| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Near the Cross Chorale 3 parties SAB, Piano [Octavo] Lorenz Publishing Company
(A Suite for Lent or Holy Week). By Lloyd Larson. For SAB choir, piano and narra...(+)
(A Suite for Lent or Holy
Week). By Lloyd Larson.
For SAB choir, piano and
narrator (with optional
flute, clarinet, digital
keyboard, descant,
congregation). Worship
Works. Holy Week, Lent,
Palm Sunday, Sacred.
Sacred Anthem
$3.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| How Deep The Father's Love For Us (with Jesus Keep Me Near The Cross) Chorale 3 parties SSA, Piano [Octavo] PraiseSong
Arranged by Mark A. Brymer. Octavo for SSA choir and piano accompaniment. With c...(+)
Arranged by Mark A.
Brymer. Octavo for SSA
choir and piano
accompaniment. With chord
names. Choral. F/G Major.
8 pages. Published by
PraiseSong.
(1)$2.65 $2.5175 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3-Chord Hymns for Guitar Paroles et Accords Hal Leonard
(Play 30 Hymns with 3 Easy Chords!). By Various. For Guitar. Guitar Collection. ...(+)
(Play 30 Hymns with 3
Easy Chords!). By
Various. For Guitar.
Guitar Collection.
Softcover. 32 pages.
Published by Hal Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Near the Cross Cloches - Facile Hope Publishing Company
By William H. Doane. Edited by Michael Perry. Arranged by Joel Raney and Arnold ...(+)
By William H. Doane.
Edited by Michael Perry.
Arranged by Joel Raney
and Arnold Sherman.
Handbell choir. For 3-5
octave handbells
w/optional 3 octave
handchimes. Hymntune.
Sacred. Grade 2 . 8
pages. Published by Hope
Publishing Company
$6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Alfred's Basic Piano Course - Hymn Book Complete Levels 2 and 3
Piano seul [Partition] - Facile Alfred Publishing
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Leth...(+)
For the Later Beginner.
By Willard A. Palmer,
Morton Manus, and Amanda
Vick Lethco. For Piano.
Piano Method. Alfred's
Basic Piano Library.
Sacred. Book. 48 pages.
Published by Alfred
Publishing.
(1)$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| E-Z Play Today #65. Hymns with 3 Chords Piano Facile - Facile Hal Leonard
By Various Composers. E-Z Play Today (Easy big-note right-hand-only arrangements...(+)
By Various Composers. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 64 pages.
Published by Hal Leonard
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The William Bay Collection - Sacred Guitar Solo Anthology #2 Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M). ISBN
9781737795353. 8.75X11.75
inches. This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Near the Cross Orgue [Partition] - Intermédiaire Lorenz Publishing Company
(Holy Week Reflections for Organ). By Robert Hebble (1934-). For organ. Holy Wee...(+)
(Holy Week Reflections
for Organ). By Robert
Hebble (1934-). For
organ. Holy Week.
3-staff. Sacred organ
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let Me Walk with Thee Orgue - Intermédiaire Lorenz Publishing Company
(Artistic Organ Settings of Enduring Meditative Hymns). By James Southbridge. Fo...(+)
(Artistic Organ Settings
of Enduring Meditative
Hymns). By James
Southbridge. For organ:
3-staff. Sacred.
Intermediate. Published
by Lorenz Publishing
Company
$21.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Remember Calvary Chorale 3 parties SAB, Piano [Vocal Score] Hope Publishing Company
Composed by Various. Arranged by Joel Raney. For SAB choir, piano. Adult Easter ...(+)
Composed by Various.
Arranged by Joel Raney.
For SAB choir, piano.
Adult Easter Musical.
Vocal score. Published by
Hope Publishing Company
$12.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Near the Cross Cloches Lorenz Publishing Company
Handbells (2-3 octaves) - Moderately Easy SKU: LO.20-1045L Composed by Do...(+)
Handbells (2-3 octaves) -
Moderately Easy SKU:
LO.20-1045L Composed
by Douglas E. Wagner.
Lent, Sacred. Handbell
score. Lorenz Publishing
Company #20/1045L.
Published by Lorenz
Publishing Company
(LO.20-1045L). UPC:
000308026740. The
William Doane tune which
poignantly brings to mind
the Fanny Crosby text is
sensitively and elegantly
captured in this setting.
For use anytime
throughout the church
year, but especially
effective during the Lent
and Easter seasons. $5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ringing His Praises Cloches - Facile Hal Leonard
Handbells - Grade 3 SKU: HL.3770437 Handbells. Composed by Janis M...(+)
Handbells - Grade 3
SKU: HL.3770437
Handbells.
Composed by Janis Mather.
Miscellaneous. Southern
Music Percussion.
Christian, General
Worship, Sacred. 32
pages. Hal Leonard #B313.
Published by Hal Leonard
(HL.3770437). UPC:
884088704445.
8.5x11.0x0.164
inches. This
collection of easier hymn
arrangements, limited to
two octaves and in
progressive order, has
been compiled and
arranged by Janis Mather.
It is dedicated to each
handbell ringer who
performs these works,
that he or she may be
inspired to use these
pieces to the honor and
the glory of the Lord so
that His Gospel may be
proclaimed through this
music. $19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Love Is This? SAB Chorale 3 parties SAB, Piano Lorenz Publishing Company
Choral, cantatas. Eastertide, Lent. Choral score. Lorenz Publishing Company #55...(+)
Choral, cantatas.
Eastertide, Lent. Choral
score. Lorenz Publishing
Company #55/1187L.
Published by Lorenz
Publishing Company
(LO.55-1187L).
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Be A Star! Hymns, Book 3 Piano seul FJH
Arranged by Kevin Costley. Sight-Reading. Intervallic Reading Series. Book. Publ...(+)
Arranged by Kevin
Costley. Sight-Reading.
Intervallic Reading
Series. Book. Published
by The FJH Music Company
Inc (FJ.FJH2306).
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Popular Hymns, Level 3
Piano seul - Facile Kjos Music Company
By James Bastien. (Bastien Supplementary Books). Bastien Piano. Hymns. Level: L...(+)
By James Bastien.
(Bastien Supplementary
Books). Bastien Piano.
Hymns. Level: Level 3.
Music Book. Published by
Neil A. Kjos Music
Company.
(2)$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Near the Cross Jubal House Publications
Vocal Solos Set for Medium Voice Piano Accompaniment; Vocal Solo (Music For Voic...(+)
Vocal Solos Set for
Medium Voice Piano
Accompaniment; Vocal Solo
(Music For Voice) SKU:
HL.364391 Vocal
Solos for Holy
Week/Communion.
Composed by Edwin M.
Willmington. Jubal House.
General Worship, Sacred,
Traditional. Softcover.
20 pages. Jubal House
Publications #JH-1560.
Published by Jubal House
Publications (HL.364391).
UPC: 840126958843.
9.0x12.0x0.11
inches. Near the
Cross is a set of 3 vocal
solo compositions
particularly suited for
use during Holy Week or
Communion services. Using
memorable melodies and
interesting
accompaniments, these
pieces, Keep Me Near the
Cross, Jesus Carried the
Cross and Daily Grace,
focus on the grace of God
provided through the
sacrifice of Christ on
the cross. These medium
voice solos also offer
options for the
congration to solo C
instruments to join at
various movements. $15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Near the Cross - Facile Hope Publishing Company
Cello; handbell; violin - Level 2 SKU: HP.2548P Composed by William H. Do...(+)
Cello; handbell; violin -
Level 2 SKU:
HP.2548P Composed by
William H. Doane.
Arranged by Arnold B.
Sherman and Joel Raney.
Hymntune, Lent, Sacred.
String Parts. 6 pages.
Hope Publishing Company
#2548P. Published by Hope
Publishing Company
(HP.2548P). UPC:
763628225483. Ephesians
1:6, Galatians 6:14,
Isaiah 55:1, John 19:25,
Luke 23:47-49, Mark
13:37, Matthew 10:8,
Matthew 27:54, Revelation
22:16, 2 Corinthians
5:20-21, 2 Corinthians
6:1-10. Lenten Hymn
tune Fanny Crosby's hymn
text, Near the Cross, is
a meaningful, devotional
prayer that is especially
useful for the Lenten
season or communion
service. Joel Raney
captured its spiritual
essence in a piano solo
that Arnold B. Sherman
has now adapted for 3-5
octaves handbells and 3
octaves of optional
handchimes. The addition
of strings (Violin 1 & 2,
Cello or Synth)added by
Joel Raney, makes this an
enthralling musical
experience. $22.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Nearer to the Cross Cloches MorningStar Music Publishers
Handbells SKU: MN.30-301 Composed by Sharon Elery Rogers. Lent. Handbell ...(+)
Handbells SKU:
MN.30-301 Composed by
Sharon Elery Rogers.
Lent. Handbell score.
MorningStar Music
Publishers #30-301.
Published by MorningStar
Music Publishers
(MN.30-301). UPC:
688670303012. Incor
porates RATHBUN and NEAR
THE CROSS. Melodious,
lush harmonies. Varied
techniques: LV, optional
use of mallets, shakes,
and accented melodies.
2-3 octaves (20, 28
bells). $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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