Mid-Intermediate Level. Composed by Glenda Austin. Willis. Solos, Recital. Softcover. 8 pages. Published by Willis Music (HL.211135).

Piano Solo. Composed by Claude Debussy (1862-1918). Edited by Ernst-Gunter Heinemann. Henle Music Folios. Classical. Softcover. 9 pages. G. Henle #HN1318. Published by G. Henle (HL.51481318).

Piano

SKU: C4.9790902260329

Composed by Harold Darke. Edited by Daniel Mitterdorfer and Harold Fabrikant. Classical. Score. Crescendo Music Publications #9790902260329. Published by Crescendo Music Publications (C4.9790902260329).

ISBN 9790902260329. 8.27 x 11.7 inches.

Though known nowadays for his considerable corpus of church music, Harold Darke's earlier years saw a proliferation of compositions for many and varied forces, a result of his fruitful study at the Royal College of Music.

Written towards the end of 1908, these virtuosic Three Concert Studies stand as happy advocates of the Post-Romanticism then in vogue.

This edition marks their first publication and contains a brief background on the work's composition as well as a full list of editorial changes. These Three Concert Studies certainly deserve to be more widely known and enjoyed.

By Lorie Line. Piano Solo Personality. Softcover. 88 pages. Hal Leonard #TLP338. Published by Hal Leonard

Piano Solo - Medium

SKU: BU.EBR-A012

Composed by George Frideric Handel. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A012. Published by Editions Bourges (BU.EBR-A012).

ISBN 9790560150680. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



En 1720, Haendel fait publier à Londres un recueil de pièces intitulé Suites de pièces pour le clavecin, 1er volume, recueil de huit Suites dont la composition remonte en majeure partie aux années de jeunesse.
On retrouve dans la Septième Suite en sol mineur HWV 432 tous les genres en vogue à cette époque, synthèse en miniature des « goûts réunis », provenant de France, d’Allemagne ou d’Italie. La Passacaille en sol mineur, parmi les pièces pour clavier les plus célèbres de Haendel, clôt la Suite en une série de courtes variations : mélodiques, rythmiques, en jeu inversé, la dernière variation résumant la série de variations, par le jeu arpégé aux deux mains de rapides doubles croches.

By Phil Coulter. Music Sales America. Irish and Contemporary Instrumental. Collection. With chord names (does not include words to the songs). 63 pages. Music Sales #AM63280. Published by Music Sales

Chamber Music Piano

SKU: PR.140401320

Composed by Eubie Blake. Edited by Lara Downes. Arranged by Jeremy Siskind. Sws. Score. 8 pages. Duration 3:45. Theodore Presser Company #140-40132. Published by Theodore Presser Company (PR.140401320).

ISBN 9781491134177. UPC: 680160684274. 9 x 12 inches. Key: F major.

LOVE WILL FIND A WAY is one of the great hits of the 1920s – an era of remarkable cultural growth giving rise to “The Roaring '20s,” “The Harlem Renaissance,” and a fun-loving society known for the Charleston dance craze and the surge of jazz into the mainstream of American music. A song from Shuffle Along, the first all-Black Broadway musical, LOVE WILL FIND A WAY has been arranged by pianist Jeremy Siskind especially for Lara Downes’ recording that launches the Rising Sun series.
According to Langston Hughes, Eubie Blake’s 1921 Shuffle Along was the real start of the Harlem Renaissance. In Hughes’ words: “Everybody was in the audience, including me. It gave just the proper push, a pre-Charleston kick, to that Negro vogue of the '20s that spread to books, African sculpture, music, and dancing.”As Broadway’s first all-Black hit musical, with an all-star cast including Paul Robeson and a young Josephine Baker, Shuffle Along ran for an unprecedented 504 performances in New York, then toured nationally for three years as the first Black musical to play in white theaters across the United States. The show’s appeal to a multi-racial audience, and its integration of the jazz and Broadway communities, not only changed the history of the American musical theater, but made important strides forward in American race relations.Love Will Find a Way is one of the show’s most popular tunes. This intimate, pensive arrangement by Jeremy Siskind celebrates the song’s centenary by making it a love song for our own time as much as its own – a reminder that no matter how dark the path or how gray the skies, love will always find a way.