Radiohead?s OK Computer OKNOTOK 1997 2017 album topped the UK charts in the week of its release, following the band?s third headline appearance at Glastonbury Festival in June 2017. It features the original twelve tracks from the OK Computer 1997 album, plus three unreleased tracks and eight B-sides. This official songbook, arranged for GTAB, includes all tracks featured on the special anniversary edition plus eight colour pages of artwork by the band?s album artist Stanley Donwood.

28 Songs In Jazz, Gospel, Randb, Soul, And Show Styles. Par BEALE CHARLES / MILLOY STEVE. 28 chansons fabuleuses d'unisson à l'harmonie à quatre parties L'idéal pour des chOeurs de la jeunesse, école groupe KS3 vers le haut, des chOeurs de la communauté, et des groupes choraux de tous les âges et expérience Occasions pour l'improvisation partout Vaste gamme de répertoire comprenant le jazz, le RandB, la trouille, l'oscillation, le chant religieux, le Gospel, la disco, l'exposition, et plus Chansons toutes neuves et nouvelles dispositions des favoris populaires Un plan complet de répétition pour chaque chanson, y compris des échauffements et des conseils sur des techniques vocales pour chanter des styles populaires Accompagnements stylistiques mais accessibles de piano Pages de Photocopiable CD avec l'ensemble complet de représentations et de supports élégants pour la plupart des morceaux Voiceworks populaire est une collection fabuleuse de chansons bariolées et populaires dans le format fortement pratique de Voiceworks. Emballé avec des chansons dans un immense choix de styles, d'unisson à quatre parts, la collection fournit le nouveau matériel passionnant écrit par les auteurs aussi bien que les dispositions chorales des favoris telles que la ' comédie ce soir ', ' redressez et volez juste ', et ' en dansant dans la rue '. Vous trouverez l'âme, le jazz, la trouille, l'oscillation, le chant religieux, le Gospel, la disco, l'exposition, les gens, le motown, le RandB, le doowop, le hip-hop et plus - tout présenté avec le conseil pratique sur enseigner et préparer. Il y a abondance des occasions d'improviser, aussi bien que de conseils sur employer la voix pour chanter des styles populaires. Un CD de accompagnement inclut des représentations élégantes de toutes les chansons ainsi que des supports pour les la plupart. Ce tout ajoute à une ressource fabuleuse pour tous les groupes chanteurs de jeunes et de jeune-à-cOeur ! ' / Niveau : Débutant / Recueil / Chant

Edition no.: BA 11202ISMN: 9790006526444Volume / Series: organ plus brass, Volume IIEditor: Klomp, Carsten / Petersen, HeikoLanguage(s) of work: GermanLanguage(s) of text: German, EnglishProduct format: Performance score(s), Wind instruments score, AnthologyIncludes the following individual parts: Organ, Wind instrumentsBinding: StapledPages / Format: 17/10 S. - 30,0 x 23,0 cmThe series ?organ plus brass? presents original works and arrangements for organ and brass ensemble. The wind parts are written to meet the needs of amateur ensembles and the organ parts are ideal for non-professional church musicians playing on smaller organs.The full score comes with an inserted wind score in C, which is also available separately. Wind parts in C and B-flat can also be purchased, enabling the performance by brass ensembles of varying instrumentation.Volume II comprises five chorale preludes from the 19th century. The chorales on which they are based are well known internationally and can be used throughout the church year.- Literature for brass ensemble and organ- Suitable for amateur brass ensembles and non-professional organists- Transposed parts allow for flexible instrumentationContentsChristian Fink (1831?1911): ?Wie schön leuchtet der Morgenstern?Emil Dercks (1849?1911): ?Jesus lebt, mit ihm auch ich?Theophil Forchhammer (1847?1923): ?Sollt ich meinem Gott nicht singen?Max Gulbins (1862?1932): ?Nun danket alle Gott?Otto Scherzer (1821?1886): ?Christus, der ist mein Leben?

For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

Une collection d'ensemble de duos, de trios et de quartets pour deux, trois ou quatre instruments bas de clef comprenant des trombones, des bassons, des violoncelles, des barytons ou toute combinaison mélangée. / Instruments En Fa / 56 pages / Partition

Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 Details Edition no.: BA 9022-90 ISMN: 9790006544141 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 46/35 S. - 31,0 x 24,3 cm Although the sources to Beethoven's piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account. Jonathan Del Mar's scholarly-critical edition corrects misreadings of Beethoven's autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work. ' First Urtext edition based on the authentic sources ' Numerous corrections in the orchestral parts ' Piano reduction with a separate solo piano part

Janácek, Leos Fate Three Novel-like Scenes Details Edition no.: BA 9562-90 ISMN: 9790260107045 Editor: Zahrádka, Jirí Arranger: Baumann, Rasmus Language(s) of work: Czech, German Language(s) of text: Czech, German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XXXVII, 237 S. - 27,0 x 19,0 cm Janácek?s opera ?Osud? is an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges. This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist?s copy of authorised by Janácek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of the ?Complete Critical Edition of the Works of Leo? Janácek?. ? First critical edition of this opera ? Foreword on the genesis of the work and its reception by Jirí Zahrádka (Cz/Eng/Ger) ? New idiomatic piano reduction by Rasmus Baumann ? Singable German translation

Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ./ Répertoire / Choeur Mixte (SATB) et Piano

Par MOMPOU FEDERICO. Composed by Federico Mompou, Preludes Pour Piano is a set of four pieces with two hands for upper intermediate players. It covers the Preludes n° 1 to 4 written in 1928. Each of these preludes is written on one to four pages and can be played separately. The first one is short, to be played like a romance, with chords only. The second one lasts longer and features distinctive parts, starting with an energetic section followed by a sudden musical burst, the rest of it being slower until the animated close. The third prelude is quite slow and very expressive while the last piece of this book is quite short and simple. Federico Mompou was a Spanish pianist and composer. He composed numerous pieces for Piano and some songs./ Répertoire / Piano

GOD'S TIME IS THE BEST EDITION : STUDY SCORE INSTRUMENTATION : 4 SOLO PARTS, CHOIR AND CHAMBER ORCHESTRA CATALOGUE OF WORKS : BWV 106 DURATION : 23' DATE OF PUBLICATIONS : 23/11/1983 NUMBER OF PAGES : 44 ARRANGER : SCHERING, ARNOLD SERIES : EULENBURG MINIATURE SCORES

CANTIONES PROFANAE INSTRUMENTATION : SOLO PARTS (STBAR), MIXED CHOIR (SATB), CHILDREN'S CHOIR, 2 PIANOS AND PERCUSSION VERSION : SEPARATE PART DATE DE PARUTION : 01/01/1986 NOMBRE DE PAGES : 43 LANGUE : LATIN - MIDDLE HIGH GERMAN - OLD FRENCH

Instrumentation : treble recorder (flute, oboe), 2 violins and basso continuo; cello (viola da gamba) ad lib.
Version : score and parts
Date de parution : 15/04/1979
Nombre de pages : 31
Collection : Antiqua
Format : New Edition portrait / Partitions classique / Bois / Flûte à bec / SCHOTT

Look ye then and see
Edition : study score
Instrumentation : 3 solo parts, choir and orchestra
Catalogue of works : BWV 46
Duration : 20'
Date of Publications : 13/03/1985
Number of Pages : 64
Language : German
Arranger : Schering, Arnold
Series : Eulenburg Miniature Scores
Contenu
- Preface
- Vorwort
- Libretto/Lyrics
- I. Schauet doch und sehet (Chor)
- II. So klage du (Tenor)
- III. Dein Wetter zog sich auf (Bass)
- IV. Doch bildet euch, o Sünder (Alt)
- V. Doch Jesu will (Alt)
- VI. O großer Gott der Treu (Choral)