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| Damiani Andrea - Method
For Renaissance Lute
(english Version)
Luth
Ut Orpheus
Traduction Doc Rossi
Compositeur : Damiani Andrea
Instrumentation : Lu...(+)
Traduction Doc Rossi
Compositeur : Damiani Andrea
Instrumentation : Luth
Publication Date: 1999
Series: Teoria e Didattica della Musica (Theoretical and Educational Texts)
Pages: pp. 208
CONTENTS
* Preface
* Introduction
* CHAPTER 1. TUNING AND TABLATURE
Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings
* CHAPTER 2. BASIC TECHNIQUES
Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control
* CHAPTER 3. THE RIGHT HAND
Forearm and accentuation - Fingering
* CHAPTER 4. THE LEFT HAND
General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination
* CHAPTER 5. SCALES
Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques)
* CHAPTER 6. EXERCISES FOR TWO LUTES
Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses
* CHAPTER 7. SHIFTING LEFT-HAND POSITIONS
Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump
* CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES
* CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC
p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales
* CHAPTER 10. COUNTERPOINT
Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension
* CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES
* CHAPTER 12. THREE VOICES
The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint
* CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES
Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices
* CHAPTER 14. CHORDS OF FOUR OR MORE NOTES
The ring finger (a) - Five- and six-note chords - Chords played with p
* CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS
Chords and divisions - Characteristics of lute composition
* CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY
Evolution of right-hand position - Exercises for m-i alternation
* CHAPTER 17. TECHNIQUE
Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises
* CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE
Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans)
* CHAPTER 19. TEMPERAMENT
Meantone temperament - Equal temperament
Délais: Sur commande |
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| Glorious Hill (BRYARS
GAVIN)
4 Voix d'Hommes [Attbar], 2
Altos, Violoncelle et [Conducteur]
Schott
for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male...(+)
for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir.
Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.
Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices.
The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace.
/ Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et
Délais: 2-5 jours - En Stock Fournisseur |
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| Elburg Fantasy (DE HAAN
JACOB)
Fanfare [Conducteur] - Intermédiaire/avancé
De Haske Publications
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortifi...(+)
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents. Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre. / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
Délais: 2-5 jours - En Stock Fournisseur |
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| Elburg Fantasy (DE HAAN
JACOB)
Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé
De Haske Publications
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortifi...(+)
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents. Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre. / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
Délais: 2-5 jours - En Stock Fournisseur |
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| Chansons Et Madrigaux
Pour Trois Et Quatre Voix
(HAHN REYNALDO)
Choeur et Piano [Partition]
Heugel
Par HAHN REYNALDO. Reynaldo Hahn 's Songs And Madrigals for three- and four-part...(+)
Par HAHN REYNALDO. Reynaldo Hahn 's Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance revelry with the ‘ Bal De Beatrice D'Este', the composer continued to explore the past with a tribute, in 1907, to Rameau (in the final drumroll of the ‘ Sonatine' for Piano). He also published Songs And Madrigals, composed on a selection of texts written by famous 15th and 16th century poets: Charles d'Orleans, Jean-Antoine de Baï f and Agrippa d'Aubigne. Composed for three- and four-part choir (with optional Piano accompaniment duplicating the Vocals), these six Songs And Madrigals radiate a powerful charm that preserves them from affectation: Un Loyal Coeur envelops the listener in the polyphonic latticework of an enchanting melancholy, while Vivons, Mignarde borrows rhythmically from Lully to exalt the 'sweet life' that Coralie's lips promise to make even more voluptuous. With its seductive melody and expressive delays, Pleurez Avec Moi! bestows heartrending accents upon the sighs of a desolate soul. En Vous Disant Adieu, Comment Se Peut-il Faire Ainsi and Les Fourriers D'Ete round off this collection of deliberately archaic songs that exhale an irresistible freshness./ Répertoire / Choeur et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| TAMBLING CHRISTOPHER -
TUNES FOR TWO SAXOPHONES
2 Saxophones (duo)
Kendor Music Inc.
The Tunes for Two series is well established, and is used in so many schools thr...(+)
The Tunes for Two series is well established, and is used in so many schools throughout the world, thanks to the fine arrangements of such well-known pieces. There are 30 duets in each book (piano books one and two contain 20 each). An excellent introduction to ensemble playing, the familiar tunes make playing-along a rewarding experience. The versatile C and B flat instruments book has one part for each instrument.ContentsAll these tunes for every instrument:All in a garden green - Traditional English melodyAll through the night - Traditional Welsh melodyAutumn from 'The Four Seasons' - VivaldiBist du bei mir - BachBourrée from 'Water Music' - HandelCountry gardens - Traditional English melodyGreensleeves - 16th-century melodyImpromptu - SchubertLargo from 'New World Symphony' - DvorákMarch - HandelMarche militaire - SchubertMinuet from 'Eine kleine Nachtmusik' - MozartMinuet from 'Water Music' - HandelMy bonny lass she smileth - MorleyNon piu andrai from 'The Marriage of Figaro' - MozartOde to joy - BeethovenPapageno's aria from 'The Magic Flute' - MozartPassion chorale - HasslerPavan - 16th-century melodySkye boat song - Traditional Scottish melodySoldiers' march - SchumannSpring from 'The Four Seasons' - VivaldiSteal away - SpiritualTallis' canon - TallisThe entertainer - JoplinThe silver swan - GibbonsTo a wild rose - MacDowellTrumpet voluntary - ClarkeWere you there - SpiritualWhen the saints go marching in - Spiritual / Musique films - comédies musicales / Kendor
Délais: En Stock |
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| Easy Songs For The
Beginning Soprano
Voix Soprano, Piano [Partition + CD] - Facile
Schirmer
Cette série a été conçue pour compléter les traditionnelles instructions vo...(+)
Cette série a été conçue pour compléter les traditionnelles instructions vocales et fonctionne parfaitement en tant que littérature préparatoire pour le premier livre de Solos et le premier livre de Solos Partie II. Chaque pièce est en anglais et a une portée limitée vocale ainsi que d'un accompagnement au piano qui est jouable par un pianiste étudiant. Les pièces incluent des mélodies, de chansons folkloriques, les chansons humoristiques et chansons populaires adaptées époque et sont toutes les mesures appropriées pour les solos du concours. Le CD d'accompagnement comprend des accompagnements professionnellement enregistrées. Table des matières Soprano: Alice Blue Gown · April Showers · Butterflies (Schulz) · Cradle Song (Brahms) · Evening Prayer from Hansel and Gretel (Humperdinck) · The False Prophet (Scott) · Florian's Song (Godard) · Golden Slumbers (English folksong) · It Was a Lover and His Lass (Austin) · Ladybird (Schumann) · The Lilac Tree (Gartlin) · The Little Sandman (arr. Brahms) · My Little Heart (Weckerlin) · The Nightingale (Alabieff) · Oh! Dear, What Can the Matter Be? (16th Century) · Oh, Pretty Birds (Rigel) · The Rosebush (Himmel) · The Sweetest Flower that Blows (Hawley) · Two Marionettes (Cooke) · The Willow Song (16th Century) · The Willow Tree (arr. Reimann) · The Winter It Is Past (arr. Hopekirk). / Soprano Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Bring A Torch Jeanette
Isabella (S/O)
Orchestre à Cordes
Alfred Publishing
Nothing says Noel better than a 16th century courtly dance. Also known as 'Un Fl...(+)
Nothing says Noel better than a 16th century courtly dance. Also known as 'Un Flambeau, Jeanette, Isabelle,' this piece was originally performed for the French nobility. The variations in this new setting by Vince Gassi will lift your spirits as they pass from a joyous opening, through a brief moment of reflection, and on to a jubilant ending. This little bit of effervescence is a great addition to any part of your Christmas program. (2:45) / Orchestre A Cordes
Délais: 2-5 jours - En Stock Fournisseur |
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| Haydn, M.:
Weihnachtsresponsorien
(HAYDN JOHANN MICHAEL)
SATB et Orchestre [Partition]
Carus Verlag
Par HAYDN JOHANN MICHAEL. The Christmas responsories belong to a particular trad...(+)
Par HAYDN JOHANN MICHAEL. The Christmas responsories belong to a particular tradition of choral settings of responsoria which had developed since the middle ot the 16th century. The entirely homophonic style of composition make the words easily understandable. The forward flow of the words - Haydn did not repeat words - is intensified and accentuated by harmonic means. In contrast to hias Holy Week Responsories, which are indebted to the more ancient style of writing, his Weihnachts-Responsorein are in the concertante style with independent instrumental accompaniment to the voices, played by two violins and basso continuo./ Répertoire / SATB et Orchestre
Délais: 2-5 jours - En Stock Fournisseur |
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| Renaissance Lute
Repertoire
Luth - Intermédiaire
Mel Bay
Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition c...(+)
Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to F♯.That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth
Délais: 2-5 jours - En Stock Fournisseur |
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| Bring A Torch Jeanette
Isabella (C/B)
Orchestre d'harmonie [Conducteur et Parties séparées]
Alfred Publishing
Celebrate Noel with this carol taken from a 16th century courtly dance tune. The...(+)
Celebrate Noel with this carol taken from a 16th century courtly dance tune. The variations in this new setting will lift your spirits as they pass from a joyous opening, through a brief moment of reflection, and on to a jubilant ending. This little bit of effervescence is a great addition to any part of your Christmas program. (2:25) / Concert Band
Délais: 2-5 jours - En Stock Fournisseur |
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| Cadenzas (HAYDN FRANZ
JOSEF)
Piano seul
Schott
to the concerto for piano and orchestra in G Major Hob. XVIII:4. Par HAYDN FRANZ...(+)
to the concerto for piano and orchestra in G Major Hob. XVIII:4. Par HAYDN FRANZ JOSEF. Improvised and also composed solo cadenzas, normally occuring towards the end of a bravura aria or an instrumental concerto movement, have existed since the late 16th century. They provide the performer with an opportunity for self-presentation in the form of a free style of playing or singing, based on themes and motifs from previous sections of the movement. Solo cadenzas are for the most part introduced by a six-four chord held by the orchestra; the soloist begins a protracting interpolation in free stlye, subsequently culminating on the dominant chord, usually with a trill.
Whereas originally composers left solo cadenzas to be freely improvised, from the middle of the 19th century onwards they were frequently specifically written out. The increasing abuse of cadenzas as a mere display of free virtuosity, ignoring the style and impetus of the composition, played a substantial factor in this development. Thus Beethoven gives the soloist no opportunity whatsoever for free improvisation in his 5th piano concerto in which the cadenza becomes an integral, obligatory component of the complete work.
In this unique series Schott Music presents cadenzas created for well-known instrumental concertos from the Classical and Romantic periods by major composers and soloists of our time.
Nino Rota dedicated the 'Kadenzen zum Klavierkonzert Nr. 4 in G-Dur (Cadenzas of the Concerto No. 4 for Piano and Orchestra in G major) Hob. XVIII:4' by Joseph Haydn to Arturo Benedetti Michelangeli (1920-1995), who recorded them for the label EMI./ Répertoire / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Brevis (BUXTEHUDE
DIETRICH)
Choeur SSATB et Basse Continue [Partition]
Carus Verlag
Par BUXTEHUDE DIETRICH. In the tradition of Protestant missa brevis compositions...(+)
Par BUXTEHUDE DIETRICH. In the tradition of Protestant missa brevis compositions, the music of this Mass was written in the so-called stile antico” following 16th-century models and known as Palestrina style. The surviving copy, in the Düben Collection, dates from 1675. Buxtehude adopted the strict form of the “stile antico, ” contrapuntal polyphony without instrumental accompaniment for various compositions of the same period, including Mit Fried und Freud ich fahr dahin BuxWV 76, written on the death of his father. The Missa brevis consists of the Kyrie and Gloria of the Ordinarium, so it is a “Lutheran Mass”; in 17th-century Protestant services these sections of the Mass were sung in Latin. / Messe / Répertoire / Choeur SSATB et Basse Continue
Délais: 2-5 jours - En Stock Fournisseur |
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| Suite De Danses (CAFOLLA
ROMA)
Flûte traversière et
Piano - Intermédiaire/avancé
Forton Music
Par CAFOLLA ROMA. A modern interpretation of the ancient Dance Suite. Virtuosic ...(+)
Par CAFOLLA ROMA. A modern interpretation of the ancient Dance Suite. Virtuosic writing for the soloist. As a child I was privileged to be introduced to these dances by Ms Watson my ballet teacher. She was an immense talent and explained the nuances and intricacies with care and passion for the subject. 1. Prelude (Allegro) - The introduction to the suite. 2. Allemande (Moderato con moto) An elaborate court dance popular in the 16th century. It is usually followed by the Courante. 3. Courante (Allegro delicato) A dance of french origin. The name is derived from the french word courir to run. Typically in triple time, it features a short up beat. Staccato in nature and lively in performance. 4. Sarabande (Grave patetico) A slow courtly dance in triple time oftenfollowed by a Gigue. 5. Gigue (Vivace Leggiero) A lively baroque dance originating from the Irish jig and imported into France in the mid 17th century. It usually appears at the end of a suite. / Niveau : Intermédiaire à Avancé / Répertoire / Flûte Traversière et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Pieces Anciennes (ROLLIN)
 En Français
Harpe [Partition]
Leduc, Alphonse
Par ROLLIN. Works from the 16th century to the beginning of the 18th century for...(+)
Par ROLLIN. Works from the 16th century to the beginning of the 18th century for Guitar, Lute or Vihuela, arranged for Harp by Monique Rollin./ Répertoire / Harpe Celtique
Délais: 2-5 jours - En Stock Fournisseur |
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| Star Wars 1-6 Musical
Journey (WILLIAMS JOHN)
Piano seul [Partition]
Alfred Publishing
5 Fingers / 5 Doigts. Par WILLIAMS JOHN. The entire Star Wars saga is encompasse...(+)
5 Fingers / 5 Doigts. Par WILLIAMS JOHN. The entire Star Wars saga is encompassed in this piano sheet music collection! Set amid stunning imagery from the films, these piano arrangements bring the magic of Star Wars to life as they masterfully invoke the grand romanticism of John Williams's epic, award-winning scores. Included are the most definitive and memorable pieces from each of the six Star Wars episodes arranged by Tom Gerou. These arrangements are set in traditional five-finger style, with the melody split between the hands. For performance ease, student parts have no key signatures, dotted quarter notes, triplets, or 16th notes. Optional duet accompaniments are also provided for a fuller, richer musical experience. Titles: 20th Century Fox Fanfare * Across the Stars * Anakin's Theme * Battle of the Heroes * Binary Sunset * Cantina Band * Duel of the Fates * The Imperial March * Jawa Sandcrawler * Luke and Leia * May the Force Be with You * Princess Leia's Theme * Star Wars (Main Title) * The Throne Room * Yoda's Theme. / Instrumental Music, Miscellaneous, Piano Music, Sc / Recueil / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| The Centurions (CURNOW
JAMES)
Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant
Curnow Music
Par CURNOW JAMES. The final bars of CENTURIONS take Grade 1 music to new heights...(+)
Par CURNOW JAMES. The final bars of CENTURIONS take Grade 1 music to new heights of excitement! Artful composition for the first year band with limited ranges and rhythms makes this one you’ll use again and again. Some easy use of 16th notes (for the Snare Drum only) helps to generate that extra bit of energy that lifts this one over the top while keeping the Percussion parts interesting for the players. Flute fingerings are kept easily manageable throughout and Brass ranges are carefully controlled. Appropriate for any program, CENTURIONS will inspire your young musicians to a bold and dramatic performance. Excellent for cross-curriculum teaching with history / Niveau : 1 / Marche / Répertoire / Concert Band
Délais: 2-5 jours - En Stock Fournisseur |
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| Toccata Festiva (VAN DER
ROOST JAN)
Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dut...(+)
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century). / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
Délais: 2-5 jours - En Stock Fournisseur |
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| The Danserye (Arr. Manu
Mellaerts)
Orchestre d'harmonie [Conducteur]
Beriato Music
A Suite of Five Dances (early 16th Century). Par SUSATO TIELMAN. / Niveau : 4-5...(+)
A Suite of Five Dances (early 16th Century). Par SUSATO TIELMAN. / Niveau : 4-5 / Classique / Répertoire / Concert Band ou Harmonie
Délais: 2-5 jours - En Stock Fournisseur |
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| Divertimento (CESARINI
FRANCO) [CD]
Edition Franco Cesarini
Music for Double Wind Quintet by Franco Cesarini. Par CESARINI FRANCO. A superb ...(+)
Music for Double Wind Quintet by Franco Cesarini. Par CESARINI FRANCO. A superb recording of five pieces for double wind quintet composed by Franco Cesarini.
Suite Siciliana is a true tribute to this beautiful island, a piece composed by seven dances in the musical form typical of the baroque period.
Divertimento, an early work of Franco Cesarini, illustrates the composer's love of popular song. A piece characterised by skillful instrumentation and meticulous attention to balance and form.
Le Cortège du Roi Renaud is a suite in five parts based on tales that originate in southern European folk songs dating back as far as the 16th century.
Pastorale de Provence, a suite in four movements, was written by Franco Cesarini in memory of the great Provençal composer Darius Milhaud.
As the title says, Greek Folk Dances is entirely in the sign of Greek dances starting with a kalamatianos, followed by a zeibekiko. The piece ends with a hasapiko.
A perfect mix of new and less new repertoire, perfectly composed and arranged for double wind quintet by Franco Cesarini and beautifully performed by the Rovereto Wind Ensemble! / Date parution : 2021-11-03/ Accessoire / Double Quintette à Vents
Délais: 2-5 jours - En Stock Fournisseur |
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| Ach Herr, Mich Armen
Sünder (BACH JOHANN
SEBASTIAN)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed...(+)
Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemplary cantata text. / Date parution : 2004-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,
Délais: 2-5 jours - En Stock Fournisseur |
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| Toccata Festiva (VAN DER
ROOST JAN)
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dut...(+)
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century). / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
Délais: 2-5 jours - En Stock Fournisseur |
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| Toccata Festiva (VAN DER
ROOST JAN)
Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dut...(+)
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century). / Niveau : 4 / Répertoire / Brass Band
Délais: 2-5 jours - En Stock Fournisseur |
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| Missa In Illlo Tempore
(MONTEVERDI CLAUDIO /
GOMBERT NICOLAS)
Choeur SSATTB et Basse Continue [Partition]
Carus Verlag
Par MONTEVERDI CLAUDIO / GOMBERT NICOLAS. Monteverdi's Missa in illo tempore for...(+)
Par MONTEVERDI CLAUDIO / GOMBERT NICOLAS. Monteverdi's Missa in illo tempore for six voices, together with the Vespers form a collection of church music which was printed in Venice in 1610 and dedicated to Pope Paul V. During the period of transition from the older [16th century] polyphonic style to the new concertante style Monteverdi displayed his compositional abilities in this collection using both means of expression. Whereas the Vespers contained, for their time, the most modern concerti, contemporaneously the Missa employed the already obsolete genre of parody mass based on themes from a motet by Nicolas Gombert; it was composed consciously in the stile antico. The vocal parts are accompanied by a basso continuotreated as a basso seguente. / Messe / Répertoire / Choeur SSATTB et Basse Continue
Délais: 2-5 jours - En Stock Fournisseur |
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| Greensleeves (Arr.
Michael Sweeney)
Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant
Hal Leonard
16th Century Traditional English Carol. / Niveau : 1 / Noël / Répertoire /...(+)
16th Century Traditional English Carol. / Niveau : 1 / Noël / Répertoire / Concert Band ou Harmonie
Délais: 2-5 jours - En Stock Fournisseur |
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| Pastime With Good Company
(HENRY VIII)
Ensemble de cuivres [Conducteur] - Intermédiaire
Anglo Music
Arr. Philip Sparke. Par HENRY VIII. The English king, Henry VIII (1491-1547), is...(+)
Arr. Philip Sparke. Par HENRY VIII. The English king, Henry VIII (1491-1547), is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. He was, however, a gifted athlete, dancer and composer, writing many songs, poems and consort pieces (though not Greensleeves, as is often believed). Pastime with Good Company is undoubtedly the best-known of these, written in the first years of the 16th century while he was still a handsome prince, newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting, dancing and singing and would have been sungas part of the court entertainment. / Niveau : 3 / Répertoire / Brass Band
Délais: 2-5 jours - En Stock Fournisseur |
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