Concert band - Grade 3

SKU: CL.012-4196-75

Composed by Wasson. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR378). Oversized, spiral-bound score. Composed 2013. Duration 2 minutes, 46 seconds. Opus III Wind Orchestra Publications #012-4196-75. Published by Opus III Wind Orchestra Publications (CL.012-4196-75).

Curtain Call was originally composed for the Dallas Brass as part of a collection of works entitled Brass Grooves. Though originally written for 5 brass players and percussionist, it really comes to life in this sparkling concert band setting! Every section in the band is featured and it is also an excellent choice for community bands. Conceived as a tribute to all the great finales, encores and reprises written for the stage, Curtain Call is a flashy, energetic flag-waver that is sure to be the perfect ending for your concert!

Hal Leonard Student Piano Library. Educational Piano Library. Softcover. Size 9x12 inches. 56 pages. Published by Hal Leonard.

Seasonal Collection for Recorders. By Janet Day. (Book and CD pak). Music Express Books. Size 8.5x11 inches. 40 pages. Published by Hal Leonard.

Vocal Selections from the Apple Original Film. Composed by Pasek and Paul. Vocal Selections. Christmas, Movies. Softcover. 136 pages. Published by Hal Leonard

Conductor book - Grade 3

SKU: CL.DBI-BG1001-01

Advanced. Composed by Wasson. Ensemble. C.L. Barnhouse #DBI-BG1001-01. Published by C.L. Barnhouse (CL.DBI-BG1001-01).

A collection of 12 original compositions by Dallas Brass arranger and composer, John Wasson. The pieces are written in a variety of music styles, Swing, Salsa, Blues, Reggae, Funk, and Broadway. They are scored for brass quintet and drums, but will also work for brass alone. Fun to listen to and even more fun to play, the difficulty level is appropriate for accomplished high school players on up. Accessible in regard to range, endurance and technique, these pieces will challenge each musician to play with good articulation, intonation and rhythm - all essential elements of any musical style. The collection is also great for gigging quintets! The COMPLETE SET includes books for: Director, Trumpet I, Trumpet II, Horn, Trombone, Tuba, Drums, and Trombone/Baritone/ Trumpet III substitute for Horn. Plus a full performance CD recorded by the Dallas Brass CONTENTS: Senor Salsa, Balloon Ride, Next Stop Funksville, Basically Basie, Surfside, Swingtime, Hearland, Catwalk Blues, Island Holiday, The Hipster, Beyond The Clouds, Curtain Call.

COMPLETE SET - Grade 3

SKU: CL.DBI-BG1001-00

Advanced. Composed by Wasson. Ensemble. C.L. Barnhouse #DBI-BG1001-00. Published by C.L. Barnhouse (CL.DBI-BG1001-00).

A collection of 12 original compositions by Dallas Brass arranger and composer, John Wasson. The pieces are written in a variety of music styles, Swing, Salsa, Blues, Reggae, Funk, and Broadway. They are scored for brass quintet and drums, but will also work for brass alone. Fun to listen to and even more fun to play, the difficulty level is appropriate for accomplished high school players on up. Accessible in regard to range, endurance and technique, these pieces will challenge each musician to play with good articulation, intonation and rhythm - all essential elements of any musical style. The collection is also great for gigging quintets! The COMPLETE SET includes books for: Director, Trumpet I, Trumpet II, Horn, Trombone, Tuba, Drums, and Trombone/Baritone/ Trumpet III substitute for Horn. Plus a full performance CD recorded by the Dallas Brass CONTENTS: Senor Salsa, Balloon Ride, Next Stop Funksville, Basically Basie, Surfside, Swingtime, Hearland, Catwalk Blues, Island Holiday, The Hipster, Beyond The Clouds, Curtain Call.

(Forty Very Easy Original Keyboard Pieces) Edited by Denes Agay. For piano. Format: easy piano solo book. With fingerings. Renaissance, baroque, classical period and romantic period. 32 pages. 9x12 inches. Published by Music Sales.

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit) - grade 5

SKU: CN.S11230

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score only. Duration 3:00. Published by G & M Brand Music Publishers (CN.S11230).

Music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In Wagner's own words - awaken the mute lines of this score to bright surrounding life.

In a letter addressed to My dear Liszt, dated May 1852, Richard Wagner writes: It was you who awakened the mute lines of this score to bright surrounding life. He was referring to a performance of his opera Lohengrin which Franz Liszt conducted at the Weirner Court Theatre on August 28, 1850. The letter was sent from Zurich, since Wagner was exiled from Germany at this time. He had completed his romantic opera, Lohengrin, some five years earlier but doubted whether he would ever hear it performed. The action takes place in Antwerp in the first half of the 10th century. Elsa and Lohengrin are to be married and the 3rd Act opens as they proceed in great splendour, accompanied by their respective noblewomen and noblemen, to the cathedral. As a Prelude to the curtain rising Wagner unleashed music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In the opera this magnificent Prelude leads directly into the Bridal Scene as Elsa and Lohengrin make their way solemnly to the betrothal ceremony. Wagner achieves this change of mood and atmosphere most skillfully. In arranging the Prelude for concert performance the challenge was to provide an ending which provides a satisfactory climax to Wagner's blaze of instrumental colour, without proceeding to the solemn betrothal music. This was resolved by using the composer's own mighty flourish to end Act I of his opera. Now, the gauntlet is thrown down to all who perform it to - in Wagner's own words - awaken the mute lines of this score to bright surrounding life..

Voice and piano

SKU: BR.EB-8881

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881).

ISBN 9790004184714. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Choral (ChoirTrax CD)

SKU: HL.249677

Composed by Joseph M. Martin. Brookfield Choral Series. General Worship, Sacred. CD. Duration 230 seconds. Published by Brookfield Press (HL.249677).

UPC: 888680712372. 5.0x5.0x0.15 inches. Acts 1:8, Mark 16:15, Matthew 28:19-20, Romans 10:13-14.

In this anthem based on the Great Commission, the opening curtain-raising gesture in the accompaniment is a call to purpose, introducing a hymn-like tune in strong unison. A powerful song of commitment and discipleship, this one would be a thoughtful option for festival choirs, or a perfect choice for missions and evangelism-based services. Inspiring! Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-3, tba, perc 1-3, hp, pno, vn 1-2, va, vc, db) available as a digital download.

Voice and piano

SKU: BR.EB-8882

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8882. Published by Breitkopf and Haertel (BR.EB-8882).

ISBN 9790004184721. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

SATB choir & chamber ensemble (2 violins, cello, bass, chamber organ) - Moderately Difficult

SKU: OU.9780193527478

Composed by Francesco Durante. Edited by John Rutter. Choral Works (inc. Oratorios). Oxford Choral Classics. Sacred. Full score. 32 pages. Oxford University Press #9780193527478. Published by Oxford University Press (OU.9780193527478).

ISBN 9780193527478. 12 x 9 inches.

For SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Durante's artful Magnificat has long been misattributed to his pupil Pergolesi. Durante's vocally richer five-voice version has been chosen for Sacred Choruses and merits performance as an alternative to the familiar four-voice version.

Voice and piano

SKU: BR.EB-8873

Repertoire Collection. Composed by Marina (Hrsg.) Peter Anton und Sandel Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8873. Published by Breitkopf and Haertel (BR.EB-8873).

ISBN 9790004184639. 9 x 12 inches. German / English.

,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8872

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 152 pages. Breitkopf and Haertel #EB 8872. Published by Breitkopf and Haertel (BR.EB-8872).

ISBN 9790004184622. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8871

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 132 pages. Breitkopf and Haertel #EB 8871. Published by Breitkopf and Haertel (BR.EB-8871).

ISBN 9790004184615. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8880

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 156 pages. Breitkopf and Haertel #EB 8880. Published by Breitkopf and Haertel (BR.EB-8880).

ISBN 9790004184707. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Choral (SAB Choir)

SKU: HL.365106

Composed by Diane Hannibal. Arranged by Stacey Nordmeyer. Daybreak Choral Series. Communion, Easter, General Worship, Lent, Sacred. Octavo. Duration 200 seconds. Published by Daybreak Music (HL.365106).

UPC: 840126960853. 6.75x10.5x0.029 inches. Colossians 3:15, Luke 24:30, Psalm 23:5.

With a pristine quote from the classic hymn tune BREAD OF LIFE, this piece raises the curtain on a winsome invitation to the Lord's Supper. Mercy and forgiveness draw the seeker in lovely melodic strains that rise and fall like a prayer as the anthem unfolds. A lush and satisfying chorus showcases the timbre of the choir while passionately calling the faithful to “Bring every burden, bring every need... to the table of peace.” Highly recommended!