| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Double bass (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-55...(+)
Double bass (3(picc)2.2.2
- 4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.OB-5558-27
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 16 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-27.
Published by Breitkopf
and Haertel
(BR.OB-5558-27). ISBN
9790004344699. 10 x 12.5
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Woodwinds (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558...(+)
Woodwinds (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.OB-5558-30
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Set of parts. 308 pages.
Duration 44'. Breitkopf
and Haertel #OB 5558-30.
Published by Breitkopf
and Haertel
(BR.OB-5558-30). ISBN
9790004344705. 10 x 12.5
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $226.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Violin 2 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-...(+)
Violin 2 (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.OB-5558-16
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-16.
Published by Breitkopf
and Haertel
(BR.OB-5558-16). ISBN
9790004344668. 10 x 12.5
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-...(+)
Violin 1 (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.OB-5558-15
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-15.
Published by Breitkopf
and Haertel
(BR.OB-5558-15). ISBN
9790004344651. 10 x 12.5
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-19<...(+)
Viola (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.OB-5558-19
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-19.
Published by Breitkopf
and Haertel
(BR.OB-5558-19). ISBN
9790004344675. 10 x 12.5
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-55...(+)
Violoncello (3(picc)2.2.2
- 4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.OB-5558-23
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-23.
Published by Breitkopf
and Haertel
(BR.OB-5558-23). ISBN
9790004344682. 10 x 12.5
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Orchestre Breitkopf & Härtel
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5559...(+)
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.PB-5559-07
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07). ISBN
9790004213698. 6.5 x 9
inches. Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Orchestre [Conducteur] Breitkopf & Härtel
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5558...(+)
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str) SKU:
BR.PB-5558
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Full score. 212 pages.
Duration 44'. Breitkopf
and Haertel #PB 5558.
Published by Breitkopf
and Haertel (BR.PB-5558).
ISBN 9790004213681. 10
x 12.5 inches. Like
Hamlet Overture,
originating at about the
same time, Tchaikovsky's
5th symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Tch
aikovsky's Hamburg
Symphony in the
Urtext. $150.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ophelia's Mad Scene [Conducteur] Peters
Voice (Alto (Mezzo)) SKU: PE.EP14605 For Mezzo-soprano. Composed b...(+)
Voice (Alto (Mezzo))
SKU: PE.EP14605
For Mezzo-soprano.
Composed by Gloria
Coates. Solo; Solo Small
Ensembles; Vocal Solo.
Secular. Score. 12 pages.
Edition Peters
#98-EP14605. Published by
Edition Peters
(PE.EP14605). ISBN
9790014138868. Words by
William
Shakespeare. Opheli
a's Mad Scene by Gloria
Coates is a contemporary
work for mezzo-soprano
with texts from William
Shakespeare's The Tragedy
of Hamlet, Act 4, Scene
5. It is part of the
collection of 200 solo
pieces written to
celebrate the bicentenary
of the Royal Academy of
Music London in 2022 and
was first performed at
the Royal Academy on 28
June 2021 by Helen
Corlett.
This
product is Printed on
Demand and may take
several weeks to
fulfill. $22.94 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hamlet-Ophelia, Op. 22 Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2+1.2.2.2/4.2.3.0,timp,p erc,str) SKU: TM.07473SC Composed by Edward Mac...(+)
(2+1.2.2.2/4.2.3.0,timp,p
erc,str) SKU:
TM.07473SC Composed
by Edward MacDowell.
Score. Lucks Music
Library #A6436. Published
by Lucks Music Library
(TM.07473SC).
$40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hamlet-Ophelia, Op. 22 Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2.2.2/4.2.3.0,timp,p erc,str) SKU: TM.07473SET Composed by Edward Ma...(+)
(2+1.2.2.2/4.2.3.0,timp,p
erc,str) SKU:
TM.07473SET Composed
by Edward MacDowell. Set
Type: D. Set of parts.
Lucks Music Library
#A6436. Published by
Lucks Music Library
(TM.07473SET).
$125.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tristia, Op. 18 Nos. 1-3 Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2.2.2.4/4.2+2.3.1,timp,p erc,str,SATTBB chorus) SKU: TM.05081SC Composed...(+)
(2.2.2.4/4.2+2.3.1,timp,p
erc,str,SATTBB chorus)
SKU: TM.05081SC
Composed by Hector
Berlioz. Score. Lucks
Music Library #A2570.
Published by Lucks Music
Library (TM.05081SC).
2 of the
bassoons = ad lib.
Religious Meditation
(SATTBB chs), The Death
of Ophelia (SA chs),
Funeral March for the
last scene of Hamlet
(SATB chs). $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hamlet Op.116 Hal Leonard
(Study Score) SKU: HL.14079054 Chant du Monde. General Merchandise. Durat...(+)
(Study Score) SKU:
HL.14079054 Chant du
Monde. General
Merchandise. Duration 240
seconds. Hal Leonard
#CDMPH4582. Published by
Hal Leonard
(HL.14079054).
$21.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O vin, dissipe la tristesse from Hamlet Voix seule Prima Voce Editions
By Ambroise Thomas. For Baritone Voice. Opera. Sheet music. Published by Prima V...(+)
By Ambroise Thomas. For
Baritone Voice. Opera.
Sheet music. Published by
Prima Voce Editions
(French import).
$8.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ricordi Opera Anthology Voix Baryton, Piano Ricordi
Baritone, Piano Accompaniment (Baritone/Bass) SKU: HL.50602120 Bariton...(+)
Baritone, Piano
Accompaniment
(Baritone/Bass) SKU:
HL.50602120
Baritone. Composed
by Various. Edited by
Ilaria Narici. Vocal
Collection. Opera.
Softcover. 302 pages.
Ricordi #NR141592.
Published by Ricordi
(HL.50602120). ISBN
9781540064479. UPC:
888680966539. 9x12
inches. VINCENZO
BELLINI I puritani
Or dove fuggo io mai? -
Ah! per sempre io ti
perdei • GEORGES
BIZET Carmen Votre
toast, je peux vous le
rendre - Toréador,
en garde • GAETANO
DONIZETTI Don
Pasquale Bella
siccome un angelo •
L'elisir d'amore
Come Paride vezzoso
• La favorita
Sì, de' malvagi
invan - Vien, Leonora, a'
piedi tuoi •
Lucia di
Lammermoor Cruda,
funesta smania •
UMBERTO GIORDANO
Andrea
Chénier Nemico
della patria?! •
CHARLES GOUNOD
Faust Ô
sainte médaille -
Avant de quitter ces
lieux •
Roméo et
Juliette Mab, la
reine des mensonges
• GEORGE FRIDERIC
HANDEL Rinaldo
Sibilar gli angui
d'Aletto • RUGGERO
LEONCAVALLO
Pagliacci Si
può?... o
Zazà Zazà,
piccola zingara •
JULES MASSENET
Hérodiade
Ce breuvage - Vision
fugitive •
Thaïs
Voilà donc la
terrible cité
• CLAUDIO MONTEVERDI
Orfeo Tu se' morta
• WOLFGANG AMADEUS
MOZART Così fan
tutte Rivolgete a lui
lo sguardo • Donne
mie, la fate a tanti
• Don
Giovanni Fin ch'han
dal vino • Deh,
vieni alla finestra
• Le nozze di
Figaro Hai già
vinta la causa! -
Vedrò, mentr'io
sospiro • Die
Zauberflöte Der
Vogelfänger bin ich
ja • Ein
Mädchen oder
Weibchen • GIACOMO
PUCCINI Edgar
Questo amor, vergogna mia
• La fanciulla
del West Minnie,
dalla mia casa son
partito • Gianni
Schicchi Si corre dal
notaio • Il
tabarro
Nulla!...Silenzio!...
• Le Villi
No! possibil non è
- Anima santa •
GIOACHINO ROSSINI Il
barbiere di Siviglia
Largo al factotum della
città • La
Cenerentola Come
un'ape ne' giorni
d'aprile • PYOTR
IL'YICH TCHAIKOVSKY
Eugene Onegin Vy
mnje pisáli -
Kogdá by zhiz'n'
• AMBROISE THOMAS
Hamlet Ô
vin, dissipe la tristesse
• GIUSEPPE VERDI
Un ballo in
maschera Alzati! -
Eri tu che macchiavi
quell'anima • Don
Carlo Son io, mio
Carlo - Per me giunto
è il dì
supremo • I due
Foscari Eccomi solo
alfin- O vecchio cor, che
batti •
Falstaff È
sogno? o
realtà?...
Rigoletto Pari
siamo! o Cortigiani, vil
razza dannata •
La traviata Di
Provenza il mar, il suol
• Il
trovatore Tutto
è deserto - Il
balen del suo sorriso
• RICHARD WAGNER
Tannhäuser
Wie Todesahnung - O! du
mein holder
Abendstern. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hamlet [Conducteur] Noten Roehr
SKU: NR.111094 Bühnenmusik für SBar Soli und kleines Orchester, opus...(+)
SKU: NR.111094
Bühnenmusik für SBar
Soli und kleines
Orchester, opus 77,
1937-1938. Composed
by Sergei Sergeevich
Prokof'ev. Orchestra (10
and more instruments).
Score. Noten Roehr
#111094. Published by
Noten Roehr (NR.111094).
Pasternak,
Boris Leonidovich,
1890-1960, text, Radlova,
Anna Dmitrievna,
1891-1949, text,
Shakespeare, William,
1564-1616, text,
Orchestration: SBar soli,
1-1-1-1, 2-1-1-0,,
percussion, harmonium,
piano ad lib.,, strings
5-4-3-3-2. $76.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Prometheus (Symphonic Poem No. 5) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2.2/4.2.3.1,timp ,str) SKU: TM.05474SET Composed by Franz Liszt....(+)
(2+1.2+1.2.2/4.2.3.1,timp
,str) SKU:
TM.05474SET Composed
by Franz Liszt. Set Type:
D. Set of parts. Lucks
Music Library #A1645.
Published by Lucks Music
Library (TM.05474SET).
2 of the
bassoons = ad lib.
Religious Meditation
(SATTBB chs), The Death
of Ophelia (SA chs),
Funeral March for the
last scene of Hamlet
(SATB chs). $125.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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