| Kids Play Easy Solo Trombone [Partition + CD] - Débutant De Haske Publications
Trombone BC/TC - very easy, easy SKU: BT.DHP-1012700-400 Composed by Fons...(+)
Trombone BC/TC - very
easy, easy SKU:
BT.DHP-1012700-400
Composed by Fons Van
Gorp. Kids Play. . .
Educational Tool. Book
with CD. Composed 2001.
44 pages. De Haske
Publications #DHP
1012700-400. Published by
De Haske Publications
(BT.DHP-1012700-400).
ISBN 9789043114530.
International. Kids
Play Easy Solos is an
exciting first play-along
book containing 16 pieces
in a variety of styles
including classical,
dance, romantic, rock and
reggae. The book includes
a backing CD that can be
used for practising,
performing to parents or
friends or in your first
school concert.
Zestien
eenvoudige soloâ??s in
verschillende stijlen.
Kids Play Easy Solo kan
ook naast de methode
Horen, lezen and spelen
worden
gebruikt.
16
interessante moderne Soli
in verschiednen
Stilrichtungen mit
Begleitung auf CD für
junge Spieler. Kids
play Easy Solo kann
auch parallel zur
Instrumentalschule
Hören, Lesen and
Spielen verwendet
werden.
Kids Play
Easy Solo contient seize
morceaux de styles
variés spécialement
composés pour proposer
aux très jeunes fl
tistes un premier contact
avec de délicieuses
pièces de concert.
Kids Play Easy
Solos è
unâ??emozionante
pubblicazione che
contiene 16 pezzi in una
variet di stili tra cui
la musica classica, la
danza, il rock e il
reggae. Il libro include
un CD che può essere
utilizzato per la
pratica, per
lâ??esecuzione davanti
ad amici o in un primo
concerto. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231). ISBN
9781491153314. UPC:
680160910816. Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Play Your Favourite Songs Trombone De Haske Publications
Trombone - very easy, easy SKU: BT.DHP-1002231-401 By Jaap Kastelein, Mic...(+)
Trombone - very easy,
easy SKU:
BT.DHP-1002231-401 By
Jaap Kastelein, Michiel
Oldenkamp, and Philip
Sparke. By Traditional.
Look, Listen and Learn.
Educational Tool. Book
Only. Composed 2000. 24
pages. De Haske
Publications #DHP
1002231-401. Published by
De Haske Publications
(BT.DHP-1002231-401).
ISBN 9789043108553.
English. A
fantastic collection of
well-known tunes from
traditional to classical.
The pieces have been
ordered by level of
difficulty and are
designed to correspond
with the Look, Listen and
Learn method book 1.
These melodies are also
suitable for use with any
method book as additional
solo material.
A
partire dalla seconda
lezione del primo volume
del metodo Ascolta, leggi
and suona, lâ??allievo
può cominciare a
scoprire il volume Play
Your Favourite Songs
contenente arie
tradizionali, scritte in
maniera semplice per i
principianti. Suoner
così brani che vanno
di pari passo con le
difficolt di scrittura
delle lezioni del metodo,
ma si esibir sentendosi
un piccolo solista con
tanti brani scritti
appositamente per
imbastire un primo
repertorio. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Basic Steps: Warm-Up, Phrasing and Styles for Wind Band Orchestre d'harmonie - Débutant Schott
Parts concert band - very easy to easy SKU: HL.49018995 Set of Parts(+)
Parts concert band - very
easy to easy SKU:
HL.49018995 Set of
Parts. Composed by
Bernhard Hofmann, Jiggs
Whigham, and Renold
Quade. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Softcover. 716
pages. Schott Music
#ED20910-10. Published by
Schott Music
(HL.49018995). ISBN
9783795754945. UPC:
888680927080.
9.5x12.5x2.0
inches. These
exercises and pieces will
help wind ensembles focus
their concentration on
the perception and
implementation of refined
playing techniques.
Practicing music
playfully will help
students get the hang of
contemporary music. Basic
Steps will cover the
following topics:
Warm-up, intonation,
chord colours,
articulation and rhythm
with a particular
emphasis on the genre of
Swing. This will be
accompanied by compact
orchestra etudes as well
as short pieces. Set of
parts - 1 Piccolo, 2
Flute 1, 2 Flute 2, 1
Oboe, 1 F English Horn, 1
Oboe, 1 Eb Clarinet, 3 Bb
Clarinet 1, 3 Bb Clarinet
2, 3Bb Clarinet 3, 1 Eb
Alto Clarinet, 1 Bb Bass
Clarinet, 1 Eb Alto
Saxophone 1, 1 Eb Alto
Saxophone 2, 1 Bb Tenor
Saxophone 1, 1 Bb Tenor
Saxophone 2, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 3 Bb
Trumpet 4, 1 F Horn 1, 1
F Horn 2, 1 F Horn 3, 1 F
Horn 4, 1 Trombone 1, 1
Trombone 2, 1 Trombone 3,
1 Trombone 4 (Bass
Trombone), 1 Baritone 1,
1 Baritone 2, 1 Baritone
1 (Bb Tenorhorn 1), 1
Baritone 2 (Bb Tenorhorn
2), 3 Tuba, 1
E-Bass-Tuba, 1 E-Bass, 1
Percussion (Xylophone), 1
Percussion 1 (Bongos,
Congas, Pandeiro), 1
Percussion 2 (Tambourine,
Cabassa). 1 Percussion 3
(Triangle, Cabassa), 1
Percussion 4 (Shaker), 1
Drums, 1 Harmonic
Reference - wind
band. $290.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easier Together – Recorders 1 2 Flûte à bec (duo) EMB (Editio Musica Budapest)
Recorder Duet SKU: HL.50605352 Short and Easy Duos for Two or More Rec...(+)
Recorder Duet SKU:
HL.50605352 Short
and Easy Duos for Two or
More Recorders.
Edited by Peter
Peré and nyi. EMB.
Children, Classical,
Folk, Hungarian.
Softcover. 52 pages.
Editio Musica Budapest
#Z20101. Published by
Editio Musica Budapest
(HL.50605352). ISBN
9781705180303. UPC:
196288106203. Both
volumes of Easier
Together - Recorders
contain short and easy
duos that can be
performed by beginners
either with their
teachers or with more
advanced learners. The
pieces progress gradually
from easier ones to more
difficult works. This
collection of recorder
duos can also, with some
supplementary material,
be used as a recorder
method. In these volumes,
the musical experience of
two-part playing is
further enriched by the
use of different recorder
types: where indicated,
the lower part can be
played not only on
soprano recorder but also
on alto, tenor, or even
sopranino recorder. Some
pieces include harmonic
indications, so an
accompaniment can be
improvised alongside the
two recorder parts. The
process of learning and
practicing is
additionally supported by
a fingering chart and
articulation marks for
tonguing, with new
musical elements
highlighted in the score.
Trombone and recorder
teacher Péter
Perényi (b. 1954) was
for many years the head
of the wind department at
the Bence Szabolcsi Music
School in Budapest. He
has held several training
courses for recorder
teachers, and the
recorder gatherings he
organised in Budapest
gave rise to the National
László Czidra
Recorder Competition. He
is the author and editor
of several publications
on wind pedagogy,
including methods for
trombone and
recorder. $23.95 - Voir plus => Acheter | | |
| Easier Together – Recorders 2 2 Flûte à bec (duo) EMB (Editio Musica Budapest)
Recorder Duet SKU: HL.50605471 Short and Easy Duos for Two or More Rec...(+)
Recorder Duet SKU:
HL.50605471 Short
and Easy Duos for Two or
More Recorders.
Composed by Various.
Edited by Peter
Peré and nyi. EMB.
Children, Classical,
Folk, Hungarian.
Softcover. 68 pages.
Editio Musica Budapest
#Z20102. Published by
Editio Musica Budapest
(HL.50605471). ISBN
9781705189450. UPC:
196288125204. Both
volumes of Easier
Together - Recorders
contain short and easy
duos that can be
performed by beginners
either with their
teachers or with more
advanced learners. The
pieces progress gradually
from easier ones to more
difficult works. This
collection of recorder
duos can also, with some
supplementary material,
be used as a recorder
method. In these volumes,
the musical experience of
two-part playing is
further enriched by the
use of different recorder
types: where indicated,
the lower part can be
played not only on
soprano recorder but also
on alto, tenor, or even
sopranino recorder. Some
pieces include harmonic
indications, so an
accompaniment can be
improvised alongside the
two recorder parts. The
process of learning and
practicing is
additionally supported by
a fingering chart and
articulation marks for
tonguing, with new
musical elements
highlighted in the score.
Trombone and recorder
teacher Péter
Perényi (b. 1954) was
for many years the head
of the wind department at
the Bence Szabolcsi Music
School in Budapest. He
has held several training
courses for recorder
teachers, and the
recorder gatherings he
organized in Budapest
gave rise to the National
László Czidra
Recorder Competition. He
is the author and editor
of several publications
on wind pedagogy,
including methods for
trombone and
recorder. $29.45 - Voir plus => Acheter | | |
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