Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Frederic Chopin (1810-1849). Collection for solo piano. 191 pages. Published by Alfred Publishing.

Composed by Frederic Chopin (1810-1849). Arranged by Daniel Scott. Music Sales America. Romantic Period. Collection (softcover). With fingerings (does not include words to the songs). 47 pages. Music Sales #AM71747. Published by Music Sales

Composed by Frederic Chopin (1810-1849), edited by Rafael Joseffy. For piano. Format: piano solo book. With introductory text and performance notes. Romantic period. 212 pages. 9x12 inches. Published by Schirmer.

By Frederic Chopin (1810-1849). For piano solo. This edition: French Edition. Classique. Anacrouse Collection. Score, Biography and notes on the works. Medium. Score

(Level 8). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork Classics. Masterwork. Late Intermediate. Book and CD. 56 pages. Published by Alfred Music Publishing

Piano

SKU: BR.EB-8031

Piano Lessons by Frederic Chopin. Composed by Frederic Chopin. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Romantic period. Score. 24 pages. Breitkopf and Haertel #EB 8031. Published by Breitkopf and Haertel (BR.EB-8031).

ISBN 9790004174340. 9 x 12 inches.

This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesserknown compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. When the aspiring pianist has dealt successfully with the works of Frederic Chopin for the first time, he will have left the elementary level of instruction behind. The following selection of easy pieces also requires security of technique and capability of musical expression in order to enable the florid sound of Chopin's piano music to unfold. As much as works like the Prelude in D flat major or the Walz in A minor may tempt one to premature endeavours, a study of Chopin's music should not be attempted too early. In the following five Preludes, the two Valses and the Nocturne in G minor (six Mazurkas have been published in a separate folio), the editor has made a selection of pieces, which can be mastered by the pupil (with the exception of opus 28/15 and opus 28/20), even if a limited facility and finger stretch is present. Because of the finger stretch required for some chords, a different distribution of the hands has been indicated or simplifications have been suggested. An introduction to the Tempo rubato, taking style into consideration, is a task lying within teacher's responsibility. Indications for pedal use were added by the editor. Heinz Walter, Salzburg, Fall 1979.

Chamber Music Piano, Trumpet

SKU: PR.114419070

Composed by Martin Amlin. With Standard notation. 20+16 pages. Duration 9 minutes. Theodore Presser Company #114-41907. Published by Theodore Presser Company (PR.114419070).

ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.

Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .

(Revised and Updated Edition) Compiled by Jerry Willard. Guitar solo book (spiral bound) for classical guitar solo. With standard guitar notation. 256 pages. Published by Music Sales.

Grade 3

SKU: CL.012-3539-01

Composed by Frederic Chopin. Arranged by Huckeby. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR341). Extra full score. Composed 2006. Duration 3 minutes, 39 seconds. Opus III Wind Orchestra Publications #012-3539-01. Published by Opus III Wind Orchestra Publications (CL.012-3539-01).

One of Frederic Chopin's best known works, Prelude, Op. 28, No. 4, presents emotion-packed performance opportunities for bands at all levels. This new Ed Huckeby transcription for band provides an almost literal translation of Chopin's original work with tremendous musical challenges in both the interpretive and dynamic realms, providing the ensemble an opportunity to explore musical possibilities which might be less attainable in a more technical piece. The recognizable melodic and harmonic structures will make this piece a real hit with concert audiences and provides an opportunity to teach the musical styles of the greatest 19th century composer of piano music. Great music!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Piano Solo

SKU: AP.36-M268391

Composed by Camille Saint-Saens. Performance Music Ensemble. Master Piano Series. Book. LudwigMasters Publications #36-M268391. Published by LudwigMasters Publications (AP.36-M268391).

ISBN 9781621563488. UPC: 660355137570. English.

Saint-Saen s' Opus 111 was first published in 1899, and each of the six etudes are dedicated to a different piano virtuoso. Etudes: 1. Tierces majeures et mineures 2. Traits chromatiques 3. Prelude et Fugue 4. Les Cloches de Las Palmas 5. Tierces majeures chromatiques 6. Toccata.

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