
Composed by Hyun Kook. Arranged by Allan Robert Petker. Pavane Choral. Concer...(+)
Composed by Hyun Kook.
Arranged by Allan Robert
Petker. Pavane Choral.
Concert, Latin, Sacred.
Octavo. 8 pages. Pavane
Publishing #JR1127.
Published
by Pavane Publishing
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| There Stands A Little Man Orchestre [Conducteur et Parties séparées] Alfred Publishing
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Medleys for Blended Worship, Complete Collection Piano seul - Avancé Alfred Publishing
40 Contemporary Arrangements of Praise Songs with Hymns. Arranged by Carol Tor...(+)
40 Contemporary
Arrangements
of Praise Songs with
Hymns.
Arranged by Carol
Tornquist.
Book; Piano Collection;
Piano Supplemental.
Sacred
Performer Collections.
Contemporary Christian;
Hymn; Sacred. 172 pages.
Published by Alfred Music
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Top Tones for the Trumpeter (30 Modern Etudes)
Trompette [Partition] Carl Fischer
30 Modern Etudes. Composed by Walter Wallace Smith. Softcover. With Standard not...(+)
30 Modern Etudes.
Composed by Walter
Wallace Smith. Softcover.
With Standard notation.
67 pages. Carl Fischer
#O002487. Published by
Carl Fischer
$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fingerstyle Guitar Tunes - Christmas in the British Isles Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Christmas, Saddle-stitched. World. Eook/online audio. Mel Bay Publications, In...(+)
Christmas,
Saddle-stitched.
World. Eook/online audio.
Mel
Bay Publications, Inc
#30917M.
Published by Mel Bay
Publications, Inc
$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bell Tree Descants Hope Publishing Company
Bell Tree SKU: HP.3001 Arranged by Jason W. Krug. Handbell score. 124 pag...(+)
Bell Tree SKU:
HP.3001 Arranged by
Jason W. Krug. Handbell
score. 124 pages. Hope
Publishing Company #3001.
Published by Hope
Publishing Company
(HP.3001). UPC:
763628130015. 45
Selections to Enhance
Hymn Singing For each of
these 45 descants to
familiar hymns there is
an intermediate and a
more advanced setting for
bell tree ringers. Many
of the tunes are offered
in more than one key to
make this collection
compatible with most
hymnals. Common title and
tune indexes are provided
for easy reference.
Adding the sparkle of
bells is sure to enhance
and enliven your
congregational hymn
singing. $46.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| 50 Renaissance and Baroque Standards - English version [CD] - Débutant Anne Fuzeau Productions
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples
and Advice for Playing
and Improvising on any
instrument. Edited by
Pascale Boquet, Gerard
Rebours. Music Books/CDs.
Teaching Works. Level:
Grade 0. 144 pages.
Published by Editions
Fuzeau Classique - France
(French import).
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloriosi GIA Publications
SKU: GI.G-1109 Music of the Paschal Triduum / Música del Triduo Pas...(+)
SKU: GI.G-1109
Music of the Paschal
Triduum / Música del
Triduo Pascual.
Composed by Tony Alonso
S.J. Sacred. GIA
Publications #1109.
Published by GIA
Publications (GI.G-1109).
The first
comprehensive resource of
its
kind, Gloriosi cont
ains a treasure trove of
ritual music that bridges
linguistic, cultural,
and musical
differences for the
liturgies of Holy
Thursday, Good Friday,
and the Easter Vigil.
Weaving together
familiar tunes and
ancient chants with
newly-composed pieces,
Tony Alonso has
meticulously crafted
the music
of Gloriosi to
inspire the participation
of a diverse assembly
during these celebrations
at the heart of the
liturgical year. Â In
addition to settings of
all of the ritual texts
found in the Roman
Missal / Misal
Romano for
the Three
Days, this
collection contains
settings of every
prescribed psalm drawn
from texts approved for
liturgical use in English
and in Spanish. Â
~~~~~~~~~~~~~~~~~~~~~~
 El primer recurso
completo de su
tipo, Gloriosi es
un tesoro rebosante de
música ritual que
supera las diferencias
lingüÃsticas,
culturales y musicales
para las liturgias del
Jueves Santo, Viernes
Santo y la Vigilia
Pascual. Tejiendo
melodÃas familiares y
cantos antiguos con
piezas recién
compuestas, Tony Alonso
ha elaborado
meticulosamente la
música
de Gloriosi para
inspirar la
participación de una
asamblea diversa durante
estas celebraciones que
están al centro del
año litúrgico.Â
 Además de
proporcionar los textos
rituales que se
encuentran en el Misal
Romano / Roman
Missal para los Tres
DÃas en forma
musicalizada, esta
colección también
ofrece nueva música
para todos los salmos
prescritos para las
liturgias del Triduo
utilizando los textos
oficiales en español y
en inglés. Â
Disc 1 / Disco 1 Holy
Thursday Mass of the
Lord’s Supper /
Jueves Santo de la Cena
del Señor We Should
Glory in the Cross / Que
Nuestro Único Orgullo
Sea la
Cruz • Blesse
d Be God Forever /
Bendito Sea Dios por
Siempre (Reception of
the Holy Oils /
Recepción de los
Santos
Óleos) •Â
Kyrie,
Eleison (Penitential
Act / Acto
Penitencial) •Â
Our
Blessing-Cup / El
Cáliz que
Bendecimos (Psalm 116
/ Salmo
116/115) • Gl
ory to You / Gloria
a Ti (Gospel
Acclamation /
Aclamación del
Evangelio) •Â
A New
Commandment / Un
Mandamiento
Nuevo • Love
One
Another / Ãmense
Unos a
Otros • Lord,
Hear Our
Prayer / Te
Rogamos,
Óyenos (Prayer of
the Faithful / Oración
de los
Fieles) • Ubi
Caritas • Agn
us
Dei • Called
to the Supper of the
Lamb / Llamados al
Banquete del
Señor • Ca
lled to Keep Vigil with
the Lord / Llamados
a Velar con el
Señor (Transfer of
the Most Blessed
Sacrament / Traslado del
SantÃsimo
Sacramento) •Â
Tantum Ergo Sacramentum
  Disc 2 / Disco
2 Good Friday of the
Passion of the
Lord / Viernes
Santo de la Pasión del
Señor Into Your
Hands / En Tus
Manos (Psalm 31 /
Salmo
31/30) • Glor
y to You / Gloria a
Ti (Gospel Acclamation
/ Aclamación del
Evangelio) •Â
Adoramus Te (Passion
Acclamation / Aclam
ación para la
Pasión) •Â
The Solemn Intercessions
of Good Friday / La
Oración Universal del
Viernes
Santo • Behol
d the Wood of the
Cross / Miren el
Ãrbol de la Cruz (The
Showing of the Holy Cross
/ Presentación de la
Santa
Cruz) • Faith
ful Cross / Cruz
Fiel • Forgiv
e Us, Your
People / Perdona a
Tu Pueblo • O
Come, Let Us
Worship / Venid, Oh
Cristianos •Â
Called to the Supper of
the Lamb / Llamados
al Banquete del Señor
  Disc 3 / Disco
3 The Easter Vigil in the
Holy
Night / Vigilia
Pascual en la Noche Santa
The Easter
Proclamation / Preg
ón
Pascual (Exsultet)Â
• Lord, Send Out
Your
Spirit / EnvÃa
Tu EspÃritu,
Señor (Psalm 104 /
Salmo
104/103) • Ke
ep Me Safe, O
God / Protégeme,
Dios MÃo (Psalm 16
/ Salmo
16/15) • Let
Us Sing to the
Lord / Cantemos al
Señor (Exodus 15 /
Éxodo
15) • I Will
Praise You,
Lord / Te
Ensalzaré,
Señor (Psalm 30 /
Salmo
30/29) • You
Will Draw Water
Joyfully / Ustedes
Sacarán Agua con
Gozo (Isaiah 12 /
IsaÃas
12) • Words
of Everlasting
Life / Palabras de
Vida Eterna (Psalm 19
/ Salmo
19/18) • Like
a Deer that
Longs / Como Busca
la Cierva (Psalm 42,
43 / Salmo 42/41,
43/42) • East
er
Alleluia / Aleluya
Pascual (Psalm 118 /
Salmo
118/117) • Li
tany of the
Saints / LetanÃa
de los
Santos • Alle
luia
Popular / Aleluya
Popular (Blessing of the
Baptismal Water /
Bendición del Agua
Bautismal) •Â
Alleluia
Popular / Aleluya
Popular (Baptism /
Bautismo) • A
lleluia
Popular /Aleluya
Popular (Acclamation /
Aclamación) •
 Veni Sancte Spiritus
(Confirmation / Con
firmación) •
Alleluia
Popular / Aleluya
Popular (Sprinkling Rite
/ Rito de la
Aspersión) •
Lord, We Ask You, Hear
Our Prayer / Te
Rogamos,
Óyenos (Prayer of
the Faithful
/ Oración de los
Fieles) • Cal
led to the Supper of the
Lamb / Llamados al
Banquete del Señor
 . $39.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on La Bamba Chorale SATB SATB divisi, A Cappella [Octavo] Peters
Arranged by Matthew Harris. For SATB a cappella w/divisi. Mixed Chorus a cappell...(+)
Arranged by Matthew
Harris. For SATB a
cappella w/divisi. Mixed
Chorus a cappella with
divisi and solos --
Sitting in an outdoor
cafe in Mexico a few
years ago, I was
intrigued when a
strolling mariachi band
played something str
strange yet familiar.
Here was 'La Bamba' the
'right way'!, I thought.
But a little. Modern.
Octavo. 22 pages.
Duration circa 6 minutes
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Saxophone Method Vol. 1 Saxophone Alto [Partition + Accès audio] Schott
Composed by John O'Neill. This edition: Paperback/Soft Cover. Sheet mus...(+)
Composed by John
O'Neill.
This edition:
Paperback/Soft
Cover. Sheet music.
Woodwind
Method. Technique,
Instruction, Method,
Classical. Edition with
Online audio file. 88
pages.
Schott Music #ED13911.
Published by Schott Musi
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shenandoah Carl Fischer
Choral Hand Clap, Voice 1, Voice 2, Voice 3 SKU: CF.CM9600 Composed by Am...(+)
Choral Hand Clap, Voice
1, Voice 2, Voice 3
SKU: CF.CM9600
Composed by American Folk
Song. Arranged by Michael
John Trotta. Sws. Mjts.
Performance Score. 20
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9600.
Published by Carl Fischer
Music (CF.CM9600).
ISBN 9781491154229.
UPC: 680160912728. 6.875
x 10.5 inches. Key: G
major. English.
Traditional. About the song .
. . This
beloved American folk
song is set atop a
rhythmic vocal ostinato
that casts this familiar
tune in a new light. The
energetic ostinato
provides the backdrop for
the soaring vocal line.
Cued notes provide
additional options for
performance, based on the
needs of the ensemble and
the discretion of the
director. About the text .
. . The
text for this song dates
back to the 19th century
when one of its many
variants appeared in
Harpers New Monthly
Magazine in 1882. While
there is some debate
about the exact origin of
the song, it is likely
linked to the fur trade
that existed along the
Missouri river. The song
quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs. This popular
song has been recorded by
many artists including
Judy Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more. . About the song .
. . This
beloved American folk
song is set atop a
rhythmic vocal ostinato
that casts this familiar
tune in a new light. The
energetic ostinato
provides the backdrop for
the soaring vocal line.
Cued notes provide
additional options for
performance, based on the
needs of the ensemble and
the discretion of the
director. About the text .
. . The
text for this song dates
back to the 19th century
when one of its many
variants appeared in
Harpers New Monthly
Magazine in 1882. While
there is some debate
about the exact origin of
the song, it is likely
linked to the fur trade
that existed along the
Missouri river. The song
quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs. This popular
song has been recorded by
many artists including
Judy Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more. . About
the song . . . This
beloved American folk
song is set atop a
rhythmic vocal ostinato
that casts this familiar
tune in a new light. The
energetic ostinato
provides the backdrop for
the soaring vocal line.
Cued notes provide
additional options for
performance, based on the
needs of the ensemble and
the discretion of the
director. About the text
. . . The text for this
song dates back to the
19th century when one of
its many variants
appeared in Harpers New
Monthly Magazine in 1882.
While there is some
debate about the exact
origin of the song, it is
likely linked to the fur
trade that existed along
the Missouri river. The
song quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs. This popular song
has been recorded by many
artists including Judy
Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more. About the
song . . .This beloved
American folk song is set
atop a rhythmic vocal
ostinato that casts this
familiar tune in a new
light. The energetic
ostinato provides the
backdrop for the soaring
vocal line. Cued notes
provide additional
options for performance,
based on the needs of the
ensemble and the
discretion of the
director.About the text .
. .The text for this song
dates back to the 19th
century when one of its
many variants appeared in
Harpers New Monthly
Magazine in 1882. While
there is some debate
about the exact origin of
the song, it is likely
linked to the fur trade
that existed along the
Missouri river. The song
quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs.This popular song
has been recorded by many
artists including Judy
Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Saxophone Method Vol. 1 Saxophone Alto [Partition + Accès audio] Schott
Repertoire Book. Composed by John O'Neill. This edition: Saddle stitching. She...(+)
Repertoire Book. Composed
by
John O'Neill. This
edition:
Saddle stitching. Sheet
music. Woodwind Method.
Classical. Edition with
Online audio file. 60
pages.
Schott Music #ED13921.
Published by Schott Music
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fantasy of the Skye Boat Song Trombone et Piano [Conducteur] - Avancé Cherry Classics
Trombone and piano - Advanced SKU: CY.CC2144 Composed by Nick Francis. Co...(+)
Trombone and piano -
Advanced SKU:
CY.CC2144 Composed by
Nick Francis.
Contemporary tonal. Full
score & set of parts.
Published by Cherry
Classics (CY.CC2144).
The Skye Boat
Song, among the most
popular of all Scottish
folk tunes, deals with
the flight of Bonnie
Prince Charlie (Charles
Edward Stewart) from
Scotland to the Isle of
Skye in 1746, after
having been defeated on
Culloden Moor by the
English Army of King
George II. The present
setting, for either Tenor
or Bass Trombone and
Piano, is mostly lyrical
and passes through a
series of episodes that
evoke watery images in
various ways. A stormy
episode which
superimposes a more
martial tune (relying
heavily on the familiar
scotch snappy rhythm)
against a variation of
the original folk tune
leads to brief quotations
from Mendelssohn's
Hebrides overture (the
Isle of Skye is part of
the group of islands
known as the Hebrides)
before a short
recapitulation of the
theme. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In God Rejoice! Hymns & Psalms 2009-12 Chorale SATB Stainer and Bell
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. ...(+)
Mixed choir SKU:
ST.B934 Composed by
Brian Wren. Hymns &
Relgious Drama. Hymns
& Psalms 2009-2012. .
If ordering from USA,
Canada, Australia or New
Zealand please contact.
Collection. Stainer &
Bell Ltd. #B934.
Published by Stainer &
Bell Ltd. (ST.B934).
ISBN
9780852499344. This
, the ninth of a series
of books begun in 1983,
contains Brian Wren's 36
most recent hymns (2009
to 2012). It is nicely
presented and laid out in
a user-friendly way. The
hymns are divided into
five thematic sections:
Jesus from Cradle to
Cross; Easter Hymns;
Church and Mission;
Praise; and Metrical
Psalms. This last
section, rooted in
(though not bound by) the
Old Testament, is often
influenced by Isaac Watts
and will be of more use
to some than others; it
concludes with a
tremendous rendering of
Psalm 8; a paean of
praise which all will
love, set to a stirring
tune. Each
section is prefaced with
a single page
introduction listing the
contents and, in some
instances, giving an
interesting insight into
Brian Wren's theology and
thinking which provides
food for contemplation.
Each hymn is printed in
words format with all the
necessary information for
inclusion in an order of
worship. Every hymn is
also printed with full
score music for
accompaniment interlined
with the words. The book
is slightly larger than
A5, and there are various
useful indexes.
The tunes range from
ancient to modern, some
very familiar, including
Candler (better known as
Ye Banks and
Braes). A number are
of a metre where
alternative tunes are
available. Those tunes
which are new vary in
ease of use; some will be
readily picked up, others
would prove challenging
for occasional use in a
small congregation but
could be used as music
group items.
These are hymns which
need to be read as a
whole and require
thought. The words are
chosen with care and
notable as much for those
not used as those
included e.g.: 'Christ,
untameably alive,/
breathe your life upon us
- / Compass, Governor and
Guide, / with us and
beyond us,/ Sky and
Sunlight, / spreading
Vine./ Spring of Living
Water,/ Truth and Wisdom,
Way and Word,/ here, and
then hereafter.' These
hymns will be useful in
worship as either sung or
read pieces, and will
also prove an invaluable
resource for private
devotion. Robert Canham,
Reform $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Set of Chinese Folk Songs Chorale TTBB Theodore Presser Co.
Choral TTBB choir SKU: PR.312416820 Men's Chorus (10 Copies). Comp...(+)
Choral TTBB choir SKU:
PR.312416820 Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820). UPC:
680160050376. 8.5 x 11
inches. Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi. $195.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Preludes on British Hymns Orgue
Composed by John Ignatowski. For organ. Great preludes on two very popular Briti...(+)
Composed by John
Ignatowski. For organ.
Great preludes on two
very popular British hymn
tunes. General. Published
by CanticaNOVA
Publications
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Profound Praise - Six Hymns for Tuba and Organ Tuba et Orgue Schirmer
Composed by Gwyneth W. Walker (1947-). Christmas, Easter, 21st Century. Publis...(+)
Composed by Gwyneth W.
Walker (1947-).
Christmas, Easter, 21st
Century. Published by
E.C. Schirmer Publishing
(EC.8254).
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 61 ... 91 |