| Rhythmicity (10 Competition Solos For Timpani) Timbales - Débutant Kendor Music Inc.
By Murray Houllif. For timpani solo. Timpani Solo. Grade 1-3. Published by Kendo...(+)
By Murray Houllif. For
timpani solo. Timpani
Solo. Grade 1-3.
Published by Kendor Music
Inc
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Just a Matter of Time Timbales - Avancé Tapspace Publications
(for solo timpani). Composed by Jamieson Carr. For timpani solo (5 timpani). Adv...(+)
(for solo timpani).
Composed by Jamieson
Carr. For timpani solo (5
timpani). Advanced.
Folio. 8 pages. Duration
6'00 . Published by
Tapspace Publications
$16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 10 Intermediate Timpani Solos Timbales - Intermédiaire Kendor Music Inc.
By John H. Beck. For Timpani Solo (Unaccompanied). Timpani Solo. Level: Grade 3-...(+)
By John H. Beck. For
Timpani Solo
(Unaccompanied). Timpani
Solo. Level: Grade 3-4.
Published by Kendor Music
Inc.
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solos for the Percussion Player (Percussion / Piano) Batterie et Piano Schirmer
By Various. Arranged by John O'Reilly. Percussion Collection. Size 9x12 inches. ...(+)
By Various. Arranged by
John O'Reilly. Percussion
Collection. Size 9x12
inches. 48 pages.
Published by G. Schirmer.
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Command Performances for Percussion Caisse Claire [Partition] Alfred Publishing
(Competition Solos for Snare Drum, Marimba and Timpani). By Anthony J. Cirone. F...(+)
(Competition Solos for
Snare Drum, Marimba and
Timpani). By Anthony J.
Cirone. For Snare Drum.
Percussion - Snare Drum
Solo or Collection.
Percussion Solo Series.
Level: Intermediate Plus.
Book. 36 pages. Published
by Alfred Publishing.
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Tragedy of a Young Soldier Timbales [Conducteur] - Avancé Tapspace Publications
(suite for solo timpani). By Chris Walker. Timpani Solo. For 5 timpani, gong (1 ...(+)
(suite for solo timpani).
By Chris Walker. Timpani
Solo. For 5 timpani, gong
(1 player). Percussion
Solos. Advanced. Score.
12 pages. Duration 10'40
. Published by Tapspace
Publications
$18.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concertino Classico for Flute and Concert Band Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Anglo Music
(Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band, Flute. ...(+)
(Grade 4 - Score and
Parts). By Philip Sparke
(1951-). For Concert
Band, Flute. Anglo Music
Concert Band. Grade 4.
Anglo Music Press
#AMP288010. Published by
Anglo Music Press
$129.00 $122.55 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Titus KV 621 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera seria in two acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edit...(+)
(Opera seria in two
acts). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Franz Giegling. For 4
soprano voice solos,
tenor voice solo, bass
voice solo, mixed choir,
2 flutes, 2 oboes, 2
clarinets, bass clarinet,
basset horn, 2 bassoons,
2 horns, 2 trumpets,
timpani, strings, basso
continuo. This edition:
Complete edition, Urtext
edition. Linen. New
Mozart Edition. Series
II, Section 5/20. Score.
Language: Italian. KV
621. Duration 2 hours.
Published by Baerenreiter
Verlag
$308.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Le comte Ory Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien...(+)
(Opera in two acts).
Composed by Gioachino
Rossini (1792-1868).
Edited by Damien Colas.
For soprano voice solo/5
mezzo-soprano voice
solos/4 tenor voice
solos/4 baritone voice
solos/mixed choir/female
choir/men's
choir/orchestra (flute/2
flutes/2 oboe/2
clarinet/2 bassoon/4
horn/2 trumpet/3
trombone/timpani/percussi
on/2
violins/viola/cello/keybo
ard). This edition:
Edition of selected
works, Urtext edition.
Linen. Works of Gioachino
Rossini 5a b. Score.
Language: France, Text
Language:
France/English/Italian.
Published by Baerenreiter
Verlag
$1604.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Woodwinds (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wi...(+)
Woodwinds (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-30
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Set of
parts. Composed 1780. 56
pages. Duration 20'.
Breitkopf and Haertel #OB
5329-30. Published by
Breitkopf and Haertel
(BR.OB-5329-30). ISBN
9790004333563. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $71.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata Misericordium, Op. 69 Soli, choeur mixte et accompagnement [Vocal Score] Boosey and Hawkes
By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x1...(+)
By Benjamin Britten.
(Vocal Score). Boosey and
Hawkes Large Choral. Size
7.25x10.25 inches. 45
pages. Published by
Boosey and Hawkes.
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| How Beautiful Chorale [Feuillet] Hope Publishing Company
By Twila Paris. Arranged by Lloyd Larson. For Medium Voice. Communion, Contempor...(+)
By Twila Paris. Arranged
by Lloyd Larson. For
Medium Voice. Communion,
Contemporary, Wedding,
Commemoration, Cross of
Christ, Discipleship,
Good Friday, Life of
Christ, Lord's Supper,
Maundy Thursday,
Sacrifice, Unity,
General, Lent, Sacred.
Single. Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rochambeaux Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
By Brian S. Mason. Percussion Ensemble. For 3 vibraphones, 3 marimbas (low A), t...(+)
By Brian S. Mason.
Percussion Ensemble. For
3 vibraphones, 3 marimbas
(low A), timpani, bass
guitar, drum set, djembe,
vibra slap, 4 suspended
cymbals, crotales (1
octave), mark tree,
triangle, African claves,
2 gong drums, 2 shekeres,
woodblock. An additional
marimba can be used for
lead/solo setup. (10 or
11 players). Level:
Advanced. Full score and
CD-Rom (containing
printable parts).
Duration 4:00. Published
by Tapspace Publications.
$45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Idomeneo Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Opera seria in 3 acts. Vocal Score (Italian/German) based on the Urtext of the N...(+)
Opera seria in 3 acts.
Vocal Score
(Italian/German) based on
the Urtext of the New
Mozart Edition. By
Wolfgang Amadeus Mozart.
Edited by Heartz, Daniel.
Arranged by Kluge,
Hans-Georg. For Soprano
solo (2), Soprano/ Tenor
solo, Tenor solo (3),
Bass solo, Mixed Choir,
Ball, Piccolo, Flute (2),
Oboe (2), Clarinet (b
flat) (2), Bassoon (2),
Horn (4), Trumpet (2),
Trombone (3), Kettledrum,
Strings, Basso continuo.
Piano Reduction/Vocal
Score; Urtext Edition
(hard bound). KV 366.
Duration 210`. Published
by Baerenreiter-Ausgaben
(German import). (BA4562
90)
$91.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Encryptions GIA Publications
SKU: GI.G-CD-872 GIA WindWorks Series (featuring the North Texas Wind ...(+)
SKU: GI.G-CD-872
GIA WindWorks Series
(featuring the North
Texas Wind Symphony).
Composed by Eugene M.
Corporon. GIA WindWorks.
Music Education. CD. GIA
Publications #872.
Published by GIA
Publications
(GI.G-CD-872). UPC:
785147087229. New
in the GIA WindWorks
series... Contents:
Scarecrow Overture (2004)
- Double Play (2010) -
Divertimento for Brass
and Percussion (1958)
Overture - Scherzo - Song
- Slovak Dance - Crossing
Parallels - Tango
Variations (2009) -
Arctic Dreams (1991)
Inuit Landscape - Throat
Singing with Laughter -
Whispering Voice - Polar
Night - Spring Light -
The Hunt - Drum Dancer
What critics say about
the North Texas Wind
Symphony... Audio
Magazine: The
performances are expert,
and the
sound—which ranges
from single wind
instrument solos to a
full band replete with
thundering timpani and
bass drum that can be
felt through a
subwoofer—is as
good as it gets.
There’s a
remarkable combination of
presence and stage depth.
Fanfare Magazine: The
group is in a class all
its own...Hats off to
them...If you
don’t respond to
the music or to the
performances (I’m
sorry for you, if
that’s the case),
surely the
audiophile-worthy
engineering will get you.
Corporon and his North
Texas Wind Symphony are
almost in a league of
their own.
—American Record
Guide May/June 2012. $15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| How Beautiful Voix duo [Vocal Score] Hope Publishing Company
Composed by Twila Paris. Arranged by Lloyd Larson. For medium high voice and low...(+)
Composed by Twila Paris.
Arranged by Lloyd Larson.
For medium high voice and
low voice duet. Sacred
non-seasonal. Vocal
score. Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| A Child's Christmas in Wales Chorale SATB Peters
By Harris M. For tenor solo, SATB, 1 (piccolo) 1 (english horn) 11 2100 timpani,...(+)
By Harris M. For tenor
solo, SATB, 1 (piccolo) 1
(english horn) 11 2100
timpani, hp, strings. A
Christmas cantata based
on Dylan Thomas' poem A
Child's Christmas in
Wales. Duration 28'.
Published by C.F. Peters.
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoo...(+)
Orchestra SSATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, cello/contrabass -
Grade 3 SKU:
CA.4048314 Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314). ISBN
9790007218799. Key: E
flat major. Language:
Latin. The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SATB -
0.2.0.2. - 0.2.3.0. -
timp - org - str(without
va)) SKU:
BR.PB-5329
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Full score.
Composed 1780. 68 pages.
Duration 20'. Breitkopf
and Haertel #PB 5329.
Published by Breitkopf
and Haertel (BR.PB-5329).
ISBN 9790004210420. 10
x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $51.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Organ (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(withou...(+)
Organ (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-11
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 16 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-11.
Published by Breitkopf
and Haertel
(BR.OB-5329-11). ISBN
9790004333525. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $18.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 2 (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-16
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-16.
Published by Breitkopf
and Haertel
(BR.OB-5329-16). ISBN
9790004333549. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - tim...(+)
Basso (cello/double bass)
(solos: SATB - choir:
SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-26.
Published by Breitkopf
and Haertel
(BR.OB-5329-26). ISBN
9790004333556. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))...(+)
(solos: SATB - choir:
SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.CHB-5289-02
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Chor-Bibliothek (Choral
Library). Mass;
Classical. Choral score.
Composed 1780. 44 pages.
Duration 20'. Breitkopf
and Haertel #ChB 5289-02.
Published by Breitkopf
and Haertel
(BR.CHB-5289-02). ISBN
9790004412046. 7.5 x 10.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 1 (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-15
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-15.
Published by Breitkopf
and Haertel
(BR.OB-5329-15). ISBN
9790004333532. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mass in G major D 167 Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 0.2ob. or 2clar...(+)
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.2ob. or
2clar.2 - 0.2.0.0 - timp
- org - str) SKU:
BR.CHB-5242-02
Revised New Edition
1995 - Urtext.
Composed by Franz
Schubert. Choir; stapled.
Chor-Bibliothek (Choral
Library). Until the
late 20th century, Franz
Schubert's most popular
early mass was often
performed with strings
alone. However, a set of
parts written by Schubert
himself was discovered in
the 1980s in
Klosterneuburg. Mass;
Romantic. Choral score.
20 pages. Duration 25'.
Breitkopf and Haertel
#ChB 5242-02. Published
by Breitkopf and Haertel
(BR.CHB-5242-02). ISBN
9790004411810. 7.5 x 10.5
inches. Up to now,
Schuberts most popular
early mass has often been
performed with strings
alone. The wind parts
added to the autograph by
Ferdinand Schubert at a
later date were
considered inauthentic.
Today, over a century
later, the set of parts
written by Franz Schubert
himself has been
rediscovered in
Klosterneuburg. It
contains parts for
trumpet and timpani which
are thus clearly
authorized by the
composer. There is also a
figured organ part, which
guarantees that the
continuo can now be
realized without
misinterpretation.Eine
hochst interessante
Variante! Das
ausfuhrliche Vorwort
informiert genau uber die
Entstehungsgeschichte des
Werkes. (RB, Musica
Sacra)Es lohnt sich,
dieses weitgehend
unbekannte Werk einmal
aufzufuhren. (Das
Liebhaberorchester) Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mass in G major D 167 Breitkopf & Härtel
Viola (solos: STB - choir: SATB - 0.2ob. or 2clar.2 - 0.2.0.0 - timp - org - str...(+)
Viola (solos: STB -
choir: SATB - 0.2ob. or
2clar.2 - 0.2.0.0 - timp
- org - str) SKU:
BR.OB-5285-19
Revised New Edition
1995 - Urtext.
Composed by Franz
Schubert. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. Mass;
Romantic. Part. 8 pages.
Duration 25'. Breitkopf
and Haertel #OB 5285-19.
Published by Breitkopf
and Haertel
(BR.OB-5285-19). ISBN
9790004332191. 10 x 12.5
inches. Up to now,
Schuberts most popular
early mass has often been
performed with strings
alone. The wind parts
added to the autograph by
Ferdinand Schubert at a
later date were
considered inauthentic.
Today, over a century
later, the set of parts
written by Franz Schubert
himself has been
rediscovered in
Klosterneuburg. It
contains parts for
trumpet and timpani which
are thus clearly
authorized by the
composer. There is also a
figured organ part, which
guarantees that the
continuo can now be
realized without
misinterpretation.Eine
hochst interessante
Variante! Das
ausfuhrliche Vorwort
informiert genau uber die
Entstehungsgeschichte des
Werkes. (RB, Musica
Sacra)Es lohnt sich,
dieses weitgehend
unbekannte Werk einmal
aufzufuhren. (Das
Liebhaberorchester) Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mass in G major D 167 Breitkopf & Härtel
Basso (cello/double bass) (solos: STB - choir: SATB - 0.2ob. or 2clar.2 - 0.2.0....(+)
Basso (cello/double bass)
(solos: STB - choir: SATB
- 0.2ob. or 2clar.2 -
0.2.0.0 - timp - org -
str) SKU:
BR.OB-5285-26
Revised New Edition
1995 - Urtext.
Composed by Franz
Schubert. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. Mass;
Romantic. Part. 8 pages.
Duration 25'. Breitkopf
and Haertel #OB 5285-26.
Published by Breitkopf
and Haertel
(BR.OB-5285-26). ISBN
9790004332207. 10 x 12.5
inches. Up to now,
Schuberts most popular
early mass has often been
performed with strings
alone. The wind parts
added to the autograph by
Ferdinand Schubert at a
later date were
considered inauthentic.
Today, over a century
later, the set of parts
written by Franz Schubert
himself has been
rediscovered in
Klosterneuburg. It
contains parts for
trumpet and timpani which
are thus clearly
authorized by the
composer. There is also a
figured organ part, which
guarantees that the
continuo can now be
realized without
misinterpretation.Eine
hochst interessante
Variante! Das
ausfuhrliche Vorwort
informiert genau uber die
Entstehungsgeschichte des
Werkes. (RB, Musica
Sacra)Es lohnt sich,
dieses weitgehend
unbekannte Werk einmal
aufzufuhren. (Das
Liebhaberorchester) Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mass in G major D 167 Breitkopf & Härtel
Violin 1 (solos: STB - choir: SATB - 0.2ob. or 2clar.2 - 0.2.0.0 - timp - org - ...(+)
Violin 1 (solos: STB -
choir: SATB - 0.2ob. or
2clar.2 - 0.2.0.0 - timp
- org - str) SKU:
BR.OB-5285-15
Revised New Edition
1995 - Urtext.
Composed by Franz
Schubert. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. Mass;
Romantic. Part. 8 pages.
Duration 25'. Breitkopf
and Haertel #OB 5285-15.
Published by Breitkopf
and Haertel
(BR.OB-5285-15). ISBN
9790004332177. 10 x 12.5
inches. Up to now,
Schuberts most popular
early mass has often been
performed with strings
alone. The wind parts
added to the autograph by
Ferdinand Schubert at a
later date were
considered inauthentic.
Today, over a century
later, the set of parts
written by Franz Schubert
himself has been
rediscovered in
Klosterneuburg. It
contains parts for
trumpet and timpani which
are thus clearly
authorized by the
composer. There is also a
figured organ part, which
guarantees that the
continuo can now be
realized without
misinterpretation.Eine
hochst interessante
Variante! Das
ausfuhrliche Vorwort
informiert genau uber die
Entstehungsgeschichte des
Werkes. (RB, Musica
Sacra)Es lohnt sich,
dieses weitgehend
unbekannte Werk einmal
aufzufuhren. (Das
Liebhaberorchester) Until the late 20th
century, Franz Schubert's
most popular early mass
was often performed with
strings alone. However, a
set of parts written by
Schubert himself was
discovered in the 1980s
in Klosterneuburg. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
Page suivante 1 31 |