Cello and Piano

SKU: HL.14019307

Composed by Julian Lloyd Webber. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 10 pages. Chester Music #CH61590. Published by Chester Music (HL.14019307).

8.5x11.75x0.041 inches.

Julian Lloyd Webber's touching and inspired tribute to the great cellist Jacqueline du Pre, first performed in January 1999 in London's Wigmore Hall. Cello and piano version. Duration c. 3mins.

By Ernest Chausson (1855-1899). For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. Impressionistic; Masterwork; Romantic. 12 pages. Published by Faber Music

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.50605489

For Cello and Piano. Composed by Máté Bella. EMB. Classical. Softcover. Editio Musica Budapest #Z15206. Published by Editio Musica Budapest (HL.50605489).

ISBN 9781705190531. UPC: 196288126560.

Mate Bella's (*1985) earliest composition, written in 2005, is based on Lorinc Szabo's poem, Dsuang Dsi's Dream. This duet of cello and piano pendulates between dream and reality, formulating the same musical thoughts first in a slow march towards ecstasy, and then in a dizzying perpetuum mobile. Contents: 1. Andante, effettuoso 2. Presto.

(for Violoncello and Piano) Composed by David Popper, edited by Martin Rummel. Score; Single Part for cello and piano. First modern edition of the complete suite; Two cello parts, one with Popper's fingering and bowing and one modified for the modern cello; With helpful performance tips by the editor. Published by Baerenreiter-Ausgaben (German import). ISBN M006531936.

By Gustav Holst (1874-1934). Edited by Julian Lloyd Webber. For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. 20th Century; Masterwork; Romantic. Published by Faber Music

By Camille Saint-Sa��ns. For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. Masterwork; Romantic. Published by Faber Music

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025039

Book 2. Composed by Ailbhe McDonagh. Boosey & Hawkes Chamber Music. Classical, Instruction. Softcover Audio Online. 68 pages. Boosey & Hawkes #M060138003. Published by Boosey & Hawkes (HL.48025039).

ISBN 9781784546359. UPC: 196288021032. 0.199 inches.

It's a Cello Thing - Book 2 *fourteen distinctive pieces - perfect for developing cellists of all ages *inventive progressive repertoire players of grade 4-8 standard *informative tips on style and technique for every piece *audio demonstrations by the composer...it's a cello thing.

12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 16/23/21 pages pages. Published by Baerenreiter Verlag

Op. 85, for Violoncello and Piano. Composed by Edward Elgar (1857-1934). Edited by Feldman, Marion, du Pre, Jaqueline. Score and part(s). With Standard notation. Opus 85. 32 12 pages. Carl Fischer #B003463. Published by Carl Fischer (CF.B3463).

For Cello and Piano. Composed by Carl Vine (1954-). Duet or Duo; Piano Supplemental; String - Cello Solo and Piano. Faber Edition. Form: Sonata. 20th Century. Part(s); Score. Faber Music #12-0571540635. Published by Faber Music

18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 22/24/17 pages pages. Published by Baerenreiter Verlag

Composed by Antonin Dvorak (1841-1904). Stapled. Czech title: Klid op. 68, 5. Classical. Performance score, part(s). With Publication language: Czech/German/English/Fren ch. Opus 68, No. 5. Editio Baerenreiter Praha #H01532. Published by Editio Baerenreiter Praha

Cello and Piano

SKU: IM.3856

Composed by Ludwig van Beethoven. Edited by Daniel Morganstern. Score and Parts. International Music Co. #3856. Published by International Music Co. (IM.3856).

Written not long after Mozart's death, the young Beethoven wrote these variations on Papageno's witty aria from Die Zauberflote.

(Six Solo Pieces from Emanuel Feuermann's Repertoire for Cello with Piano Ac). Edited by Marion Feldman & Emmanuel Feurmann. For cello, piano. 80 + pages. Published by Carl Fischer

Cello and Piano

SKU: BT.PL3608

Composed by Patrick Chadaillat. Book and Part(s). Pierre Lafitan Editions #PL3608. Published by Pierre Lafitan Editions (BT.PL3608).

Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales

For Cello and Piano. Composed by John Williams. John Williams Signature Edition - Strings. Movies. Softcover. Published by Hal Leonard

Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. Composed by Bernhard Romberg. Edited by Beverley Ellis. Arranged by Friedrich Janssen. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 38/1. 32 pages. Schott Music #SE1007. Published by Schott Music (HL.49045501).

Cello and piano

SKU: VD.ED13961

Heft 1: Nr. 1-3. Composed by Johann Martin Friedrich Nisle. Edited by Christian Vitalis. Nisle-Gesamtausgabe. Classical. Score, parts. 38 S. Part. + 8 S. Stimmen pages. Verlag Dohr #ED13961. Published by Verlag Dohr (VD.ED13961).

ISBN 9790202029619. 12 x 9 inches.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication” (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Cello and piano

SKU: VD.ED13962

Heft 2: Nr. 4-6. Composed by Johann Martin Friedrich Nisle. Edited by Christian Vitalis. Nisle-Gesamtausgabe. Classical. Score, parts. 30 S. Part. + 8 S. Stimmen pages. Verlag Dohr #ED13962. Published by Verlag Dohr (VD.ED13962).

ISBN 9790202029626. 12 x 9 inches.

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025367

Cello and Piano. Composed by Simon Laks. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538630. Published by Bote & Bock (HL.48025367).

UPC: 196288194286.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

Cello and Piano

SKU: HL.14010055

Composed by Hakon Borresen. Music Sales America. Classical. Book [Softcover]. Composed 2005. Edition Wilhelm Hansen #WH15267. Published by Edition Wilhelm Hansen (HL.14010055).

ISBN 9788759869888. 8.25x11.75x0.074 inches.

Hakon Børresen's Élé gie Op. 17, No. 1 (from 'Deux Pieces Pour Violoncelle et Piano') for Cello and Piano.

 

 

Cello and Piano

SKU: BT.EMBZ14832

Composed by Nicola Porpora. Educational Tool. Book Only. Composed 2012. 48 pages. Editio Musica Budapest #EMBZ14832. Published by Editio Musica Budapest (BT.EMBZ14832).

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb they are playable after 4-5 years intensivestudy of the instrument.

Die 1745 in London veröffentlichten Stücke waren ursprünglich für Geige, Solo-Cello, ein Tasteninstrument und ein zweites Cello geschrieben. Die Rolle der Geige war jedoch so unwesentlich, dass es sich im Grunde um Cellowerke handelt. Von den ursprünglich sechs Werken hat der Arrangeur die drei geeignetsten ausgewählt, wobei die Klavierstimme die Geigen- und die Continuostimme in sich vereint. Die Cellopassagen sind für fortgeschrittene Spieler geeignet.

Cello and Piano

SKU: HL.14029709

Composed by Hakon Borresen. Music Sales America. Classical. Book [Softcover]. Composed 2005. Edition Wilhelm Hansen #WH15268. Published by Edition Wilhelm Hansen (HL.14029709).

ISBN 9788759876763. Danish.

Hakon Børresen's Serenade Op. 17, No. 2 (from 'Deux Pieces Pour Violoncelle et Piano') for Cello and Piano.