(Sleep Peacefully). Composed by Northeast Brazilian Lullaby. Arranged by Ken Litton. For Choral, Violin (SATB W/ VIOLIN). Harold Flammer. 16 pages. Published by Shawnee Press

By Matt Maher. By Jon Guerra and Matt Maher. Arranged by Ken Litton. Shawnee Sacred. Christmas. Octavo. Duration 235 seconds. Published by Shawnee Press

Choral (SAB Choir)

SKU: HL.1104101

Composed by Ken Litton. Shawnee Sacred. Communion, Easter, General Worship, Holy Week, Sacred. Octavo. Duration 150 seconds. Published by Shawnee Press (HL.1104101).

UPC: 196288101819. 6.75x10.5x0.019 inches. Mark 14:17-25.

The example of Christ's servanthood at the Last Supper is expressed in this poignant anthem. A precious, almost fragile melody carries this elegant scripture-based lyric in loving arms, and the thinner texture allows for the words to truly speak to the listener.

Composed by Ken Litton. Shawnee Sacred. Christmas Sacred. Octavo. 8 pages. Published by Shawnee Press

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488A

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Part(s). 60 pages. Edition Peters #98-EP68488A. Published by Edition Peters (PE.EP68488A).

ISBN 9790300758909. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488).

ISBN 9790300758893. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)