String Orchestra and Piano SKU: BT.EMBZ8789 Für Violine, Viola, Violo...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ8789
Für
Violine, Viola,
Violoncello und
Klavier. Composed by
József Soproni.
Contemporary Music. Book
Only. Composed 1981. 12
pages. Editio Musica
Budapest #EMBZ8789.
Published by Editio
Musica Budapest
(BT.EMBZ8789).
String Orchestra and Piano SKU: BT.EMBZ14253 By Lajos Vigh. By Arpad Pejt...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ14253
By Lajos
Vigh. By Arpad Pejtsik.
EMB Music for Beginners.
Educational Tool. Book
Only. Composed 2000. 92
pages. Editio Musica
Budapest #EMBZ14253.
Published by Editio
Musica Budapest
(BT.EMBZ14253).
Hungarian-English-Germ
an-French.
The
volume comprises works by
classical and romantic
masters for beginners.
The chamber ensemble
includes violin, viola,
violoncello and piano,
but if the viola is
missing, its part can be
played by a second violin
from the version enclosed
in the appendix. The
string parts do not go
beyond the first
position. As opposed to
the basso continuo part
that children are less
fond of, the piano
assumes a soloistic role
alternating with the
strings. A certain part
of the pieces can already
be played after two years
of serious studies. The
colourful music
containing dance
movements and larger
forms alike offers
possibilities of common
music making for string
players andpianists.
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13548
Leichte Trios aus vier
Jahrhunderten. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 248
pages. Editio Musica
Budapest #EMBZ13548.
Published by Editio
Musica Budapest
(BT.EMBZ13548).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume I
contains easy chamber
music from the
Renaissance to Viennese
Classicism for two
violins and cello, in the
first position. (In some
works the 2nd violin part
or others thecello part,
respectively, can also be
played on the viola.) The
easier pieces can be
played after two years of
active instrumental
study.
For Piano and Orchestra. By Lowell Liebermann. For Piccolo, Flute, Oboe, Clarine...(+)
For Piano and Orchestra.
By Lowell Liebermann. For
Piccolo, Flute, Oboe,
Clarinet (in Bb), Bass
Clarinet, Bassoon, Contra
Bassoon, English Horn,
Horn, Trumpet, Tenor,
Tuba, Timpani,
Percussion, Piano,
Violin, Viola, Cello,
Contrabass. Classical.
Solo Part with Piano
Reduction. Composed 1983.
Opus 12. 61 pages.
Duration 22:00. Published
by Theodore Presser
Company.
Opera in One Act. By Hugo Weisgall. Arranged by Richard Hart. For Alto Saxophone...(+)
Opera in One Act. By Hugo
Weisgall. Arranged by
Richard Hart. For Alto
Saxophone, Clarinet,
Tenor Saxophone, Trumpet,
Violin, Viola, Cello,
Contrabass, Piano.
Classical. Full Score -
Study. 54 pages. Duration
25:00. Published by
Theodore Presser Company.
Quintet Piano et Orchestre EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ6338
Composed
by Bela Bartok. Set
(Score & Parts). Composed
1970. 304 pages. Editio
Musica Budapest
#EMBZ6338. Published by
Editio Musica Budapest
(BT.EMBZ6338).
Béla Bartók
composed his Piano
Quintet while at grammar
school in Pozsony
(Pressburg, now
Bratislava), and it still
shows the influence of
Brahms in its melody and
harmony. The work was
always resoundingly
successful at his
youthful concerts. When
on 7 January 1921 the
Waldbauer Quartet wanted
to repeat the programme
of a concert given ten
years previously, Bartók
was displeased that this
early work of his should
be performed once again.
Finally he consented to
the performance, and
played the piano part
himself. The quintet was
greeted with tumults of
applause, unlike the
other pieces on the
programme, which were
written later. According
to a communication by
Márta Ziegler,Bartók
threw away the score in
anger, and for many years
it was believed to have
been destroyed. In 1963,
the editor Denijs Dille
received a package inside
which were the score and
parts, which had been
thought lost. Denijs
Dille wrote: 'In
preparing the text of
this edition for
practical purposes, I
used the autograph score,
and Bartók's own
handwritten parts for the
first and second violins,
viola, and cello. [...]
Bartók made so many
deletions and significant
changes in the score that
the resulting version was
somewhat different from
the original. In this
edition we give the last
version, supplemented
with the minor changes
and signs that can be
found in the string
parts.'.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For pi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. For piano/orchestra
(piano/2 flutes/2 oboes/2
clarinets/2 bassoons/2
horns/2 clarin
trumpets/timpani/2
violins/viola/cello/contr
abass). This edition:
Urtext edition.
Paperback. Score. Opus
73, no. 5. Duration 38
minutes. Published by
Baerenreiter Verlag
Viola
Part. Composed by
Robert Schumann. Edited
by Ute Baer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1853. Op. 134.
Duration 14'. Schott
Music #ED20816-13.
Published by Schott Music
(HL.49018984).