Violin, Cello and Piano - Grade 3

SKU: HL.14032083

Composed by Johan Svendsen. Music Sales America. Classical. Set. Composed 2005. 6 pages. Edition Wilhelm Hansen #WH14171A. Published by Edition Wilhelm Hansen (HL.14032083).

ISBN 9788759888445.

< strong>Svensk Folkesang / Schwedisches Volkslied Nr. 1 - ' Allt Under Himmelens Fäste'.

Arranged for Violin, Cello and Piano by Johan S. Svendsen.

Composed by Anton�­n Dvor�¡k. Edited by Andreas Groethuysen and Peter Jost. For Piano Trio (Score and Parts). Henle Music Folios. Softcover. 115 pages. G. Henle #HN1230. Published by G. Henle

Piano, Violin, and Horn (with viola or cello instead of horn). Composed by Johannes Brahms (1833-1897). Edited by Katharina Loose-Einfalt. Henle Music Folios. Classical. Softcover. G. Henle #HN811. Published by G. Henle (HL.51480811).

(For Violin, Cello, and Piano). By Stacy Garrop. Piano trio. For Violin, Cello, Piano. Folk. Score and part(s). Standard notation. 10 pages. Duration 4 minutes, 40 seconds. Published by Theodore Presser Company

By Bertrand Moren. For Violin, Violoncello and Piano. Swiss import. Grade 4. Score and parts

By Jay Ungar and Molly Mason. For Cello, Piano, Violin, Fiddle, Classical Guitar. Wire bound. Multiple Levels. Book. 82 pages. Published by Mel Bay Publications, Inc

Piano trio - Moderately Difficult to Difficult

SKU: OU.9780193577817

Composed by William Mathias. Mixed Ensemble. Score and parts. 56 pages. Duration 15'. Oxford University Press #9780193577817. Published by Oxford University Press (OU.9780193577817).

ISBN 9780193577817. 12 x 8 inches.

For piano trio Mathias's only piano trio is a concisely structured work in four movements, including pleasing sonorities and melodic main themes, ranging from the characteristically Celtic to twinges of a slightly folky American feel.

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.