| 122 Bicinia from the 16th century EMB (Editio Musica Budapest)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós Andr...(+)
Voice a Cappella SKU:
BT.EMBZ14732
Compiled and edited by
Soós András.
Classical. Book Only.
Composed 2012. 80 pages.
Editio Musica Budapest
#EMBZ14732. Published by
Editio Musica Budapest
(BT.EMBZ14732).
Hungarian-English-Germ
an-French. This
collection, similarly to
the publication entitled
111 bicinia from the 15th
century (EMB 14478),
contains longer and
shorter two-part excerpts
from polyphonic
ecclesiastical choral
works, for pedagogical
and liturgical use. As
teaching material, on the
one hand it introduces
and notes in brief
textual definitions the
characteristics of each
given excerpt: on the
other hand, it provides
easily usable examples
for teaching music
history, solfege and
counterpoint (practice of
intervals, score-reading,
dictation, stylistic
exercises, etc.) At the
same time the movements,
which also function as
independent units, can be
quickly learnt, and may
on occasions add colour
to themusical palette of
the liturgy by
introducing material that
can be performed even by
a children's choir. The
volume consists mainly of
excerpts taken from Mass
movements and Magnificats
by Palestrina, Lassus,
Gombert, Clemens non Papa
and others. A separate
chapter is devoted to
chorale-based bicinia in
German, which were
already popular in the
initial period of
Evangelical church music.
Ähnlich der
Ausgabe 111 Bicinia aus
dem 15. Jahrhundert (EMB
14478) präsentiert
diese Sammlung für
theoretisch- und
praktisch-pädagogische
, bzw. liturgische Zwecke
mehr oder weniger lange
zweistimmige Ausschnitte
aus geistlichen
Chorwerken Sie stellt als
Lehrstoff einerseits die
musikalische
Charakteristika des
jeweiligen Ausschnittes
vor und registriert diese
in kurzen textlichen
Definitionen,
andererseits liefert sie
Beispiele für den
Unterricht der
Musikgeschichte, der
Solfege- und der
Kontrapunkt- Lehre
(Intervallübungen, des
Lesens vom Blatt, für
das Diktieren, für
Stilübung usw.), die
sich leicht erarbeiten
lassen. Gleichzeitig
können die auch als
eigenständige
Einheitfunktionierenden
Sätze schnell erlernt
werden. Sie bereichern
die musikalische Palette
der Liturgie (Messe und
Offizium) mit dem
fallweise auch vom
Kinderchor
aufführbaren
Stoff. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Freu Dich, Du Werte Christenheit: Motette Nach Johannes De Cleve Satb, German Chorale SATB - Intermédiaire Schott
Mixed choir (SATB) - intermediate SKU: HL.49044155 Motette nach Johann...(+)
Mixed choir (SATB) -
intermediate SKU:
HL.49044155
Motette nach Johannes
de Cleve. Composed by
Hermann Schroeder and
Johannes de Cleve. This
edition: Folding. Sheet
music. Choral. Octavo. 2
pages. Duration 5'.
Schott Music #C55267.
Published by Schott Music
(HL.49044155). ISBN
9790001191005.
German. Hermann
Schroeder (1904-1984) is
one of the most important
composers of Catholic
church music in the 20th
century. Apart from more
than 100 organ works and
masses, he also wrote
numerous motets. The
present four-part motet
Freu dich, du werte
Christenheit for mixed a
cappella choir (SATB) was
written in 1975. This old
Resurrection song from
the 16th century is based
on a setting by the
Franco-Flemish composer
Johannes des Cleve
(around 1529-1582) which
has been skillfully
transferred by Schroeder
to the modern age with
subtle harmonies. The
tenor voice sings the
cantus firmus and is
embedded in
archaic-seeming sounds
typical of Schroeder by
the other voices. This
three-verse Resurrection
song of about five
minutes is perfect for
church services at
Easter. $3.95 - Voir plus => Acheter | | |
| Ubers Gebirg Maria Geht Chorale SATB SATB A Cappella Hal Leonard
Choral (SSATB choir a cappella) SKU: HL.124647 (Over the Hills Mary Go...(+)
Choral (SSATB choir a
cappella) SKU:
HL.124647 (Over
the Hills Mary Goes).
Composed by Johannes
Eccard. Edited by John
Leavitt. Treasury Choral.
Advent, Christmas Sacred,
Concert, Festival,
German, Renaissance,
Sacred. Octavo. 8 pages.
Published by Hal Leonard
(HL.124647). UPC:
884088983772. 6.75x10.5
inches. The 16th
century German composer
Johannes Eccard was a
pupil of Orlando di Lasso
and an important figure
of the Protestant
reformation. This
five-voice partsong in
German will be a buoyant
and joyful addition to
traditional Christmas
concerts and madrigal
dinners. Includes English
translation. Duration:
ca. 1:40. $1.90 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fantasia on Es ist ein Ros entsprungen for Trombone Quartet Quatuor de cuivres: 4 trombones [Conducteur et Parties séparées] - Intermédiaire/avancé Cherry Classics
Arranged by Ronald Babcock. For Trombone Quartet. Traditional German Christmas. ...(+)
Arranged by Ronald
Babcock. For Trombone
Quartet. Traditional
German Christmas.
Moderately advanced.
Score and parts.
Published by Cherry
Classics
$22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| An Easter Song of Praise Chorale Unison Unison/2-parties, Piano [Octavo] Choristers Guild
By A Steven Taranto. For Unison/2-part choir and piano. Eastertide, Sacred. Sacr...(+)
By A Steven Taranto. For
Unison/2-part choir and
piano. Eastertide,
Sacred. Sacred Anthem.
Published by Chorister's
Guild.
(1)$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My Ladye Nevells Booke Barenreiter
(Facsimile British Library MS Mus. 1591). Edited by Oliver Neighbour. This editi...(+)
(Facsimile British
Library MS Mus. 1591).
Edited by Oliver
Neighbour. This edition:
Facsimile. Hardback.
Documenta Musicologica.
Series II, Volume 44 /
Barenreiter Facsimile.
Language: English/German.
414 pages. Published by
Baerenreiter Verlag
$284.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Turmmusik Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Potenza Music
Brass quintet SKU: P2.60005 Composed by Dagfinn Koch. Chamber music, 20th...(+)
Brass quintet SKU:
P2.60005 Composed by
Dagfinn Koch. Chamber
music, 20th century.
Published by Potenza
Music (P2.60005).
Turmmusik,
meaning tower music, is
music played from a
church tower by a local
band of musicians. It
originated in 16th
century Germany, where
the music performed was
usually a chorale played
by wind instrumentalists.
Brass performances were
the most common according
to the surviving music,
though all kinds of
instruments were featured
in turmmusik. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Regina caeli Chorale SATB SATB A Cappella CanticaNOVA Publications
Composed by Gregor Aichinger. Edited by Andrea Angelini. Text: Liturgy of the Ho...(+)
Composed by Gregor
Aichinger. Edited by
Andrea Angelini. Text:
Liturgy of the Hours.
Renaissance treasure.
Easter, Marian. Octavo.
Published by CanticaNOVA
Publications (C5.7080).
$1.75 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Child is Born Chorale 2 parties [Octavo] Ione Press
By Richard Wienhorst. For 2-part treble voices or 2-part women's voices (SA chil...(+)
By Richard Wienhorst. For
2-part treble voices or
2-part women's voices (SA
children or women),
piano, optional
handbells. Christmas.
Octavo. 16 pages.
Published by Ione Press
Octavo Christmas
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In Unity and Love Chorale SATB SATB, Orgue Subito Music
SATB Chorus & Organ SKU: SU.90880040 For SATB Chorus & Organ. Comp...(+)
SATB Chorus & Organ
SKU: SU.90880040
For SATB Chorus &
Organ. Composed by
Nancy Galbraith.
Vocal/Choral, Sacred
Choral. Accompanied by
Organ. Choral, sacred.
Choral Octavo. Composed
2002. Duration 4'. Subito
Music Corporation
#90880040. Published by
Subito Music Corporation
(SU.90880040). 1553
(adapted by the composer)
Text: Philip
Melanchthon. SATB
Chorus, Organ Duration:
4' Text: Philip
Melanchthon, 1553
(adapted by the composer)
Composed: 2002 Published
by Subito Music
Publishing The text of In
Unity and Love was
adapted by the composer
from a prayer by
16th-century German
theologian Philip
Melanchthon. The work was
commissioned by the
Lutheran Theological
Seminary at Gettysburg,
and is dedicated to the
glory of God, and in
memory of Mrs. Mary
Heiges. Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). $2.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballets [Conducteur] - Facile De Haske Publications
5-Part Flexible Band - Grade 2 SKU: BT.DHP-1094725-216 From Balletti a...(+)
5-Part Flexible Band -
Grade 2 SKU:
BT.DHP-1094725-216
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Score
Only. Composed 2009. 16
pages. De Haske
Publications #DHP
1094725-216. Published by
De Haske Publications
(BT.DHP-1094725-216).
9x12 inches.
English-German-French-Dut
ch. During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci). $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1094725-015 F...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-1094725-015
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094725-015.
Published by De Haske
Publications
(BT.DHP-1094725-015).
9x12 inches.
English-German-French-Dut
ch. During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci). $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballets Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - early intermediate SKU: BT.DHP-1094725-030 From Balletti ...(+)
Brass Band - early
intermediate SKU:
BT.DHP-1094725-030
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094725-030.
Published by De Haske
Publications
(BT.DHP-1094725-030).
9x12 inches.
English-German-French-Dut
ch. During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci). $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Escape from the Seraglio K. 384 Breitkopf & Härtel
(solos: SSTTB - 2Sp - choir: SATB - picc.2.2.2(bassethn).2. - 2.2.0.0. - timp.pe...(+)
(solos: SSTTB - 2Sp -
choir: SATB -
picc.2.2.2(bassethn).2. -
2.2.0.0. - timp.perc(3) -
str) SKU:
BR.CHB-5120-02
German Opera in 3
acts. Composed by
Wolfgang Amadeus Mozart.
Stapled. Chor-Bibliothek
(Choral Library). Opera;
Music theatre; Classical.
Choral score. 8 pages.
Breitkopf and Haertel
#ChB 5120-02. Published
by Breitkopf and Haertel
(BR.CHB-5120-02). ISBN
9790004410509. 7.5 x 10.5
inches. Duration:
full eveningText by
Gottlieb Stephanie der
Jungere after Christoph
Friedrich
BretznerNarrative text
for Concert Version by
Ursula Haas Place and
time: A country estate in
Turkey, Middle of the
16th CenturyCharacters:
bassa Selim (speaking
part) - Konstanze
(soprano) - Blonde
(soprano) - Belmonte
(tenor) - Pedrillo
(tenor) - Osmin (bass) -
Klaas (speaking part) -
Dumb PersonSince only the
German original version
of this work is
available, we have
supplied only a
German-language
commentary. $4.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Puer Natus Est (SSAA Version) Wilhelm Hansen
SSAA Version - Piano Part SKU: HL.345468 Piano Part. Composed by P...(+)
SSAA Version - Piano Part
SKU: HL.345468
Piano Part.
Composed by Phillip
Faber. Choral. Octavo.
Edition Wilhelm Hansen
#WH33171A. Published by
Edition Wilhelm Hansen
(HL.345468). UPC:
840126919462. The
work is based on the
Latin Christmas hymn Puer
natus in Bethlehem from
the 13th century, and
along the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment.
Score: WH33171. Version
for mixed voices also
available. $4.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Christmas Tree Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-020 Arranged by David Well. Set...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000854-020
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000854-020. Published by
Gobelin Music
Publications
(BT.GOB-000854-020).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to ‘kill’
nature. Needle-leaved
trees were the only ones
which kept their green
colour throughout the
year, and therefore
became symbols of
immortality. These
‘living’ trees, said
to be the work of benign
spirits, were brought
into people’s houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church in
thecourse of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ’s apparition
could be recognized. The
German organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song ‘O
Tannenbaum’, the melody
being a well-known folk
song. Next to ‘Stille
Nacht’ ‘O
Tannenbaum’ is the most
famous German Christmas
song, now known
throughout the world. In
the United States of
America the melody of
‘O Tannenbaum’ has
even been used in four
States (among which the
State of Maryland) for
their State song. In
David Well’s
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De
fonkelendevlammetjes
creëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten(o.a.
Maryland) als volkslied
gebruikt. In het
arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke.Het
tussendeel is weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Christmas Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Puer natus est Wilhelm Hansen
SSAA and Opt. Piano SKU: BT.WH33171 SSAA Version - Score. Composed...(+)
SSAA and Opt. Piano
SKU: BT.WH33171
SSAA Version -
Score. Composed by
Phillip Faber.
Contemporary Music. Vocal
Score. Composed 2020. 16
pages. Edition Wilhelm
Hansen #WH33171.
Published by Edition
Wilhelm Hansen
(BT.WH33171). ISBN
9788759841624. The
work is based on the
Latin Christmas hymn Puer
natus in Bethlehem from
the 13th century, and
along the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment
(WH33171A). Version for
mixed voices also
available. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Puer natus est Chorale SATB SATB, Piano Wilhelm Hansen
SATB Choir and Piano SKU: BT.WH33172A SATB Version - Piano Part. C...(+)
SATB Choir and Piano
SKU: BT.WH33172A
SATB Version - Piano
Part. Composed by
Phillip Faber.
Contemporary Music. Part.
Composed 2020. 8 pages.
Edition Wilhelm Hansen
#WH33172A. Published by
Edition Wilhelm Hansen
(BT.WH33172A). ISBN
9788759894491. The
work is based on the
Latin Christmas hymn Puer
natus in Bethlehem from
the 13th century, and
along the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment.
Score: WH33172. Version
for upper voices also
available. $6.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Puer natus est Wilhelm Hansen
SSAA and Opt. Piano SKU: BT.WH33171A SSAA Version - Piano Part. Co...(+)
SSAA and Opt. Piano
SKU: BT.WH33171A
SSAA Version - Piano
Part. Composed by
Phillip Faber.
Contemporary Music. Part.
Composed 2020. 8 pages.
Edition Wilhelm Hansen
#WH33171A. Published by
Edition Wilhelm Hansen
(BT.WH33171A). ISBN
9788759894484. The
work is based on the
Latin Christmas hymn Puer
natus in Bethlehem from
the 13th century, and
along the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment.
Score: WH33171. Version
for mixed voices also
available. $6.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Puer Natus Est (SATB Version) Wilhelm Hansen
SATB Version - Piano Part SKU: HL.345466 Piano Part. Composed by P...(+)
SATB Version - Piano Part
SKU: HL.345466
Piano Part.
Composed by Phillip
Faber. Choral. Softcover.
Edition Wilhelm Hansen
#WH33172A. Published by
Edition Wilhelm Hansen
(HL.345466). UPC:
840126919448. The
work is based on the
Latin Christmas hymn Puer
natus in Bethlehem from
the 13th century, and
along the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment.
Score: WH33172. Version
for upper voices also
available. $4.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Christmas Tree Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-120 Arranged by David Well. Sco...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000854-120
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000854-120. Published by
Gobelin Music
Publications
(BT.GOB-000854-120).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to ‘kill’
nature. Needle-leaved
trees were the only ones
which kept their green
colour throughout the
year, and therefore
became symbols of
immortality. These
‘living’ trees, said
to be the work of benign
spirits, were brought
into people’s houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church in
thecourse of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ’s apparition
could be recognized. The
German organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song ‘O
Tannenbaum’, the melody
being a well-known folk
song. Next to ‘Stille
Nacht’ ‘O
Tannenbaum’ is the most
famous German Christmas
song, now known
throughout the world. In
the United States of
America the melody of
‘O Tannenbaum’ has
even been used in four
States (among which the
State of Maryland) for
their State song. In
David Well’s
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De
fonkelendevlammetjes
creëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten(o.a.
Maryland) als volkslied
gebruikt. In het
arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke.Het
tussendeel is weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Puer Natus Est (SSAA Version) Wilhelm Hansen
SKU: HL.345469 Score. Composed by Phillip Faber. Choral. Octavo. E...(+)
SKU: HL.345469
Score. Composed by
Phillip Faber. Choral.
Octavo. Edition Wilhelm
Hansen #WH33171.
Published by Edition
Wilhelm Hansen
(HL.345469). UPC:
840126919479. The
work is based on the
Latin Christmas hymn
Puer natus in
Bethlehem from the
13th century, and along
the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment
(WH33171A). Version for
mixed voices also
available. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Puer natus est Chorale SATB SATB, Piano Wilhelm Hansen
SATB and Opt. Piano SKU: BT.WH33172 SATB Version - Score. Composed...(+)
SATB and Opt. Piano
SKU: BT.WH33172
SATB Version -
Score. Composed by
Phillip Faber.
Contemporary Music. Vocal
Score. Composed 2020. 16
pages. Edition Wilhelm
Hansen #WH33172.
Published by Edition
Wilhelm Hansen
(BT.WH33172). ISBN
9788759841631. The
work is based on the
Latin Christmas hymn Puer
natus in Bethlehem from
the 13th century, and
along the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment
(WH33172A). Version for
upper voices also
available. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af. $22.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Puer Natus Est (SATB Version) Wilhelm Hansen
SKU: HL.345467 Score. Composed by Phillip Faber. Choral. Octavo. E...(+)
SKU: HL.345467
Score. Composed by
Phillip Faber. Choral.
Octavo. Edition Wilhelm
Hansen #WH33172.
Published by Edition
Wilhelm Hansen
(HL.345467). UPC:
840126919455. The
work is based on the
Latin Christmas hymn
Puer natus in
Bethlehem from the
13th century, and along
the way, the German
fishing melody Ein Kind
geborn zu Bethlehem from
the 16th century onwards.
The latter can be sung in
English, German or Danish
at will. The work can be
sung a cappella or with
piano accompaniment
(WH33172A). Version for
upper voices also
available. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 15 Easy Classical Solos Flûte traversière et Piano [Partition + CD] - Facile Anglo Music
Flute and Piano - easy SKU: BT.AMP-297-400 Arranged by Philip Sparke. Ang...(+)
Flute and Piano - easy
SKU:
BT.AMP-297-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
297-400. Published by
Anglo Music Press
(BT.AMP-297-400). ISBN
9789043138048. 9x12
inches.
English-German-French-Dut
ch. Part of the
Anglo Music Play-along
Series, Philip Sparkes
15 Easy Classical
Solos is aimed at the
young instrumentalist who
can play just over an
octave. Specifically
tailored to suit the
individual instrument,
this book introduces
thebeginning player to
the world of the classics
by using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music from
the 16th to the 20th
century and cover a wide
variety of styles, from
Bach to Grieg and from
Purcell to Satie. This
book will provide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15
Easy Classical Solos ist
als Ergänzung zur
bewährten Anglo Music
Play-Along Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
®Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden.Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie.Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
1
5 Easy Classical Solos,
de Philip Sparke, est un
ouvrage qui sâ??adresse
aux jeunes musiciens,
maîtrisant un peu plus
dâ??une
octave. Spécifiqueme
nt adapté chaque
instrument, ce volume
rassemble quinze
mélodies écrites
par des compositeurs
aussi variés que Bach,
Purcell, Grieg et
Satie. Comprenant les
parties
dâ??accompagnement de
piano et une version
dâ??accompagnement sur
compact disc, ces
ouvrages représentent
une source
complémentaire
inestimable toute
méthode
pédagogique.
So
mmaire : Waltz (Moritz
Vogel) â?¢ Chorale Now
Praise, My Soul, the Lord
(J. S. Bach) â?¢
Humming Song from Album
for the Young (Robert
Schumann) â?¢
Gymnopédie No. 1 (Erik
Satie) â?¢ Iâ??m
Called Little Buttercup
from HMS Pianoforte (Sir
Arthur SeymourSullivan)
â?¢ Study, op. 37 No.3
(Henry Lemoine) â?¢
Minuet Z649 (Henry
Purcell) â?¢ Theme and
Variation from Sonata No.
3 (Thomas Attwood) â?¢
Northern Song from Album
for the Young (Robert
Schumann) â?¢ Two
German Dances from Twelve
German Dances D 420(Franz
Schubert) â?¢
Watchmanâ??s Song from
Lyric Pieces op. 12
(Edvard Grieg) â?¢
Gavotte (Jan Dussek)
â?¢ Vien qu , Dorina
Bella, op. 7 (Antonio
Bianchi, arr. Von Weber)
â?¢ Minuet from
Notebook for Anna
Magdalena Bach (Christian
Petzold) â?¢ The Prince
ofDenmarkâ??s March from
Choice Lessons for the
Harpsichord or Spinet (
Jeremiah
Clarke)
Il
concetto della collana
Anglo Music Play-Along
Series è quello di
integrare al più
presto nel processo di
apprendimento dei giovani
strumentisti la
possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 2 Motets Deutscher Verlag für Musik
Chorus a cappella SKU: BR.DV-7971-02 From Chormusik nach Madrigal-Mani...(+)
Chorus a cappella SKU:
BR.DV-7971-02 From
Chormusik nach
Madrigal-Manier -
Urtext. Composed by
Andreas Hammerschmidt.
Edited by Michael
Heinemann. Choir;
Softcover. Deutscher
Verlag. Motet;
Renaissance/early
Baroque; Baroque. Choral
score. 24 pages.
Deutscher Verlag fur
Musik #DV 7971-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7971-02). ISBN
9790200471588. 7.5 x 10.5
inches.
German. In his
Chormusic auff Madrigal
Manier (1652/53), the
Zittau organist
Hammerschmidt claimed
Heinrich Schutz and his
Geistliche Chor-Musik
(1648) as his models.
With his 31 motets,
Hammerschmidt made an
import ant contribution
to the development of
Protestant vocal music in
Germany. The two works
selected here exemplarily
represent both the
earlier, 16th century
style as well as the
newer, concertante style
of writing. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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