| ARKA - 3 Rituale (Full Score) Voix basse, Piano [Conducteur] Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| International Inventory of Musical Sources, Series A/1 Barenreiter
SKU: BA.BVK09502 Individual prints before 1800. Edited by RISM. RI...(+)
SKU: BA.BVK09502
Individual prints
before 1800. Edited
by RISM. RISM A/I,
Database on CD-ROM.
Database on CD-ROM with a
user manual. CD-ROM. 31
pages. Baerenreiter
Verlag #BVK09502_00.
Published by Baerenreiter
Verlag (BA.BVK09502).
ISBN 9783761895023.
18.8 x 14 cm inches. Text
Language: German,
English. Preface:
Christoph
Wolff. The CD-ROM
of RISM series A/I:
Individual Prints before
1800 makes available the
world's largest source
collection of printed
musical works for the
first time in electronic
form. The CD-ROM offers
scholars, musicians,
librarians and music
antiquarians - in short,
all people and
institutions that work
with musicalsources -
significant assistance
for researching
historical musical
prints. For the
CD-ROM, the contents of
the nine main volumes
have been converted into
a database and expanded
with new entries from the
supplementary volumes.
Composer names, library
sigla and catalogues of
works have been matched
with the standard
versions used in series
A/II: Music Manuscripts
after 1600, brought
up-to-date and linked
with the corresponding
authority files. The
contents of these
authority files, with
many cross-references,
precise citations and
library adresses, often
with a link to their
website, are now
available to users. In
addition, keywords
relating to genre and,
where possible,
instrumentation, have
been included. In total,
the database contains
over 100,000
entries.
The
advantage of the CD-ROM
lies in its ability to
search all titles using
terms in a full text
search and separate
indices. The search
functions are far
superior to what is
traditionally available
in a book index. Answers
can be found to questions
such asWhich operas were
published in London
between
1711-1759?andWhich single
prints by Joseph Haydn
were published by
Artaria?
- All
entries are displayed in
full text and are
oriented in structure to
thetitles in the printed
volumes. -
Transferring text to a
separate document is
possible. - Display on
a standard
browser
System
requirements: Intel
Pentium 4 2 GHz or AMD
Athlon XP 1800+processor
or faster; 512 MB-1 GB
RAM (depending on the
operating system); CD-ROM
or DVD-ROM drive; Windows
2000 with Service Pack 4,
Windows XP with Service
Pack 1 or later, Windows
Vista or Windows 7
operating system; Firefox
3.0 or Internet Explorer
6.0 or
higher
Installatio
n: Installation will
begin automatically or
can be activated by
clicking on the file
SETUP.EXE on the
CD/DVD-ROM drive.
$779.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wagner R Musikdramen Bilderzyklus Schott
(KASSETTE) SKU: HL.49020155 Ein Bilder-Zyklus. Composed by Richard...(+)
(KASSETTE) SKU:
HL.49020155 Ein
Bilder-Zyklus.
Composed by Richard
Wagner. Book. Edition
Schott. Schott Music #AQ
1001. Published by Schott
Music (HL.49020155).
Ferdinand
Leeke. Ferdinand
Leeke (1859-1923) was the
creator of a serial of
paintings showing scenes
from the operas of
Richard Wagner.These
images provide much more
than a simple
illustration of Wagner's
music dramas. Like no
other artist Leeke
managed to create the
exact atmosphere that
Wagner had established by
his compositions.The
works by Leeke are
exhibited in several
well-established
art-museums, as for
example the Neue
Pinakothek in Munich and
the Richard Wagner Museum
in Bayreuth.In 1899 the
prominent Bavarian
printer Franz Hanfstaengl
made copper plates from
the original pictures. In
a highly complicated
procedure Franz
Hanfstaengl produced the
printing plates to
transform Leeke's images
into photogravures.These
photogravures printed
from the original plates
are assorted in an
exclusive folder that is
produced only in a
limited edition of 970
pieces worldwide.Every
handpulled picture an
originalThe art of
etching and handcopper
prints is regarded as one
of the oldest and
finestprinting
techniques.In case of
etching the motif is
etched by the artist
directly into the
copperplate, with
heliogravure the image
has been engraved by
using a complicated and
extremly difficult
photographic and
handicraft
procedure.Printing is
done on heavy
handmade-paper. Today, as
500 years ago, the
copperplate is still
carefully re-inked by
hand and then cleaned
with wide-meshed gauze
balls, for only when the
ink lies deep in the
impressions the print
will possess the velvety
tones and fragile lines
so characteristic of old,
valuable engravings.The
print is produced by
pressing the plate under
the pressroller with a
pressure of around 16
tons. For every single
print the entire
procedure has to be
repeated.To a greater
extent than with wooden
engravings, the artistic
quality of etchings and
copper engravings /
heliogravures is
dependent on the
handicraft skills and the
aesthetic sensitivity of
the printer.This special
way of printing has been
done by Hanfstaengl
publishers since 1833.
Through the precise
application and remova!
of ink, the
carefully-considered
choice of paper and the
use of the hand press,
the printing specialists
create a precious
original with every
page. $615.95 - Voir plus => Acheter | | |
| Trois Nouvelles Etudes Piano seul [Conducteur] Peters
3 Etudes pour la Methode des Methodes. Composed by Frederic Chopin (1810-1849)...(+)
3 Etudes pour la Methode
des
Methodes. Composed by
Frederic Chopin
(1810-1849).
Piano (Solo). The
Complete
Chopin - A New Critical
Edition. Score. Edition
Peters #EP73229.
Published
by Edition Peters
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Clarinet Method op. 63 Band 2: No. 34-52 Clarinette [Partition + CD] - Facile Schott
Volume 2, Nos. 34-52 - Book with 2 CDs - Revised Edition. Composed by Car...(+)
Volume 2, Nos. 34-52 -
Book with 2 CDs - Revised
Edition. Composed by
Carl Baermann
(1810-1885). Edited by
Robert Erdt. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind Method.
Die Klarinettenschule op.
63 von Carl Baermann aus
dem Jahr 1867 gilt noch
heute als das
Standardwerk in der
klassischen
Klarinettenausbildung.
Die grundlegend
uberarbeitete Neuausgabe
hat sich zum Ziel
gesetzt, das padagogische
Konzept, das heute immer
n. Educational,
Classical. Edition with 2
CDs, Softcover with CD.
Op. 63. 84 pages. Schott
Music #ED21762-50.
Published by Schott Music
(HL.49044754).
$33.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Felix Mendelssohn Bartholdy, Thematic-Systematic Catalogue of the Musical Works (MWV) Breitkopf & Härtel
SKU: BR.BV-317 Study Edition. Composed by Ralf Wehner. Edited by R...(+)
SKU: BR.BV-317
Study Edition.
Composed by Ralf Wehner.
Edited by Ralf Wehner.
Linen. Buchverlag
Breitkopf & Hartel (Music
Books). Awarded the
German Music Edition
Prize 2010 Romantic
period. Complete Works.
684 pages. Breitkopf and
Haertel #BV 317.
Published by Breitkopf
and Haertel (BR.BV-317).
ISBN 9783765103179. 7
x 11 inches. How
vast is Mendelssohn's
oeuvre? Most of his
approx. 750 compositions
were still unpublished in
the 1960s. The
publication of many early
works within the
framework of the Complete
Edition has been
gratefully noted by the
musical world. Yet a
scholarly, scientific
overview of Mendelssohn's
works was still missing.
He was the last great
composer of the 19th
century without a
complete work catalogue.
Ralf Wehner's thematic
catalogue closes this
gap.It organizes the body
of works into 26 groups
and assigns each work its
own MWV number. Within
the groups, the
individual pieces are
arranged chronologically.
Also included in the MWV
are all known collective
manuscripts and prints,
information on works of
dubious authenticity and
on Mendelssohn's
arrangements, as well as
his editions of works by
other composers. Wehner's
work is based on the
examination of material
and information from more
than 1,500 libraries, c.
15,000 auction catalogues
and about 12,000 letters.
The succinct account of
the history of the work,
its publication and
reception gives the MWV
its profile as a compact
study edition.An overview
on the MWV numbering
system you will find on
the webiste of the
Sachsische Akademie der
Wissenschaften zu
Leipzig. $224.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Anthology of Impressionistic Piano Music Piano seul [Partition] - Intermédiaire/avancé Alfred Publishing
Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition...(+)
Edited by Maurice Hinson.
For Piano. Piano
Collection. Alfred
Masterwork Edition.
Masterwork. Level:
Intermediate / Early
Advanced. Book. 208
pages. Published by
Alfred Publishing.
$25.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata IV für Klavier Piano seul Barenreiter
Piano SKU: PA.H07988 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano SKU:
PA.H07988 Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07988_00. Published by
Editio Baerenreiter Praha
(PA.H07988). ISBN
9790260104471. 31 x 23.5
cm inches. Piano
Sonata No. 4 from the
years 1962-1964 is
dedicated to the memory
of Fiser's friend, the
pianist Antonin Jemelik,
who died tragically. As a
tribute to their
friendship the composer
incorporated into the
introduction a quotation
from their favourite
work, Piano Sonata No.
10, Op. 70, by Alexander
Scriabin. The tragedy of
the death of the
composer's friend
pervades the emotionally
intense passage of unison
octaves which follows the
three-bar quotation. From
a compositional point of
view this work is a
masterpiece of the
mid-Sixties. Written as
one movement, the piece
is divided into numerous
mutually contrasting
segments which themselves
are clearly grouped into
two sections, exposition
and development. The
individual themes are
introduced in the first
section and thematically
expanded in the second
section. The motif
treatment lies almost
exclusively in the
fragmenting or curtailing
of the theme, or in the
use of a combination of
several themes, for the
most part brief and
eloquent. This
compositional method,
together with a clear-cut
manner of execution,
mainly semitonal melody
and sharply contrastive
dynamics, lends force and
transparency to the
piece. Piano Sonata No. 4
was completed in 1964
together with Symphonic
Fresco, Concerto da
camera for piano and
orchestra and Fifteen
Prints after Durer's
Apocalypse and has earned
its rightful place
alongside them as
masterpieces of Fiser's
oeuvre.
The work
was first performed by
Pavel Stepan in Prague's
Rudolfinum in 1965. The
new setting for this
piece is based on the
single edition to date
(Panton, 1969); only with
regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music). $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Carl Nielsen: Orchestral Studies For Trombone And Tuba Vol. 2 - Intermédiaire Wilhelm Hansen
Trombone and Tuba (Trombone) - Grade 4 SKU: HL.14022877 Composed by Carl ...(+)
Trombone and Tuba
(Trombone) - Grade 4
SKU: HL.14022877
Composed by Carl August
Nielsen. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 36 pages. Edition
Wilhelm Hansen #WH29710.
Published by Edition
Wilhelm Hansen
(HL.14022877). ISBN
9788759867280.
9.0x12.0x0.122 inches.
English. Throughout
the years there have been
many misprints, minor and
major, found in Carl
Nielsen's work. They
range from missing
staccato dots, accents,
tempo markings and
dynamic markings to
missing notes and wrong
notes. It has been the
editor's desire to
collect as many of these
misprints as possible in
these excerpts for
trombone and tuba.
Editorial corrections
have been referred to in
the text as well as
having been written out
or corrected in
brackets. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperbac...(+)
Mixed Voices a cappella
SKU: BT.EMBZ6725
Extended and revised
paperback edition.
Composed by Zoltan
Kodaly. Hymns & Chorals.
Book Only. Composed 1972.
404 pages. Editio Musica
Budapest #EMBZ6725.
Published by Editio
Musica Budapest
(BT.EMBZ6725).
Hungarian. ZoltÃ
ƒÂ¡n Kodály s
unaccompanied mixed
choruses first appeared
in print in 1943 as a
collected volume
published by the
association Magyar
Kórus. This collection
contained twenty-five
works. In 1951, the
volume was released again
in the author s edition,
being expanded with eight
new compositions, but
without Els áldozás
(First Communion).
Reprint editions of this
collection had been
distributed by Editio
Musica Budapest until
1972, when a
commemorative extended
edition of the mixed
choruses was issued,
edited by Lajos
Bárdos. Until now,
reprints of this
collection with
forty-five compositions
have been circulated.
Péter Erdei carefully
compared the printed
edition with
themanuscripts of the
works preserved at the
Kodály Archives. As a
result of his work, in
2011 we emended a number
of misprints, including
those that had been
inherited since the
earliest print.
Seventy-five years after
the first release, the
time has come for
Kodály s collected
choral works for mixed
voices to appear in a
completely new, expanded
edition. Our collection
contains six compositions
that were not included in
earlier editions:
Jövel, Szentlélek
eristen (Come, Holy
Spirit), Miatyánk (The
Lord s Prayer), Miserere,
Salló Pista, Semmit ne
bánkódjál (Do
Not Grieve), ejesztend t
köszönt (A
Christmas Carol). In
addition, two versions -
both equally authentic -
are published of the work
known under the title of
Naphimnusz (Canticle of
the Sun), due to earlier
editions the new release
comes with lyrics in
Hebrew and English
(Adoration), as well as
Dénes Szed s Hungarian
translation (Napének
[Hymn of the Sun]). This
is the most complete and
most authentic edition of
Kodály s mixed
choruses to date it is
printed in a slightly
larger format than
previous editions, and it
contains new
easily-legible music
scores and an informative
epilogue.
Diese
Ausgabe entstand unter
der Mitwirkung von Lajos
Bárdos. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices SKU: BT.EMBZ6725A Extended and Revised Cloth Bound Editio...(+)
Mixed Voices SKU:
BT.EMBZ6725A
Extended and Revised
Cloth Bound Edition.
By Péter Erdei. By
Zoltan Kodaly. Hymns &
Chorals. Book Hardcover.
Composed 2018. 404 pages.
Editio Musica Budapest
#EMBZ6725A. Published by
Editio Musica Budapest
(BT.EMBZ6725A).
Hungarian. ZoltÃ
ƒÂ¡n Kodály s
unaccompanied mixed
choruses first appeared
in print in 1943 as a
collected volume
published by the
association Magyar
Kórus. This collection
contained twenty-five
works. In 1951, the
volume was released again
in the author s edition,
being expanded with eight
new compositions, but
without Els áldozás
(First Communion).
Reprint editions of this
collection had been
distributed by Editio
Musica Budapest until
1972, when a
commemorative extended
edition of the mixed
choruses was issued,
edited by Lajos
Bárdos. Until now,
reprints of this
collection with
forty-five compositions
have been circulated.
Péter Erdei carefully
compared the printed
edition with
themanuscripts of the
works preserved at the
Kodály Archives. As a
result of his work, in
2011 we emended a number
of misprints, including
those that had been
inherited since the
earliest print.
Seventy-five years after
the first release, the
time has come for
Kodály s collected
choral works for mixed
voices to appear in a
completely new, expanded
edition. Our collection
contains six compositions
that were not included in
earlier editions:
Jövel, Szentlélek
eristen (Come, Holy
Spirit), Miatyánk (The
Lord s Prayer), Miserere,
Salló Pista, Semmit ne
bánkódjál (Do
Not Grieve), ejesztend t
köszönt (A
Christmas Carol). In
addition, two versions -
both equally authentic -
are published of the work
known under the title of
Naphimnusz (Canticle of
the Sun), due to earlier
editions the new release
comes with lyrics in
Hebrew and English
(Adoration), as well as
Dénes Szed s Hungarian
translation (Napének
[Hymn of the Sun]). This
is the most complete and
most authentic edition of
Kodály s mixed
choruses to date it is
printed in a slightly
larger format than
previous editions, and it
contains new
easily-legible music
scores and an informative
epilogue. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Sonatas for Piano F minor, A major, C major op. 2 Piano seul [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback.
Performance score,
anthology. Opus 2.
Published by Baerenreiter
Verlag (BA.BA10859).
$38.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lieder mit Klavierbegleitung Op. 10 Bis Op. 29 Schott
Piano; Voice (Score) SKU: HL.49045562 Strauss Werke Complete Edition B...(+)
Piano; Voice (Score)
SKU: HL.49045562
Strauss Werke Complete
Edition Band 2.
Composed by Richard
Strauss. Edited by
Andreas Pernpeintner.
This edition:
Hardback/Hard Cover.
Sheet music. Edition
Schott. Classical.
Hardcover. Composed
1885-1895. 336 pages.
Schott Music #RSW202.
Published by Schott Music
(HL.49045562). ISBN
9783901974052.
German. Richard
Strauss (1864–1949),
the composer of
large-scale operas and
tone poems, also wrote
lieder throughout his
life. His entire oeuvre
stretching over a period
of 78 years is framed by
lied compositions: the
Weihnachtslied dating
from December 1870 (the
secondentry in the
chronological catalogue
of Strauss's works) and
the lied Malven written
in November 1948
(StraussÂ’s last
completed composition).
His lied compositions
include lieder with piano
accompaniment, genuine
orchestral lieder and
subsequent
orchestrationsof original
lieder with piano.
Strauss frequently
conducted his own operas
and orchestral works and
also gave public
performances ofhis lieder
both as pianist and
conductor. As was
customary in the concert
practice of the time, he
combined lieder with
larger-scaleworks: it was
not uncommon for tone
poems and lieder to
appear on the same
programme. Music
publishing houses were
active in the
dissemination of Strauss
lieder across the world:
in the first prints, the
early lieder were
published in their
original register, mostly
only with German texts,
but numerous editions
were subsequently issued
for other vocal registers
or with additional texts
in English, later also in
French, Italian and
Russian translations. The
broad spectrum was
rounded off by
arrangements of lieder
(such as purely
instrumental piano
arrangements by Max Reger
and Walter Gieseking),
arrangements and
orchestrations by other
composers andlieder
albums containing
collections of Strauss
lieder not ordered
chronologically according
to their opus numbers.
The fact that Strauss is
to this day one of the
most frequently performed
composers is not only due
to his operas and tone
poems, but also his
lieder, particularly the
most treasured
favourites. A number of
these pieces are
contained in this volume:
Zueignung op. 10 No.
1,Nichts op. 10 No. 2,
Die Nacht op. 10 No. 3,
Allerseelen op. 10 No. 8,
Ständchen op. 17 No.
2, Ruhe, meine Seele! op.
27 No. 1, Cäcilie op.
27 No. 2, Heimliche
Aufforderung op. 27 No.
3, Morgen! op. 27 No. 4
and Traum durch die
Dämmerung op. 29 No.
1. $338.00 - Voir plus => Acheter | | |
| Sonata III für Klavier Piano seul Barenreiter
Piano SKU: PA.H07957 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano SKU:
PA.H07957 Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07957_00. Published by
Editio Baerenreiter Praha
(PA.H07957). ISBN
9790260104464. 31 x 23.5
cm inches. Piano
Sonata No. 3 was written
in 1960 during the
composer's studies at
HAMU (Music Faculty of
the Academy of Performing
Arts in Prague) under
Emil Hlobil. The first
half of the 1960s was the
period during which
Fiser's musical language
underwent fundamental
change as he rapidly
cultivated his own,
distinctive style,
established in Fifteen
Prints after Durer's
Apocalypse. This sonata
thus also includes
several essential traits
which shift his
compositional development
further. The work has two
movements, however, its
internal structure
abandons traditional
form. The piece is
divided into several
short, mutually
contrasting sections,
whereby the distinctions
between the adjacent
parts are emphasised by
the thematic and chordal
treatment. These
contrasts are also
supported by the chosen
dynamics, tempo and other
expressional means. The
harmony is largely based
on traditional chords or
their condensed form
while, in certain
passages, we will
nevertheless come across
semitone clusters or
fourth chords. The melody
is still chiefly
diatonic; at times Fiser
uses chromatic sequences.
These new elements in
Sonata No. 3 indicate an
attempt to simplify his
writing and ensure
greatest transparency and
impact. This endeavour
became a basic
characteristic of Fiser's
compositions from the
mid-1960s onwards.
The sonata
originally bore the
postscript Fantasia,
which was subsequently
taken out by the
composer. It was first
performed by Ales Bilek
in 1961. The new setting
for this piece is based
on the single edition to
date (Panton, 1967); only
with regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music). $28.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Harpsichord/piano (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-10...(+)
Harpsichord/piano (solos:
SSATB - choir: SATB - str
- bc(hps)) SKU:
BR.EOS-1062-12
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; stapled. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-12. Published
by Breitkopf and Haertel
(BR.EOS-1062-12). ISBN
9790004785621. 8.5 x 11.5
inches. The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier). $20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Violin 1 (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-15 ...(+)
Violin 1 (solos: SSATB -
choir: SATB - str -
bc(hps)) SKU:
BR.EOS-1062-15
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; folded. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-15. Published
by Breitkopf and Haertel
(BR.EOS-1062-15). ISBN
9790004785638. 8.5 x 11.5
inches. The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier). $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Violin 2 (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-16 ...(+)
Violin 2 (solos: SSATB -
choir: SATB - str -
bc(hps)) SKU:
BR.EOS-1062-16
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; folded. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-16. Published
by Breitkopf and Haertel
(BR.EOS-1062-16). ISBN
9790004785645. 8.5 x 11.5
inches. The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier). $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ode for St. Cecilia's Day 1683 Z 339 Breitkopf & Härtel
Viola (solos: SSATB - choir: SATB - str - bc(hps)) SKU: BR.EOS-1062-19 (+)
Viola (solos: SSATB -
choir: SATB - str -
bc(hps)) SKU:
BR.EOS-1062-19
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; stapled. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-19. Published
by Breitkopf and Haertel
(BR.EOS-1062-19). ISBN
9790004785652. 8.5 x 11.5
inches. The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier). $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Bianca Da Molena: Music to the Drama 'The White Dove' by Jozefat Nowinski PWM (Polskie Wydawnictwo Muzyczne)
Score SKU: HL.254195 The Works of Mieczyslaw Karlowicz - Volume III(+)
Score SKU:
HL.254195 The
Works of Mieczyslaw
Karlowicz - Volume
III. Composed by
Mieczyslaw Karlowicz.
PWM. Classical.
Hardcover. 98 pages.
Polskie Wydawnictwo
Muzyczne #11624010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.254195). 9.5x12.25
inches. Extensive
introduction presented in
Polish, German, and
English. This edition of
the works of Mieczyslaw
Karlowicz is based on
critically examined
sources. The aim of the
edition is to present the
composer's original text
as authentically as
possible. This is not an
easy task. The source
materials of Karlowicz's
music are very diverse in
nature. Apart from most
of the songs, the
composer prepared for
printing and published in
his lifetime the
following: Serenade for
string orchestra Op. 2,
Prelude and Fugue Op. 5,
Concerto in A major for
violin and orchestra Op.
8, Returning Waves Op. 9
and Eternal Songs Op. 10.
Being highly experienced
in writing for a symphony
orchestra, and
knowledgeable in the
modern method of
instrumentation in the
neoromantic style, he
prepared his scores with
great care. The remaining
symphonic poems were not
published before the
composer's death; and
theRebirth Symphony, the
manuscript of which
miraculously survived the
ravages of World War II,
was issued only in 1993,
as part of the present
Complete Works edition.
During this war the
autographs of the most
compositions by
Karlowicz, including all
his symphonic poems
(except for The Sorrowful
Tale), were lost. The
present publication,
therefore, is based as a
rule on the first
editions, compared with
extant autographs or
authorized copies of the
scores. The amendments of
misprints or self-evident
mistakes on the part of
the composer are not
indicated graphically in
the text but referred to
in the Editorial
Notes. $68.00 - Voir plus => Acheter | | |
| We Are Music of the King Shawnee Press
Choral (Score & Parts) SKU: HL.35025071 Composed by Joseph M. Martin. Sha...(+)
Choral (Score & Parts)
SKU: HL.35025071
Composed by Joseph M.
Martin. Shawnee Sacred.
Print on demand -
publisher prints this
title after order is
received. General
Worship. Shawnee Press
#LB5760. Published by
Shawnee Press
(HL.35025071). UPC:
747510062783. 9x14
inches. A bold
declaration of purpose
for all Christians, this
inspiring anthem from
Joseph Martin poetically
states what it is that
God's children are called
to do. We are one
great alleluia. We
declare the risen
Christ... We must be a
hymn of healing... We
must share... love's
redeeming grace...
Triumphant and echoing
with confidence,
“We Are Music of
the King” says it
all – who we are
and why we are. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| From Bohemia's Woods and Fields Orchestre [Conducteur] - Intermédiaire Barenreiter
Orchestra (Fl-picc,2Fl,2Ob,2Clar,2b assoon,4Hn,2Trp,3Tromb,Tb ,Timp,Tri,Be,2V,Va...(+)
Orchestra
(Fl-picc,2Fl,2Ob,2Clar,2b
assoon,4Hn,2Trp,3Tromb,Tb
,Timp,Tri,Be,2V,Va,Vc,Db)
- Level 3 SKU:
BA.BA11533 Composed
by Bedrich Smetana.
Edited by Hugh MacDonald.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. From:
Má vlast / My Country.
Score. Baerenreiter
Verlag #BA11533_00.
Published by Baerenreiter
Verlag (BA.BA11533).
ISBN 9790260108059. 31
x 24.3 cm inches.
Preface: Mojzisova, Olga
/ Macdonald,
Hugh. The first
four symphonic poems from
Smetanaâ??s six-part
cycle Má vlast (My
Country) were written in
1874â??75 and arranged
for piano duet shortly
after the completion of
the fourth part, From
Bohemiaâ??s Woods and
Fields. All six parts
were issued for the first
time by the publisher
Urbánek, beginning
with the piano duet
arrangements
(1879-80).
The
score of From
Bohemiaâ??s Woods and
Fields was published by
Urbánek in 1881. Owing
to its many misprints,
Hugh Macdonald has based
his new edition on the
autograph score while
consulting the first
edition as well as the
autograph and print of
the composerâ??s own
version for piano
duet.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$56.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Episode at a Masquerade: Symphonic Poem for Orchestra, Op. 14 Orchestre PWM (Polskie Wydawnictwo Muzyczne)
Orchestra SKU: HL.215244 The Works of Mieczyslaw Karlowicz Volume 11(+)
Orchestra SKU:
HL.215244 The
Works of Mieczyslaw
Karlowicz Volume 11.
Composed by Mieczystaw
Karlowicz. PWM.
Classical. Hardcover. 140
pages. Polskie
Wydawnictwo Muzyczne
#11592010. Published by
Polskie Wydawnictwo
Muzyczne (HL.215244).
12.0x17.0x0.63
inches. Hardcover
full score. Text in
Polish, German, and
English. This edition of
the works of Mieczyslaw
Karlowicz is based on
critically examined
sources. It includes all
his compositions. The aim
of the edition is to
present the composer's
original text as
authentically as
possible. This is not an
easy task. The source
materials of Karlowicz's
music are very diverse in
nature. Apart from most
of the songs, the
composer prepared for
printing and published in
his lifetime the
following: Serenade for
Strings Op. 2, Prelude
and Fugue Op. 5, Concerto
in A major for Violin and
Orchestra Op. 8,
Returning Waves Op. 9 and
Eternal Songs Op. 10.
Being highly experienced
in writing for a symphony
orchestra, and
knowledgeable in the
modern method of
instrumentation in the
neoromantic style, he
prepared his scores with
great care. The remaining
symphonic poems were not
published before the
composer's death; and the
'Rebirth' Symphony, the
manuscript of which
miraculously survived the
ravages of World War II,
was issued only in 1993,
as part of the present
Complete Works edition.
During this war the
autographs of the most
compositions by
Karlowicz, including all
his symphonic poems
(except for The Sorrowful
Tale), were lost. The
present publication,
therefore, is based as a
rule on the first
editions, compared with
extant autographs or
authorized copies of the
scores. The amendments of
misprints or self-evident
mistakes on the part of
the composer are not
indicated graphically in
the text but referred to
in the Editorial
Notes. $112.00 - Voir plus => Acheter | | |
| Die Geburt Christi Chorale SATB - Facile Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli,
SATB/SATB choir, SSA
children's choir,
congregation, oboe, 2
violins, viola, cello,
contrabass, organ, armo -
Level 2 SKU:
CA.4019606 Composed
by Heinrich von
Herzogenberg. Children's
choir. Sacred vocal
music, Oratorios,
Christmas. Choral Score.
Op. 90. 4 pages. Carus
Verlag #CV 40.196/06.
Published by Carus Verlag
(CA.4019606). ISBN
9790007181482. Language:
German. The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score available
separately - see item
CA.4019600. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Geburt Christi Chorale SATB [Conducteur et Parties séparées] - Facile Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli,
SATB/SATB choir, SSA
children's choir,
congregation, oboe, 2
violins, viola, cello,
contrabass, organ, armo -
Level 2 SKU:
CA.4019619 Composed
by Heinrich von
Herzogenberg. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Christmas. Set of
Orchestra Parts. Op. 90.
Carus Verlag #CV
40.196/19. Published by
Carus Verlag
(CA.4019619). ISBN
9790007133146. Language:
German. The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score and parts available
separately - see item
CA.4019600. $150.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Geburt Christi Chorale SATB - Facile Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli,
SATB/SATB choir, SSA
children's choir,
congregation, oboe, 2
violins, viola, cello,
contrabass, organ, armo -
Level 2 SKU:
CA.4019608 Composed
by Heinrich von
Herzogenberg.
Congregation. Sacred
vocal music, Oratorios,
Christmas. Single Part,
Gemeinde. Op. 90. 4
pages. Carus Verlag #CV
40.196/08. Published by
Carus Verlag
(CA.4019608). ISBN
9790007076221. Language:
German. The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score and part available
separately - see item
CA.4019600. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Geburt Christi Chorale SATB - Facile Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli,
SATB/SATB choir, SSA
children's choir,
congregation, oboe, 2
violins, viola, cello,
contrabass, organ, armo -
Level 2 SKU:
CA.4019605 Composed
by Heinrich von
Herzogenberg. Sacred
vocal music, Oratorios,
Christmas. Choral Score.
Op. 90. 40 pages. Carus
Verlag #CV 40.196/05.
Published by Carus Verlag
(CA.4019605). ISBN
9790007064877. Language:
German. The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score available
separately - see item
CA.4019600. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |